David Grossman - To the End of the Land

Здесь есть возможность читать онлайн «David Grossman - To the End of the Land» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2010, ISBN: 2010, Издательство: McClelland & Stewart, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

To the End of the Land: краткое содержание, описание и аннотация

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From one of Israel’s most acclaimed writers comes a novel of extraordinary power about family life — the greatest human drama — and the cost of war.
Ora, a middle-aged Israeli mother, is on the verge of celebrating her son Ofer’s release from army service when he returns to the front for a major offensive. In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander — a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew.
Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.

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Suddenly two hands took hold of her, grasped her waist, rocked her, and pulled her out. She was in Avram’s arms. It was good that he’d come with her, she knew. One minute longer and she would have been entirely swallowed up in the ground. Something nameless had pulled her down and she was willing to crumble into dirt. It was good that he’d come, and he was so strong, with one yank he uprooted her from the earth and charged away from the pit with her on his shoulder.

He stood there, confused, and let her slide off his body so she stood opposite him, face-to-face, until she collapsed in exhaustion. She sat cross-legged, her face covered with dirt. He brought a bottle of water and sat down in front of her, and she filled her mouth and spat out doughy globs of earth, and coughed, and her eyes streamed. She wet her mouth and spat again. “I don’t know what happened to me,” she mumbled, “it just came over me.” Then she turned to look at him. “Avram? Avram? Did I scare you?” She poured water into her hand and wiped his forehead, and he did not pull back. Then she ran her wet hand over her own forehead and felt the cuts. “It’s okay, it’s okay,” she blathered. “We’re all right, everything will be all right.”

Once in a while she checked his eyes and sensed a shadow slip away into a thicket of darkness, and she did not understand. She could not understand. He had never told her anything about that place. She kept smoothing over his forehead for several more minutes, reassuring, offering tenderness and promises of goodness, and he sat there accepting and absorbing and did not move, only his thumbs flicked back and forth over his fingertips.

“Stop, enough, don’t torture yourself. We’ll come to a road soon, we’ll put you on a bus and you’ll go home. I should never have brought you here.”

But the softness in her voice — Avram felt it and the blood ran out of his heart — the softness and the compassion told him that something he had deeply feared, for years, had happened: Ora had despaired of him. Ora was giving up on him. Ora had accepted the failure that he was. He let out a bitter, toxic laugh.

“What is it, Avram?”

“Ora.” He turned away from her and spoke in a dim, throaty voice, as if his own mouth were full of earth. “Do you remember what I told you when I got back?”

She shook her head firmly. “Don’t say it. Don’t even think it.”

She took his hand and pressed it between her bleeding palms. It amazed her that for the last few minutes she had been touching him so often, with such ease, and that he had not resisted, and that he had grabbed her waist and lifted her out of the ground and run with her across the field. It amazed her that their bodies were acting like flesh and blood. “Don’t say anything. I don’t have the energy for anything now.”

When he’d come back from captivity, she had managed to get on the ambulance that took him from the airport to the hospital. He lay on the stretcher, bleeding, his open wounds running with pus. Suddenly his eyes opened and, upon seeing her, appeared to focus. He recognized her. He signaled with his eyes for her to lean down. With his last remaining strength he whispered, “I wish they’d killed me.”

From around the bend in the path came the sound of singing. A man was singing at the top of his lungs, and other voices dragged behind him without any charm or coordination. “Maybe we should duck between these trees until they pass,” Avram grumbled. Only a few moments ago they had awoken from a slumber of total exhaustion, on the side of the path and in full daylight. But the walkers had already revealed themselves. Avram wanted to get up, but she put a hand on his knee: “Don’t run away, they’ll just walk by, we won’t look at them and they won’t look at us.” He sat with his back to the path and hid his face.

