Karl Knausgaard - My Struggle - Book One

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My Struggle: Book One: краткое содержание, описание и аннотация

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Winner of the 2009 Brage Prize, the 2010 Book of the Year Prize in "Morgenbladet," the 2010 P2 Listeners' Prize, and the 2004 Norwegian Critics' Prize and nominated for the 2010 Nordic Council Literary Prize.
"No one in his generation equals Knausgaard."-"Dagens Naeringsliv"
"A tremendous piece of literature."-"Politiken" (Denmark)
"To the heart, life is simple: it beats for as long as it can. Then it stops. Sooner or later, one day or another, this thumping motion shuts down of its own accord. The changes of these first hours happen so slowly and are performed with such an inevitability that there is almost a touch of ritual about them, as if life capitulates according to set rules, a kind of gentleman's agreement."
Almost ten years have passed since Karl O. Knausgaard's father drank himself to death. He is now embarking on his third novel while haunted by self-doubt. Knausgaard breaks his own life story down to its elementary particles, often recreating memories in real time, blending recollections of images and conversation with profound questions in a remarkable way. Knausgaard probes into his past, dissecting struggles-great and small-with great candor and vitality. Articulating universal dilemmas, this Proustian masterpiece opens a window into one of the most original minds writing today.
Karl O. Knausgaard was born in Norway in 1968. His debut novel "Out of This World" won the Norwegian Critics' Prize and his "A Time for Everything" was nominated for the Nordic Council Prize.

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I went back to my room, sat down on the bed, and continued reading. In the streets below a car accelerated. From the floor below came the noise of the TV. In the otherwise quiet, empty house it sounded absolutely insane, there was a madness in the rooms.

I looked up.

I had written the book for Dad. I hadn’t known, but that was how it was. I had written it for him.

I put down the manuscript and got to my feet, walked to the window.

Did he really mean so much to me?

Oh, yes, he did.

I wanted him to see me.

The first time I had realized what I was writing really was something, not just me wanting to be someone, or pretending to be, was when I wrote a passage about Dad and started crying while I was writing. I had never done that before, never even been close. I wrote about Dad and the tears were streaming down my cheeks, I could barely see the keyboard or the screen, I just hammered away. Of the existence of the grief inside me that had been released at that moment, I had known nothing; I had not had an inkling. My father was an idiot, I wanted nothing to do with him, and it cost me nothing to keep well away from him. It wasn’t a question of keeping away from something, it was a question of the something not existing; nothing about him touched me. That was how it had been, but then I had sat down to write, and the tears poured forth.

I sat down on the bed again and placed the manuscript on my lap.

But there was more.

I had also wanted to show him that I was better than he was. That I was bigger than he was. Or was it just that I wanted him to be proud of me? To acknowledge me?

He hadn’t even known I was having a book published. The last time I met him face to face before he died, eighteen months previously, he had asked me what I was doing with myself, and I had answered that I had just started writing a novel. We had been walking up Dronningens gate, we were going to eat out, sweat was running down his cheeks even though it was cold outside, and he asked, without looking at me, obviously to make conversation, if anything would come of it. I had nodded and said that one publishing house was interested. Whereupon he had glanced at me as we were walking, as though from a place in which he still was the person he had once been, and perhaps could be again.

“It’s good to hear you’re doing well, Karl Ove,” he had said.

Why did I remember this so well? I usually forgot almost everything people, however close they were, said to me, and there was nothing in the situation that suggested this would be one of the last times we would meet. Perhaps I remembered it because he used my name; it must have been four years since I had heard him last use it, and for this reason his words were so unexpectedly intimate. Perhaps I remembered it because only a few days earlier I had written about him, and with emotions that were in stark contrast to those he had evoked in me by being friendly. Or perhaps I remembered because I hated the hold he had over me, which was clear from how I became so happy about so little. Not for anything in the world would I lift a finger for him, nor be forced into anything for his sake, neither in a positive nor a negative sense.

Now this show of will was worth nothing.

