Cormac McCarthy - Suttree

The driver smiled. He can lay it down, caint he.

Suttree nodded.

I like to hear old J Basil. He’s all the time sayin: Aint that right Mrs Mull. Old deep voice. And she’ll say: That’s right Mr Mull. You like to hear him?

He’s all right, Suttree said.

Small birds were crossing the road in the windy sheets of rain. Going up a grade the wipers died and the glass peened over with rainwater. Suttree could not see out. Beyond radio and exhaust and valvechatter he could hear thunder rumbling away over the bewept hills.

They topped the hill and the glass cleared in a slow arc. Around a curve and Suttree pointed. I get out here, he said.

The man looked. Where? he said.

Here. Anywhere along here.

You not goin to town?

No. Just right here.

The driver looked about and he looked at Suttree. They aint nothin here, he said.

Just anywhere along here, Suttree said. This is where I get out.

The driver pulled up along the graveled shoulder and stopped. He watched Suttree. Suttree climbed out into the downpour.

I sure thank you, Suttree said.

You welcome, the man said.

Suttree banged the door shut and stood back. The car moved out onto the highway. Through the runneled glass he could see the man’s face turn again, as if to fix him there.

Suttree crossed the road in the rain and blue motor smoke and descended an embankment into the fields. He went crosscountry among easy hills and sometime pastureland, through a copse of dark cedars where the ground was almost dry, down a long and narrow limestone draw where small flat cactus clung to the south walls and the rain swept grayly across the ledges and swirled away before him.

He came out on the bluff and went on up the hill toward the house. Came through the weeds upon a walkway of herringboned brick all but overgrown. Past cracked urns bedight with concrete flora, broad steps, tall fluted columns with their shattered paint. The immense and stark facade seemed to recoil before his footfalls.

As he entered the foyer three young boys dropped like stricken bats from a balcony above the main reception room to his right and lit soundless on the dusty floor and passed out through a window in the opposite wall.

A chandelier lay burst in the floor. He stepped around it and ascended the lefthand stairway, slowly curving into the dusky upper chambers, keeping to the wall because save random jagged spindles the balustrade was gone. At the top of the stairs stood newel and finial intact and solitary like a rococo hitchingpost.

He wandered dripping through the high rooms with their ruined plaster, the buckled wainscot, the wallpaper hanging in great deciduous fronds. Small mounds of human stool with stained shreds of newsprint. From an upper window he watched the three boys go along the brow of the hill in the rain. Wedges of dry cracked glazing lay among the broken panes of glass in the floor. Below the window a mossy courtyard where old concrete dolphins rusted in a dry fountain and the dark handkilned bricks of the walkways lay grown with moss and lichens. Black ivy crept the garden walls and small mute birds peeped out. Across the river, the rainy hodden landscape, he could see traffic going along the boulevard, locked in another age of which some dread vision had afforded him this lonely cognizance.

He emerged from the narrow back stairwell and came up the hall with slow tread over the weathersprung parquetry, past great doors of solid cherry split open in long fibrous cracks and plundered of their knobs and hardware. Into this drawing room with high plaster frieze and foliate scrollwork. Prolapsed and waterstained ceiling, the sagging coffers. He turned, a vain figure in the ruins. Blind parget cherubs watched from the high corners.

Hello, he called. A voice that went from room to room and back again.

Gods and fathers what has happened here, good friends where is there clemency?

One spring morning timing the lean near-liquid progress of a horse on a track, the dust exploding, the rapid hasping of his hocks, coming up the straight foreshortened and awobble and passing elongate and birdlike with harsh breath and slatted brisket heaving and the muscles sliding and bunching in clocklike flexion under the wet black hide and a gout of foam hung from the long jaw and then gone in a muted hoofclatter, the aging magistrate snapped his thumb from the keep of the stopwatch he held and palmed it into his waistcoat pocket and looking at nothing, nor child nor horse, said anent that simple comparison of rotary motions and in the oratory to which he was prone that they had witnessed a thing against which time would not prevail.

He meant a thing to be remembered, but the young apostate by the rail at his elbow had already begun to sicken at the slow seeping of life. He could see the shape of the skull through the old man’s flesh. Hear sand in the glass. Lives running out like something foul, night-soil from a cesspipe, a measured dripping in the dark. The clock has run, the horse has run, and which has measured which?

He moved along the hall toward the dining room. Paint on these old paneled doors crazed and yellowed like old porcelain. Something more than time has passed here. In this banquet hall. Scene of old heraldic feasts. Suttree in silent recognition of the somewhat illustrious dead. Large companies seated. A fat marcassin to adorn the board. The male bonecoupling rearing white and steaming up from the broken meat. Eyes watch. A malediction for those belated on the road and now commence. Mad trenchermen in armed sortees above the platters, the clang of steel, the stained and dripping chops, the eyes sidling. Yard dogs and starving palliards contest the scraps among the straw. There is nothing laid to table save meat and water. There is no sound of human speech. Beyond the muted clamor at the board there is a faint echo of another chase. Far hue and cry and distant horns and hounds in pain with eagerness. The master of the table has looked up. Down murrey fields another hunt has cried the stag. A shield crashes to the floor and three white birds ascend to the rafters and roost uncertainly. The master wipes his fingers in his hair and his rising says that the feast is done. Outside darkness has begun and the hounds’ voices are chimes in the distance that toll seven and cease. They wait for the waterbearer to come but he does not come, and does not come.

Suttree went out through the kitchen and through the ruined garden to the old road. Reprobate scion of doomed Saxon clans, out of a rainy day dream surmised. Old paint on an old sign said dimly to keep out. Someone must have turned it around because it posted the outer world. He went on anyway. He said that he was only passing through.

At night he could hear the sewage gurgling and shuttling along through the pipes hung from the bridge’s underbelly overhead. The hum of tires. Faint streetlight fell beyond the dark palings of sumac and blackberry. He rubbed his stomach and belched in his crepuscular solitude, the lamp at his elbow turned down so that the small flame burned in the glass bell ruby black. He has eaten for his supper an entire chicken boiled in a lardpail he, and he himself is the batfowler who crossed like smoke the dark garden patches above First Creek, something out of the night that drifted bedraped with dead hens down toward the moonlit miasma whitening the cleft of the glen, the ragged trees that seemed to be breathing cold, crossing this small and wretched estuary by a fallen truckdoor and climbing rapidly the far side toward the arches of the viaduct.

Suttree came, each day new marvels. They sat in purloined lawn-chairs and watched a pigeon ringing down, standing off with backing wings and neck hooked while his pink pettysingles reached to grasp the pole and then like the Dove itself descending the bird limned in blue flame and a hot crackle of burnt feathers and the thing pitching backward to fall blackened to the ground in a plume of acrid smoke.