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Karl Knausgaard: My Struggle: Book One

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Karl Knausgaard My Struggle: Book One

My Struggle: Book One: краткое содержание, описание и аннотация

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Winner of the 2009 Brage Prize, the 2010 Book of the Year Prize in "Morgenbladet," the 2010 P2 Listeners' Prize, and the 2004 Norwegian Critics' Prize and nominated for the 2010 Nordic Council Literary Prize. "No one in his generation equals Knausgaard."-"Dagens Naeringsliv" "A tremendous piece of literature."-"Politiken" (Denmark) "To the heart, life is simple: it beats for as long as it can. Then it stops. Sooner or later, one day or another, this thumping motion shuts down of its own accord. The changes of these first hours happen so slowly and are performed with such an inevitability that there is almost a touch of ritual about them, as if life capitulates according to set rules, a kind of gentleman's agreement." Almost ten years have passed since Karl O. Knausgaard's father drank himself to death. He is now embarking on his third novel while haunted by self-doubt. Knausgaard breaks his own life story down to its elementary particles, often recreating memories in real time, blending recollections of images and conversation with profound questions in a remarkable way. Knausgaard probes into his past, dissecting struggles-great and small-with great candor and vitality. Articulating universal dilemmas, this Proustian masterpiece opens a window into one of the most original minds writing today. Karl O. Knausgaard was born in Norway in 1968. His debut novel "Out of This World" won the Norwegian Critics' Prize and his "A Time for Everything" was nominated for the Nordic Council Prize.

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The crack of sledgehammer on rock resounded through the estate. A car came up the gentle slope from the main road and passed, its lights blazing. The door of the neighboring house opened, Prestbakmo paused on the doorstep, pulled on his work gloves, and seemed to sniff the clear night air before grabbing the wheelbarrow and trundling it across the lawn. There was a smell of gunpowder from the rock Dad was pounding, of pine from the logs behind the stone wall, freshly dug soil and forest, and in the gentle northerly breeze a whiff of salt. I thought of the face I had seen in the sea. Even though only a couple of minutes had passed since I last considered it, everything had changed. Now it was Dad’s face I saw.

Down in the hollow he took a break from hammering at the rock.

“Are you still there, boy?”

I nodded.

“Get yourself inside.”

I started to walk.

“And Karl Ove, remember,” he said.

I paused, turned my head, puzzled.

“No running this time.”

I stared at him. How could he know I had run?

“And shut your maw,” he said. “You look like an idiot.”

I did as he said, closed my mouth and walked slowly around the house. Reaching the front, I saw the road was full of children. The oldest stood in a group with their bikes, which in the dusk almost appeared as an extension of their bodies. The youngest were playing Kick-the-Can. The ones who had been tagged stood inside a chalk circle on the pavement; the others were hidden at various places in the forest down from the road, out of sight of the person guarding the can but visible to me.

The lights on the bridge masts glowed red above the black treetops. Another car came up the hill. The headlights illuminated the cyclists first, a brief glimpse of reflectors, metal, Puffa jackets, black eyes and white faces, then the children, who had taken no more than the one necessary step aside to allow the car to pass and were now standing like ghosts, gawking.

It was the Trollneses, the parents of Sverre, a boy in my class. He didn’t seem to be with them.

I turned and followed the red taillights until they disappeared over the summit of the hill. Then I went in. For a while I tried to lie on my bed reading, but could not settle, and instead went into Yngve’s room, from where I could see Dad. When I could see him I felt safer with him, and in a way that was what mattered most. I knew his moods and had learned how to predict them long ago, by means of a kind of subconscious categorization system, I have later come to realize, whereby the relationship between a few constants was enough to determine what was in store for me, allowing me to make my own preparations. A kind of metereology of the mind. . The speed of the car up the gentle gradient to the house, the time it took him to switch off the engine, grab his things, and step out, the way he looked around as he locked the car, the subtle nuances of the various sounds that rose from the hall as he removed his coat — everything was a sign, everything could be interpreted. To this was added information about where he had been, and with whom, how long he had been away, before the conclusion, which was the only part of the process of which I was conscious, was drawn. So, what frightened me most was when he turned up without warning . . when for some reason I had been inattentive . .

