Chang-Rae Lee - Aloft

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Aloft: краткое содержание, описание и аннотация

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At 59, Jerry Battle is coasting through life. His favorite pastime is flying his small plane high above Long Island. Aloft, he can escape from the troubles that plague his family, neighbors, and loved ones on the ground. But he can't stay in the air forever. Only months before his 60th birthday, a culmination of family crises finally pull Jerry down from his emotionally distant course.
Jerry learns that his family's stability is in jeopardy. His father, Hank, is growing increasingly unhappy in his assisted living facility. His son, Jack, has taken over the family landscaping business but is running it into bankruptcy. His daughter, Theresa, has become pregnant and has been diagnosed with cancer. His longtime girlfriend, Rita, who helped raise his children, has now moved in with another man. And Jerry still has unanswered questions that he must face regarding the circumstances surrounding the death of his late wife.
Since the day his wife died, Jerry has turned avoiding conflict into an art form-the perfect expression being his solitary flights from which he can look down on a world that appears serene and unscathed. From his comfortable distance, he can't see the messy details, let alone begin to confront them. But Jerry is learning that in avoiding conflict, he is also avoiding contact with the people he loves most.

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"Hey," I say, glancing over to Theresa, who's likewise been glancing over to me while talking to her friends, "I think it's high time you introduced me to your fiancée."

"Of course, of course," Paul says, and we slide over into the group, and Theresa steps forward and gives me a light hug.

"Hello, Jerry," she says, pecking me on the cheek. Theresa has called me Jerry pretty much since her mother died. I didn't correct her then, out of fear she'd be further traumatized or something like that, letting her do whatever she wanted, and we both grew accustomed to it. Right now I'm happy she's clearly not unhappy to see me, which is a welcomed happenstance, as more often than not she'd have been simmering about something I said or did since the last time we got together, gathering up this prickly potential energy to let loose on me when I was thinking all was perfectly fine. And she looks great to me, a little fuller everywhere, her skin warm with a summer glow.

"You remember Alice Woo and Jadie Srinivasan, don't you?"

"I certainly do," I say, shaking their smooth, petite hands.

They address me as Mr. Battle, which fortunately jogs my memory of them, but not as being half as attractive and self-assured as they are now, more like gangly and foreign and shy. When they were young the three of them would sometimes play Charlie's Angels when their had slumber parties at our house, and they'd set up Jack's walkie-talkie, with me in the kitchen and them in the living room, and I'd say, "Hello, angels," which would delight them no end, and they'd act out whatever crazy story line they could come up with, and then vamp around a little bit, too, in sleazy makeup and clothes. But whenever I picked them up at the middle school after band practice or drama they slunk, as if trying to stay under the radar as they walked to the car, other girls running in from the fields in their team uniforms, ruddy-faced, hollering all, hair jouncing in shimmers of chestnut and strawberry and blond. I never drove them to the kinds of parties Jack was always invited to, mostly dropping them off for the train heading for New York or the art house cinema in Huntington Village. Of course I never said anything but wondered to myself what my daughter and her friends really thought of things, and of themselves, whether given a choice they'd remain just as they were or instead trade their black Edgar Allan Poe capes for field hockey skirts and Ray-Bans and the attentions of boys from Jack's crowd, the type who could swim (and soon enough drink) like fish and instinctively lace a pure backhand down the line. It turns out that Theresa and Alice and Jadie are exactly the sort of midnight-eyed young women you see increasingly in magazines and on billboards, which to me is a generally welcome development (being the father of such Diversity), though I'll not lie and say I'm at ease with most of the other attendant signs of our cultural march, one example being how youths from every quarter openly desire to dress as though they're either drug-addled whores or runaways or gangstas or just plain convicts, as though the whole society has embraced dereliction and criminality as its defining functions, with Theresa of course once pointing out to me that decades of governmental neglect and corporate corruption and pilfering have resulted in this hard-edged nihilistic street-level expression. At the risk of sounding like my father, I'll say that her reading of this doesn't really wash with me, though I have recently begun to accept her notions about the ineluctable creep in the realm, that the very ground beneath my feet is shifting with hardly my notice, to travel invisibly, with or without me.

Though I did actually utter "My bad" the other day to Miles Quintana, after messing up a cruise reservation. So maybe I'm moving along, too.

