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Ismail Kadare: The Siege

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Ismail Kadare The Siege

The Siege: краткое содержание, описание и аннотация

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From Ismail Kadare, winner of the inaugural Man Booker International Prize — a novelist in the class of Coetzee, Pamuk, Marquez, and Rushdie-the stunning new translation of one of his major works. In the early fifteenth century, as winter falls away, the people of Albania know that their fate is sealed. They have refused to negotiate with the Ottoman Empire, and war is now inevitable. Soon enough, dust kicked up by Turkish horses is spotted from a citadel. Brightly coloured banners, hastily constructed minarets, and tens of thousands of men fill the plain below. From this moment on, the world is waiting to hear that the fortress has fallen. The Siege tells the enthralling story of the weeks and months that follow — of the exhilaration and despair of the battlefield, the constantly shifting strategies of war, and those whose lives are held in the balance, from the Pasha himself to the artillerymen, astrologer, blind poet, and harem of women who accompany him. "Believe me," the general said. "I've taken part in many sieges but this," he waved towards the castle walls, "is where the most fearful carnage of our times will take place. And you surely know as well as I do that great massacres always give birth to great books. You really do have an opportunity to write a thundering chronicle redolent with pitch and blood, and it will be utterly different from the graceful whines composed at the fireside by squealers who never went to war." Brilliantly vivid, as insightful as it is compelling, The Siege is an unforgettable account of the clash of two great civilisations, and a portrait of war that will resonate across the centuries.

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In the course of the journey he had noticed that the mere sight of these mountains could make his officers agitated. They spoke more and more often of the plain they hoped to see before them as soon as possible. The army moved slowly, for now it hauled not only its arms and supplies, but also the heavy shadow of the Albanian mountains. The worst of it was that there was nothing he could do to be rid of it. His only resource was to summon the campaign chronicler and to ask him how he was going to describe the mountainous terrain. Trembling with fear, the chronicler had said that in order to portray the Albanian landscape he had assembled a series of terrifying epithets. But they hadn’t met with the Pasha’s approval, and he ordered the scribbler to think again. Next morning, the historian appeared before him, his eyes bloodshot from the sleepless night he had spent, and read him out his new description. High mountains, he declaimed, that reached even higher than crows can fly; the devil himself could barely climb up them, the demon would rip his sandals on their rocks, and even hens had to have their claws shod with iron to scale them.

The Pasha had found these images pleasing. The march was now over, night had fallen, and he tried to recall the phrases used, but he was tired and his weary mind could think of nothing but rest. It had been the longest and most exhausting expedition of his soldiering life. The ancient road, which was impassable in several places and which his engineers had repaired as fast as they could, bore the strange name of Egnatia. It went back to Roman times, but seemed to go on for ever. Sometimes, in the narrow gorges, his troops had stayed stuck until sappers cut a detour. Then the road became passable once more, and his army resumed its slow and dusty advance, as it had on the first, third, fifth and eighth day prior. Even now, when it was all over, that thick and unpleasant layer of grey dust still hung over his memory.

He heard horses neigh behind him. The closed carriage which had brought four women from his harem was still there, parked beside his tent.

Before leaving he had wondered several times whether he should bring his wives with him. Some of his friends had advised against it. It was a well-known fact, they said, that women bring ill fortune to a military campaign. Others took the opposite view and said that he should take them with him if he wanted to feel calm and relaxed and to sleep well (insofar as anyone can sleep well during war). Usually pashas did not take women with them in similar circumstances. But this expedition aimed to reach a very distant land; in addition, according to all forecasts, the siege was likely to last a long time. But those weren’t the real reasons, because on all campaigns, however far-flung or long-drawn-out they might be, captives were always taken, and women won at the cost of soldiers’ blood were indisputably more alluring than any member of a harem. However, friends had warned him that where he was going it would be difficult to take any female prisoners. The girls there were certainly very beautiful, but in the words of a poet who had accompanied an earlier raid into those lands, they were also as enticing and, alas! as unattainable as a dream. To escape from pursuit they would often throw themselves off a cliff. That’s just poetic licence, some said, but the Pasha’s closest friends shook their heads to say it was no such thing. In the end, as he was taking his leave, the Grand Vizier had noticed the small carriage with barred windows, and asked him why he was taking women to a land famed for the beauty of its own. Avoiding the Vizier’s sly glance, he replied that he didn’t want to have any share in the prisoners his valiant soldiers would take by their own efforts and blood.

