Stanley Elkin - George Mills

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Considered by many to be Elkin's magnum opus, George Mills is, an ambitious, digressive and endlessly entertaining account of the 1,000 year history of the George Millses. From toiling as a stable boy during the crusades to working as a furniture mover, there has always been a George Mills whose lot in life is to serve important personages. But the latest in the line of true blue-collar workers may also be the last, as he obsesses about his family's history and decides to break the cycle of doomed George Millses. An inventive, unique family saga, George Mills is Elkin at his most manic, most comic and most poignant.

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“ ‘Because I’m this snob of betrayal, this rat of swank. Your fop of collusion, your paste asshole. And nothing against their husbands. On the contrary. They’re pals, I like them. Every professional courtesy. I second their opinions. We wave on the slopes.’ ”

So Messenger told Mills of Losey’s code.

“Code?” George said. “He’s got fuckall to do with the Hippocratic oath, he’s got a code?

“Didn’t I tell you?” Messenger said. “He goes out of town. He makes love on the beaches, on cruises, off shore. Everything handled, you know, discreet. Shit, Mills, I don’t know. Maybe there are gentlemen’s agreements. Maybe they don’t go to each other’s papers. I don’t know how it’s done. A guy tells me he’s been with a groupie I don’t ask to see the matchbook from the restaurant. I’m an old-fashioned guy. People get laid it’s a wonder to me you don’t read about it in the paper. It’s amazing there’s no extra or the programs ain’t interrupted. Someone makes love … But that’s just the point. That’s Losey’s code. You can wing it like birdies, do anything, everything. Just don’t fall in love. Though that’s the part I don’t understand. I’d wonder who’s kissing them now.

“ ‘The family,’ Losey says. ‘The family comes first. The home.’

“It’s the long view, you see. The long view he takes. Marriage like principal. Not to be disturbed. He’s a doctor, a surgeon. He hates a complication. Side effects spook him, they give him the willies. Sure, that’s got to be it. The principles of science carried over into life. Well, why not? What the hell? I’m glad we had this chat, George. It’s clearer to me now.”

But not to Mills.

“Well,” Messenger said, “he has trucks.”

“Trucks.”

“And an interest in freight cars.”

“I don’t—”

“That he bought with some guys, that he leases back to the railroad.”

“I don’t—”

“Because a lot of this shit must have been in her name, joint tenancy, something sufficiently complicated so that even if he’s audited and they find against him it’s probably a judgment call. And, oh yes, meanwhile he gets the use on the money, the interest compounding against the penalty even if there is one. A divorce could … Well, you can see for yourself. And maybe that’s what he means by ‘home.’ Maybe it’s only his pet name for tax shelter. The horror, the horror, hey Mills?”

Who wanted names and dates, the places of these horrors, whose own interest was compounding now too, but in a different direction, so that when he again asked “Then what happened?” Messenger only looked at him. “What happened?” he repeated.

“What do you think happened?”

“I don’t know, that it got out of hand.”

“It was his idea that Nora become a graduate student.”

“I see,” Mills said, but didn’t.

“He even picked the discipline. And picked it mercilessly, pitilessly. Architecture. She’d need math, she’d need mechanics. She’d need drawing skills. She’d need calculus and physics, statics and dynamics, and a knowledge of mechanical systems. She’d need to know stresses. She’d need acoustics and drafting, axonometrics and isometric projections. She’d need to know project financing. She’d need a knowledge of real estate and whose palm you greased to get round the zoning codes. So she’d need political science, and a little law too. You see?”

“But—”

“Medical school would have been a breeze, compared.”

“But why did—”

“Because he really is your paste asshole, your rat of swank. Only I didn’t know he was so clever. Christ, he must have studied the catalogue like a doting daddy. He must have pored over that fucker. He must have laughed his ass off when he had to look a term up.

“But I don’t know. I don’t know why he did it. Maybe it was only that same hierarchical predilection for profession that put nurses off limits but drove him into their arms once they were doctors’ wives. Maybe that’s why he married her in the first place, maybe it’s why he loved her. Maybe he was just showing off. Because once he got his license to practice he could, by the simple act of marrying her, take any girl off the street and turn her into a doctor’s wife. Any girl. A typist, a beautician, someone in trade school.

“Maybe excitement quits on you. Maybe it pales. Maybe pride is the least complacent of the qualities, and it’s true what the songs say — the thrill is gone, the blush off the rose. Passion like the seasons, like land that gives out.”

“Maybe he didn’t want her around at those doctor conventions,” George said.

“Symposiums, conferences,” Messenger said. “Maybe. But I don’t think so. I think he’s better than that. I take him at his word. I believe he really is this rat of swank, that he has this toney, back-of-the-book vision. The couple — she’s a brain surgeon, he sits on the Supreme Court; she skydives for relaxation, he’s into archeology; they swig tiptop scotch and lie around listening to old 78’s — that has it made. The best condo at the fanciest address, who weave great salads and whip up Jap foods which they eat off the carpet before great open fires. (He gets closed-circuit TV, pulls big Vegas bouts from his dish in the yard.) Because he really thinks like that. And what I think, what I think, is that he was honestly trying to make her over. Take this perfectly nice, ordinary girl whom he’d already turned into a doctor’s wife pretty as any he screws in Europe, well dressed as any, tricky as any in bed, well heeled and knowing as any, and go for it. That’s why he chose architecture to be her fate. Out of love and an honest pleasure and pride in just more gracious living. And that could explain Jenny Greener, too.” Mills looked at him. “Think about it.” Mills shrugged. “They’re classmates. They’re classmates, George. She came to your house. What did you think?”

“I didn’t think anything. Why? What should I think?”

“Did you notice anything special about Jenny?”

“Jenny?”

“Jenny Greener, yes.”

“I’m trying to remember.”

“That’s right. Do you?”

Mills tried to recall the polite, somewhat nervous young woman who’d come with the doctor’s wife that day. She was, he’d thought, ill at ease, and had given him the impression — stiff, unmoving, perched on the edge of their sofa, holding herself carefully, almost tenderly, as if she were sore, as if she held a saucer and teacup in her lap, a napkin, invisible cakes — of restrained fidgets. She hadn’t talked much. He couldn’t remember that she’d said anything. She hadn’t asked questions, as Nora had, about the house, the neighborhood. Louise had said afterward that Nora had taken Polaroids of the house, flashes, three or four rolls. That she’d gone around shooting one picture after another, of the cellar steps, the ceiling, the basement, their closets and doorways, their small backyard. “I tell you, George, she could have been from the insurance,” Louise said, “taking pictures of water damage, busted pipes.” He couldn’t remember Jenny Greener having a camera.

“I think she was embarrassed,” George told Cornell. “I don’t recall what she looked like.”

“Plain?”

“I don’t remember.”

“Nora Pat. Mrs. Losey. What did Mrs. Losey look like?”

“Oh, she was beautiful. Very well dressed. She had on this linen suit. Boots. She had beautiful boots. Sort of a blonde. I don’t know. I can’t describe people’s looks. She was very pretty. I remember she was very pretty.”

“A smasher?” Messenger said. “A knockout?”

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