How on earth did he know I had been running?

This was not the first time he had caught me out in a way I found incomprehensible. One evening that autumn, for example, I had hidden a bag of sweets under the duvet for the express reason that I had a hunch he would come into my room, and there was no way he would believe my explanation of how I had laid my hands on the money to buy them. When, sure enough, he did come in, he stood watching me for a few seconds.

“What have you got hidden in your bed?” he asked.

How could he possibly have known?

Outside, Prestbakmo switched on the powerful lamp that was mounted over the flagstones where he usually worked. The new island of light that emerged from the blackness displayed a whole array of objects that he stood stock-still ogling. Columns of paint cans, jars containing paintbrushes, logs, bits of planking, folded tarpaulins, car tires, a bicycle frame, some toolboxes, tins of screws and nails of all shapes and sizes, a tray of milk cartons with flower seedlings, sacks of lime, a rolled-up hose pipe, and leaning against the wall, a board on which every conceivable tool was outlined, presumably intended for the hobby room in the cellar.

Glancing outside at Dad again, I saw him crossing the lawn with the sledgehammer in one hand and a spade in the other. I took a couple of hasty steps backward. As I did so the front door burst open. It was Yngve. I looked at my watch. Twenty-eight minutes past eight. When, straight afterward, he came up the stairs with the familiar, slightly jerky, almost duck-like gait we had developed so as to be able to walk fast inside the house without making a sound, he was breathless and ruddy-cheeked.

“Where’s Dad?” he asked as soon as he was in the room.

“In the garden,” I said. “But you’re not late. Look, it’s half past eight now .”

I showed him my watch.

He walked past me and pulled the chair from under the desk. He still smelled of outdoors. Cold air, forest, gravel, tarmac.

“Have you been messing with my cassettes?” he asked.

“No,” I answered.

“What are you doing in my room then?”

“Nothing,” I said.

“Can’t you do nothing in your own room?”

Below us, the front door opened again. This time it was Dad’s heavy footsteps traversing the floor downstairs. He had removed his boots outside, as usual, and was on his way to the washroom to change.

“I saw a face in the sea on the news tonight,” I said. “Have you heard anything about it? Do you know if anyone else saw it?”

Yngve eyed me with a half-curious, half-dismissive expression.

“What are you babbling on about?”

“You know the fishing boat that sank?”

He gave a barely perceptible nod.

“When they were showing the place where it sank on the news I saw a face in the sea.”

“A dead body?”

“No. It wasn’t a real face. The sea had formed into the shape of a face.”

For a moment he watched me without saying anything. Then he tapped a forefinger on his temple.

“Don’t you believe me?” I said. “It’s absolutely true.”

“The truth is you’re a waste of space.”

At that moment Dad switched off the tap downstairs, and I decided it was best to go to my room now so that there was no chance of meeting him on the landing. But, I did not want Yngve to have the last word.

“You’re the one who’s a waste of space,” I said.

He could not even be bothered to answer. Just turned his face toward me, stuck out his top teeth and blew air through them like a rabbit. The gesture was a reference to my protruding teeth. I broke away and made off before he could see my tears. As long as I was alone my crying didn’t bother me. And this time it had worked, hadn’t it? Because he hadn’t seen me?

I paused inside the door of my room and wondered for moment whether to go to the bathroom. I could rinse my face with cold water and remove the telltale signs. But Dad was on his way up the stairs, so I made do with wiping my eyes on the sleeve of my sweater. The thin layer of moisture that the dry material spread across my eye made the surfaces and colors of the room blur as though it had suddenly sunk and was now under water, and so real was this perception that I raised my arms and made a few swimming strokes as I walked toward the writing desk. In my mind I was wearing a metal diver’s helmet from the early days of diving, when they bestrode the seabed with leaden shoes and suits as thick as elephant skin, with an oxygen pipe attached to their heads like a kind of trunk. I wheezed through my mouth and staggered around for a while with the heavy, sluggish movements of divers from bygone days until the horror of the sensation slowly began to seep in like cold water.

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