I placed the manuscript down on the bed, stuffed the pencil back in the suitcase pocket, leaned forward and reached for the cardboard box on the floor nearby, tried to squeeze the manuscript back in, but it wouldn’t fit, so I laid it in the suitcase as it was, right at the bottom, carefully covered with clothes. The box, perched on the bed now, which I stared at for a long time, would remind me of the novel whenever I saw it. My first impulse had been to carry it downstairs and dispose of it in the kitchen trash can, but, upon reflection, I decided I didn’t want to do that, I didn’t want it to be become part of the house. So I parted the clothes in the suitcase again, put the box beside the manuscript, covered it with clothes, closed the suitcase lid, zipped it up, and then I left the room.

Grandma was in the living room watching TV. A talk show. It made no difference to her what was on, I supposed. She watched children’s programs on TV2 and TV Norge in the afternoon with as much pleasure as late-night documentaries. I had never understood what appealed to her in this insane youth reality TV, with its endless cravings, of which even news and talk shows were full. She, who was born before the First World War and came from the really old Europe, on the outer perimeter though, it is true, but nevertheless? She, who had her childhood in the 1910s, her adolescence in the 1920s, adulthood in the 1930s, motherhood in the 1940s and 1950s, and was already an elderly woman in 1968? There had to be something, for she sat here watching TV every evening.

Beneath her chair there was a yellow-brown puddle on the floor. A dark patch down the side showed where it had come from.

“Yngve sends his love,” I said. “He got back okay.”

She threw me a brief glance.

“That’s good,” she said.

“Is there anything you need?” I asked.

“Need?”

“Yes, food, and so forth. I can easily make you something if you want.”

“No, thanks,” she said. “But you help yourself.”

The sight of Dad’s dead body had put me off any thought of food. But I could hardly associate a cup of tea with death, could I? I heated a pan of water on the stove, poured it, steaming, over a tea bag in a cup, watched for a while as the color was released and spread in slow spirals through the water until it was a golden tint everywhere, and I took the cup and carried it onto the veranda. A long way out, at the mouth of the fjord, the Danish ferry was approaching. Above it the weather had cleared. There were still traces of blue in the dark sky, which made it seem palpable, as though it were really one enormous cloth and the stars I could see came from the light behind, shining through thousands of tiny holes.

I took a sip and put the cup down on the windowsill. I remembered more from the evening with my father. There had been a thick layer of ice on the sidewalk; an easterly wind had been sweeping through almost deserted streets. We had gone to a hotel restaurant, hung up our coats, and taken a seat at a table. Dad had been breathing heavily, he wiped his brow, picked up the menu, and scanned it. Started again from the top.

“Looks like they don’t serve wine here,” he said and got up, went over and said something to the head waiter. When he shook his head, Dad turned on his heel and came back, almost tore his jacket off the chair and was putting it on as he headed for the exit. I hurried after him.

“What happened?” I asked when we were outside on the sidewalk again.

“No alcohol,” he said. “Jesus, it was a temperance hotel.”

Then he looked at me and smiled.

“We have to have wine with our food, don’t we? But that’s fine. There’s another restaurant down here.”

We ended up in Hotel Caledonien, sat at a window table, and ate our steaks. That is, I ate; when I had finished, Dad’s plate had barely been touched. He lit a cigarette, drank the last dregs of red wine, leaned back in the chair and said he was planning to become a long-distance truck driver. I didn’t know how to react, just nodded without saying a word. Truckers had a great time, he said. He had always liked driving, always liked traveling, and if you could do that and get paid for it at the same time, why hang around? Germany, Italy, France, Belgium, Holland, Spain, Portugal, he said. Yes, it’s a fine profession, I said. But now it’s time for us to go our separate ways, he said. I’ll pay. You just go. I’m sure you have a lot to do. It was good to see you. And I did as he suggested, got up, took my jacket, said goodbye, went out through the hotel reception area, onto the street, wondering briefly whether to get a taxi or not, decided against it and ambled toward the bus station. Through the window I saw him again, he was walking through the restaurant toward the door at the far end that led to the bars, and once again his movements, despite his large, heavy body, were hurried and impatient.

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