Anthony Powell - Hearing Secret Harmonies

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A Dance to the Music of Time — his brilliant 12-novel sequence, which chronicles the lives of over three hundred characters, is a unique evocation of life in twentieth-century England.
The novels follow Nicholas Jenkins, Kenneth Widmerpool and others, as they negotiate the intellectual, cultural and social hurdles that stand between them and the “Acceptance World.”

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‘Look — Lord Widmerpool is going to speak. He was awfully good when I heard him on telly. He talked of all sorts of things I didn’t know about in the most interesting way. He’s not at all conventional, you know. In fact he said he hated all conventions. The American was rather dull, wasn’t he?’

The moment inevitably recalled that when, at a reunion dinner of Le Bas’s Old Boys, Widmerpool had risen to give his views on the current financial situation. I had seen little or nothing of his later career as a public man, so this occasion could have been far from unique. Even if he made a practice nowadays of impromptu speaking, the present gathering was an extraordinary one to choose to draw attention to himself.

‘Magnus Donners Prize winner, judges and guests, there is more than one reason why I am addressing you tonight without invitation.’

The parallel with the Old Boy dinner underlined the changes taken place in Widmerpool’s oratory. In former days a basic self-assurance had been tempered with hesitancy of manner, partly due to thickness of utterance, partly to consciousness of being on uneasy terms with his contemporaries. All suggestion of unsureness, of irresolution, was gone. When a sentence was brought out too quickly, one word, rasping over the next in a torrent of excited assertion, the meaning might become blurred, but, on the whole, the diction had become more effective with practice, and a changed accentuation.

‘I address you in the first place as the once old friend and business colleague of the late Magnus Donners himself, the man we commemorate tonight by the award of the Prize named after him, and by the dinner we have just eaten. In spite of this, no more than a few words have been spoken of Donners, as public man or private individual. In certain respects that is justified. Donners represented in his public life all that I most abhor. Let me at once go on record as expressing this sentiment towards him. All that I hold most pernicious characterized Donners, and his doings, in many different ways, and in many parts of the world. Nevertheless Donners put me in charge, many years ago, of the sources from which the monies derive that make up the amount of the Prize, and pay for our dinner tonight. That, as I say, was many years ago. I do not wish to speak more of my own work than that. It was hard work, work scrupulously done. I make these introductory remarks only to convince you that I have strong claims to be given a hearing.’

Widmerpool paused. He gazed round. The room was quite silent, except for the Quiggin twins, who, paying no attention whatever to Widmerpool’s words, were muttering and giggling together. No one could blame them for that. It looked as if we were in for a longish harangue. Quiggin, from a table over the way, kept an eye on his daughters. On the other hand, Ada seemed riveted by Widmerpool himself. Half smiling, she sat staring at him, possibly musing how extraordinary that Pamela Flitton, her old friend, should once have been his wife. Matilda was watching Widmerpool too. Her face had assumed a look of conventional stage surprise, one appropriate to an actress, no longer young, playing a quizzical role in comedy or farce. This expression remained unchanged throughout Widmerpool’s strictures on Sir Magnus. The dark profile of Delavacquerie, grave, firm, rather sad in repose, gave nothing away. Nor did Gwinnett, either by look or movement, show any reaction. Gwinnett might have been listening to the most banal of congratulatory addresses, delivered by the official representative of some academic body. Widmerpool passed his hand inside the neck of his sweater. He was working himself up.

‘We are often told we must establish with certainty the values of the society in which we live. That is a right and proper ambition, one to be laid down without reticence as to yea or nay. Let me say at once what I stand for myself. I stand for the dictatorship of free men, and the catalysis of social, physical and spiritual revolution. I claim the right to do so in the name of contemporary counterculture, no less than in my status as trustee of the fund of which I have already spoken. But — let me make this very plain — neither of these claims do I regard as paramount. I have yet another that altogether overrides the second, and expresses in an intrinsic and individual formula a point of contact to be looked upon as the veritable hub of the first.’

Widmerpool again stopped speaking. He was sweating hard, though the night was far from warm. He took a long drink of water. No one interrupted — as some of the more impatient had done in the course of Alaric Kydd’s extempore harangue — probably kept silent from sheer surprise. Widmerpool also managed to give the impression he was coming on to something that might be worth hearing. In fact the Donners-Brebner director’s wife had been to some extent justified in her assessment.

‘There are persons here tonight aware that I am myself referred to — even if not by name — in the biography that has received this year’s Magnus Donners Memorial award, the work we have come together to celebrate at this dinner. For the benefit of those not already in possession of that information — those who do not know that, under the cloak of a specious anonymity, the story of my own married life is there recorded — I take the opportunity to announce that fact. I was the husband of the woman who destroyed the wretched author Trapnel’s manuscript book — or whatever it was of his literary work that she destroyed — one of the steps on the downfall of Trapnel, and of herself.’

To describe as somewhat horrified the silence that continued to exist throughout the dining-room would be no undue exaggeration. These words were far more than the committee had bargained for. Delavacquerie especially must at the moment be feeling that, I thought, though in a sense Widmerpool’s line was the one Delavacquerie himself had predicted; even if infinitely more aggressive. There was no way of stopping Widmerpool. He would have to be heard to the end.

‘Some of you — not, I hope, the younger section of my audience — may be surprised at my drawing attention to my own case in playing a part — that of the so-called betrayed husband — once looked upon as discreditable and derisory. I go further than merely proclaiming that fact to you all. I take pride in ridiculing what is — or rather was — absurdly called honour, respectability, law, order, obedience, custom, rule, hierarchy, precept, regulation, all that is insidiously imposed by the morally, ideologically, and spiritually naked, and politically bankrupt, on those they have oppressed and do oppress. I am grateful to the author of this book — the title of which for the moment escapes me — for bringing home to so large an audience the irrelevance of such concepts in this day and age, by giving me opportunity to express at a gathering like ours, the wrongness of the way we live, the wrongness of marriage, the wrongness of money, the wrongness of education, the wrongness of government, the wrongness of the manner we treat kids like these.’

Widmerpool extended his hand in the direction of Amanda and Belinda. They were still conferring together. Neither took any notice of this reference to themselves. Perhaps they were unaware of it.

‘I have brought these two children tonight by special request on my own part, and for a good reason. They are the couple who threw paint over me in my capacity as university chancellor. It was the right thing to do. It was the only thing to do. I was taking part in a piece of pompous and meaningless ceremonial, which my own good sense, and social opinions, should have taught me to avoid. I am now eternally glad that I did not avoid that. I learnt a lesson. Even now there are marks of red paint on my body, that may remain until my dying day, as memorial to a weak spirit. The entirely commendable act of Amanda and Belinda brought to the surface many half-formulated ideas already in my mind. Crystallized them. These children are right to have abandoned the idea that they can get somewhere without violence. Festering diseases need sharp surgery. These kids were articulate in their own way, and, in a different manner, the book by Professor — Professor — this book, the one that has won the Prize, has crystallized my views —’

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