"Do you remember," Theresa says to me, "how the three of us melted the top of the bathroom vanity with a curling iron, and you came home to all those fire engines in the driveway?"

"I don't. Did I get upset?"

"I thought you were going to have a coronary," Alice Woo says. "I'll admit right now that it was all my fault. I desperately wanted curls, just like these guys."

Jadie cries, "We practically fried your hair. But it wouldn't take."

"You needed Jeri-Curl," I say, trying my best. The girls chuckle, Paul laughing loud in his special way, a nasally yuck-yuck.

"You know, Mr. Battle, I was totally afraid of you," Jadie now says. She's very dark-complected, with immense brown eyes and a tiny silver stud piercing in her nose. Later on I'll learn that at merely thirty-one she's chief corporate counsel for a software company, where I suppose piercings and tattoos are a-okay, and maybe recommended issue, like French cuffs used to be. "Theresa can tell you. I'd always ask if you were going to be home. I thought you didn't like us coming over."

"That's not true," I say. "I was always happy for you guys to hang out."

Theresa says, matter-of-factly, "Jerry just didn't like it when people were having fun and he wasn't."

Alice offers, "That's understandable, isn't it?"

"You got that," I say.

"Sure," Theresa says, "but for a parent?"

This momentarily quells the moment, not to mention cutting me deep, because of course she's right in both principle and practice. I've never sat by well when others were at play, not when I was five, or fifteen, or fifty. I'd like to believe this was a question of my desiring involvement and connection, rather than of envy or selfishness. I'd like to blame my ever-indulging, spoiling, obliging mother (God bless her), or my wonderful brother Bobby for guiltlessly using up the years of his brief life; I'd like to blame my father for giving me almost everything I required but really nothing I wanted, but that's the story of us all, isn't it, or of my particular American generation, or maybe just me, and nothing one really needs to hear about again.

"Though to be honest," my daughter now says, actually loop-ing her arm into the crook of mine, "at least Jack and I were instructed by the master. Paul can tell you what an ornery bitch I can be, if I see he's doing a crossword when I'm washing the dishes."

"She once squirted me with the Palmolive," he says. "Right on my pajamas."

Jadie nods. "But our Theresa was like that from the beginning. When we played Barbies, Alice and I always had to keep our dolls in the camper, cleaning and making the beds, while Theresa's Barbie was outside tending the campfire, roasting hot dogs and marshmallows."

"My Barbie was chef de cuisine. You were my femmes de chambre. There had to be a clear order to things."

"This is sounding very sexy," Eunice says, flanked by Rosario, who is bearing a tray of canapes. Eunice explains they are "po-lenta blinis" topped with Sevruga caviar and lobster meat and chived creme fraiche. I'm sure Eunice did put together at least one or two model canapes, as I witnessed once at another party, with Rosario making the rest. Everybody takes one, Rosario nudging me with the tray edge to grab a couple more. I comply.

"Incredible. Did you really make these?" Alice asks, to which Eunice smiles modestly but distinctly. Rosario drifts across the massive deck, to offer them to the others.

"It wasn't so difficult. The key is good components."

"We would have been happy with carrot sticks and onion dip," Theresa says, "but I'm glad you went all out."

"Oh please, it's nothing special."

This is true. Ever since she and Jack got married I've never had so much Muscovy duck and Dungeness crab and Belon oys-ters coursing through the old iron pipes. Rita cooked fancy but always with modest ingredients, being loath to use anything that cost over $3 a pound. With Eunice it's only the rare and cher, artisanal meats and breads and cheeses, exotic flown-in fishes and fruits, wines from exclusive "garage" vintners, coffee from secret hillsides in Kenya and Nepal and Vermont. As she says, it's all about the components, which indeed are often wondrously tasty, reminding one of the fundamental goodness of the plain and natural; but there's still, I think, an even more satisfying gut-strum in what someone can magically do with a little herb and spice and heat, Rita's pulled-pork casserole being exquisite proof of that. Eunice can surely wow almost anybody with her deft arrangements, but I will swear there's a love to be found in your basic Crock-Pot alchemy, which even the sweetest lobster tail or dollop of sturgeon eggs cannot easily provide.

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