During the march he hadn’t had a thought for his wives. They must now surely be asleep in their lilac-coloured tent, worn out by the length of the journey.

Before feeling them on his own skin, he heard the raindrops falling on the tent. Then, after a short while, from somewhere inside the camp there rose the familiar sound of the rain drum. Its ominous roll, so different from the banging of heavy crates or the blare of the trumpets of war, summoned up the image of his soldiers who, despite their exhaustion, had to haul out the heavy tarpaulins to cover up the equipment, cursing at the weather as they laboured. He had heard it said that no foreign army except the Mongols had a special unit, as theirs did, whose job was to announce the coming of rain. Everything that’s any use in the art of war, he said to himself, comes from the Mongols. Then he went inside his tent.

Orderlies had set up the Pasha’s bed, placed the divans around it, and were now laying carpets on the floor. A strip of cloth embroidered with verses from the Koran had been hung at the entrance. Hooks had been hung in the customary manner from the top of the main pole so he could stow his scabbard and his cape. Contrary to what he had always expected, the more he rose in rank, the more gloomy his tent became.

He sat down on one of the divans and put his head between his hands as he waited for his chef-de-camp to finish his report. Almost all troops had now arrived, they had been allocated their proper camping places, guards, sentries and scouts had been posted all around — in sum, everything necessary had been done and was in order. The commander-in-chief could sleep peacefully.

The Pasha listened without interrupting. He didn’t even take his head out of his hands, so that the chef-de-camp couldn’t see his eyes, but only the ruby on his commander’s middle finger. It was a ruby of the kind that because of its hue is called a bloodstone.

When his subaltern had left, Tursun Pasha stood up and went out once again. The rain was lighter than he had thought it was from the noise it made inside the tent. His ears were still ringing with the chef-de-camp’s litany of guards, sentries and scouts, but instead of calming him down, it had made him even more agitated. Night always bears a litter, he thought. He had heard the saying somewhere or other in his youth, but only when he was much older had he discovered that it did not refer to the consequences of love or lust, but to nasty surprises.

The night was pregnant and he was in its belly, all alone. He could see a faint glow leaking out of tents to the right of his own. Others were still awake, as he was. Maybe they were quartermasters, or exorcists or sorcerers warding off evil spirits. Normally, the astrologer, the chronicler, the spell-caster, the exorcists and the dream-interpreters had tents set next to each other. All of them knew more than he did about what lay in store, that was certain. Nevertheless, he did not trust them entirely.

The patter of raindrops was getting louder. The Pasha felt he was quite close to the sky and separated from it only by the feeble crown of his tent. A strange nostalgia overcame him as he thought of his bedroom at home, in his palace, where you could barely hear the sound of bad weather. He was usually more prone to longing for war. At home, lying in a room soundproofed by carpets, he would think eagerly of his campaign tent with the wind howling around it … Had he not now reached the age when he should don his slippers and retire to his peaceful Anatolian home? Should he not let go before the fall?

He knew it was not a practicable proposition. He was still young, but that was not the main reason. He had attained a rank where it was impossible to stand still. He was condemned either to rise even higher, or else to fall. The Empire was growing by the day. Whoever could prove himself the most energetic and courageous could have it all. Thousands of ambitious men were clawing their way like wild beasts towards wealth and fame. They were shoving others aside, often by intelligent manoeuvring, but even more often by plot and by poison.

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