At the head of the small procession walked a tall, skinny, bearded young man. Locks of black hair hung in his face, and a large colorful yarmulke covered his head. He danced and flung his limbs around in excitement as he sang and cheered, and ten or so men and women straggled behind him, hand in hand, zigzagging and daydreaming, mumbling his song or some feeble melody. Every so often they waved a tired foot, collapsed, bumped into one another. Wide-eyed, they stared at the couple sitting by the path, and the leader pulled his procession around the two and joined it in a loop and did not stop singing and hopping around. When he waved his arms up high, the others’ arms were drawn up in spasmodic surprise, and the whole circle collapsed and then tied itself back up, and the man grinned, and as he sang and danced he leaned over to Ora and asked in a quiet and utterly businesslike tone if everything was all right. Ora shook her head, nothing was all right, and he examined her injured, dirty face, and looked to Avram and a crease deepened between his eyes. Then he looked back and forth as if searching for something — as if he knew exactly what he was looking for, Ora felt — and saw the pit in the earth, and Ora unwittingly tightened her legs together.

He quickly went back to his enthusiastic rocking. “A great trouble has befallen you, my friends,” he said, and Ora replied in a small voice, “You could certainly say so.” The man inquired: “Trouble from man or from the heavens?” Then he added quietly, “Or from the earth?” Ora replied, “I don’t really believe in the heavens,” and the man smiled and said, “And in man, you do?” Ora, slightly won over by his smile, said, “Less and less every day.” The man straightened up and led the fumbling circle around them, and Ora tented her eyes from the sun to turn the dancing silhouettes into people. She noticed that one of them had odd-sized legs, another’s head was strangely tilted to the sky and she thought he might be blind, and one woman’s body was bent almost to the ground. Another woman’s mouth was wide open and drooling, and she held the hand of a gaunt albino boy, who giggled with vacant eyes. The circle turned heavily on its axis, and the energetic young man leaned over again and said smilingly, “Guys, why don’t you come with me for an hour or so?”

Ora looked at Avram, who sat with his head bowed and seemed not to see or hear anything, and she said to the man, “No thanks.”

“Why not? Just an hour, what do you have to lose?”

“Avram?”

He shrugged as if to say, Your call, and Ora turned sharply to the man and said, “But don’t talk to me about the news, you hear me? I don’t want to hear a single word!”

The man seemed to lose his equilibrium for the first time. He was about to give a witty reply, but then he peered into her eyes and said nothing.

“And no proselytizing either,” Ora added.

The man laughed. “I’ll try, but don’t come crying if you leave with a smile.”

“I won’t complain about a smile.”

He held his hand out to Avram, but Avram got up without touching the hand, and the man, still dancing around her, helped Ora hoist her backpack up and announced that he was Akiva. He stood Avram in the middle of the line and Ora at the end and went back to shepherd his confused herd.

Avram held the hand of the hunchbacked old lady, and with his other he grabbed hold of the albino boy, and Ora took the hand of a bald woman with thick blue veins snaking up her legs. She kept asking Ora what was for lunch and demanded that she give her back the cholent pot. They all climbed up a little hill, and Avram kept turning his head back to check on Ora, and she would give him a shoulder-shrugging look: Beats me, I have no idea. Akiva looked back encouragingly, and sang a grating tune very loudly. They continued this way, up and down, and both Ora and Avram delved into themselves, blind to the abundant beauty around them, yellow beds of spurge, purple orchids, and terebinths blossoming in red. Nor did they notice the intoxicating nectar that the spiny-broom flowers had begun to emit in the heat of the day. But Ora knew that it was good and restorative for her to be led this way, led by the hand, without having to think about where to put down her foot for the next step. Avram knew he wouldn’t mind going on like this all day, as long as he did not have to see Ora suffering because of him. Maybe later, when they were alone, he would tell her that he might be willing, perhaps, for her to tell him a little about Ofer, if she had to. But he would ask her not to start talking about him directly, not about Ofer himself, and that she talk about him carefully and slowly, so that he could gradually get used to the torture.

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