Ismail Kadare - Broken April

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Two destinies intersect in
. The first is that of Gjor, a young mountaineer who (much against his will) has just killed a man in order to avenge the death of his older brother, and who expects to be killed himself in keeping with the provisions of the Code that regulates life in the highlands. The second is that of a young couple on their honeymoon who have come to study the age-old customs of the place, including the blood feud.
While the story is set in the early twentieth century, life on the high plateaus of Albania takes life back to the Dark Ages. The bloody shirt of the latest victim is hung up by the bereaved for all to see — until the avenger in turn kills his man with a rifle shot. For the young bride, the shock of this unending cycle of obligatory murder is devastating. The horror becomes personified when she catches a glimpse of Gjor as he wanders about the countryside, waiting for the truce of thirty days to end, and life with it. That momentary vision of the hapless murderer provokes in her a violent act of revulsion and contrition. Her life will be marked by it always.

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“That’s not important,” Ali Binak said. “What is needed is action.”

The priest and Ali Binak conferred with each other. Bessian heard Ali Binak say, “Then I’ll go with you,” and he took courage from that. In the crowd you could hear the words, “The priest is going there, together with Ali Binak.”

The priest walked off, followed by Ali Binak. After taking a few steps, Ali turned around and said to the crowd, “Stay where you are. They might shoot.”

Bessian felt that he was still being held by his arms. What is happening to me? he groaned inwardly. It seemed to him that the whole world was empty; all that was left was two forms in motion, the priest and Ali Binak, and the tower of refuge to which they were going.

He heard voices around him, like the distant whistling of a wind that was coming from another world. “They can’t shoot the priest, since he is protected by the Kanun , but there’s nothing to stop them from killing Ali Binak.” “No, I don’t think they’ll fire at Ali Binak either. Everyone knows who he is.”

The two men were halfway along when, suddenly, Diana appeared at the gate of the tower. Bessian could never remember clearly what happened at that moment. He remembered only that he had striven with all his strength to go to her, that his arms were gripped violently, and that voices said: Wait until she has come a bit farther, and she reaches the white stones. Then, again, he saw for a fleeting moment the figure of the doctor; he made another attempt to free himself and he heard the same voices trying to calm him.

At last Diana reached the white stones, and the men who were holding Bessian let him go, although one of them said, “Don’t let him go — he’ll kill her.” Diana’s face was white as a sheet. There was no sign of terror in it, nor pain, nor shame — only a frightening absence, especially in her eyes. Anxiously, Bessian looked for a tear in her clothing, a bluish stain on her lips or her neck, but he saw nothing of that kind. Then he heaved a sigh, and perhaps he would have felt relieved if there were not that emptiness in her eyes.

In a gesture that was not violent but not gentle either, he seized his wife’s arm, and walking ahead of her he drew her towards the carriage, and they got in one behind the other, without a word and without a wave to anyone.

The carriage rolled swiftly on the highroad. How long had they been travelling in this way — a minute, a century? At last Bessian turned to his wife.

“Why don’t you say something? Why don’t you tell me what happened?”

She sat motionless on the seat, looking straight ahead, as if she were somewhere else. Then he seized her by the elbow, violently, harshly.

“Tell me, what did you do in there?”

She did not answer, she did not try to draw away her arm that he was squeezing like a vise.

Why did you go there, he cried out within him. To see all the horror of the tragedy with your own eyes? Or to look for that mountaineer, That Gjorg…. Gjorg. I’ll search for you in tower after tower, eh?

He repeated those questions aloud, perhaps in other words though in the same order, but there was no answer, and he was sure that all those reasons together were responsible for that action. Suddenly, he felt a weariness such as he had never known.

Outside, night was falling. The twilight, together with the fog, spread swiftly along the road. Once he thought he saw beyond the window a man riding a mule. The traveller with the wan face whom Bessian thought he recognized followed the carriage for a short time. Where is the steward of the blood going in the dark, he wondered.

And you yourself, where are you going? He asked himself that question a moment later. Alone in these alien highlands, in the dusk peopled with phantoms, where are you going?

Half an hour later, the carriage stopped in front of the inn. One behind the other, they climbed the wooden stairs and went into the room. The fire was still alight and the water-bucket, which the innkeeper had certainly filled again, was still there, black with soot. An oil lamp gave out a wavering light. Neither troubled with the fire or the bucket. Diana undressed and lay down, lying on her back, one arm drawn over her eyes to keep the lamplight from them. He stood by the window, his eyes on the window-pane, turning only momentarily to look at that fine arm with the silken strap that had slipped from her shoulder, covering the upper part of her face. What had they done to her, the half-blind Cyclops murderers in the tower? And he felt that the question might fill up all of a human life.

They stayed at the inn that night and all the next day without leaving their room. The innkeeper brought them their meals, surprised that they did not ask to have the fire lit in the fireplace.

In the morning of the following day (it was the seventeenth of April) the coachman put their bags in the carriage, and the two, having paid the innkeeper, said goodbye coldly and set out.

They were leaving the High Plateau.

* A colorless kind of spirits flavored with aniseed, distilled and drunk under many names in the Mediterranean and the Middle East.

CHAPTER VII

On the morning of the seventeenth of April, Gjorg was on the highroad that led to Brezftoht. Although he had been walking since dawn without a stop, he reckoned that it would take him at least another day to reach Brezftoht, while his bessa came to an end at noon today.

He raised his head in order to find the sun; the clouds, high in the sky, covered it over, but one could tell its position. It’s near to midday, he thought, and he turned his eyes to the road again. He was still dazed by the light overhead, and the road seemed to him to be strewn with reddish glints. While walking, he thought that if his bessa were over in the evening, walking very swiftly he might have been able to reach home around midnight. But, like most of the truces granted, this one was over at noon. It was well understood that if the man protected by the bessa was killed on the very day it expired, people would look to see in what direction lay the shadow of the dead man’s head. If the shadow was towards the east, that meant that he had been killed after midday, when the truce was no longer in force. If, on the contrary, the shadow was towards the west, that would show that he had been killed before the truce had expired, a cowardly act.

Gjorg raised his head again. His business, on this day, was linked with the sky and the motion of the sun. Then, as before, he lowered his dazed eyes to the road, which seemed to be drowning in the light. He turned his head and saw, spread everywhere, that uninterrupted brilliance. Apparently, the black carriage that he had looked for in vain for three weeks on all the roads of the High Plateau, was not going to appear on this last morning of his life as a free man either. How many times had he thought he had seen it loom up before him — but on each occasion the carriage seemed to have disappeared into thin air. Someone had seen it on the Road of Shadow, at the Manor Houses of Shala, on the Grand Road of the Banners, but despite his efforts he had not managed to find it. As soon as he came to the place where people said they had seen it, he found that it had just departed, and when he retraced his steps so as to intercept it on the road at some crossing where it might chance to go by, it had given him the slip again, having taken another, unforeseen direction.

Momentarily, he would forget about it, but the road itself reminded him of it, even though he had lost all hope, or nearly, of finding it again. In fact, even if the carriage were to wander forever through the High Plateau, he would very soon immure himself in the tower of refuge, and it would not be possible for him to see it; and then, even if the impossible came to pass and he were to come out one day, his eyes would be so weakened that he would be able to see no more of it than a dim spot, like the bouquet of crushed roses that the sun drew today against the background of the clouds.

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