Cormac McCarthy - Suttree

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By the author of Blood Meridian and All the Pretty Horses, Suttree is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there-a brilliantly imagined collection of eccentrics, criminals, and squatters-he rises above the physical and human squalor with detachment, humor, and dignity.

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Call it seven pounds.

All right. What about the carp?

He regarded the dull placoid shapes with doubt. Well, he said. I could maybe take one of them.

Well.

He lifted out the catfish and selected a small carp. They watched the needle swing. The old jowter twisted up his apron in his hands. Two and a half, he said.

Okay.

He nodded and went to his till and rang open the drawer. He came back with a dollar bill and four cents and handed the money to Suttree.

When are you going to bring me some of them little channel cats?

Suttree had slid the folded dollar into his pocket and was rewrapping the remaining fish. He shrugged. I dont know, he said. When I get a chance.

Turner watched him. Windchimes belled thinly, a flutter of glass above them stirred by the fans, I get people askin all the time, he said.

Well. Maybe later on this week. I have to go up on the French Broad for them. This hot weather is bad.

Well, you bring me some quick as you get a chance.

All right.

He slid the other fish under one arm and nodded.

Mr Turner wiped his hands again. Come back, he said.

Suttree went on through the markethouse and out the double doors to Wall Avenue. A blind black man was fretting a dobro with a broken bottleneck and picking out an old blues run. Suttree let the four pennies into the tin cup taped to the box. Get em, Walter, he said.

Hey Sut, said the player.

He crossed the street toward Moser’s to admire the boots in the window. A graylooking cripple sat on the walk with a hatful of pencils trapped in his wasted kneecrooks. His head lay sunken on his chest. As if he were trying to read the sign hung from his neck. I AM A POOR BOY. His grizzled wool tiaraed with smoked glasses worn gogglewise. Suttree went on. He crossed Gay Street with the shoppers and went up the long cool tunnel of the bus station arcade and through the doors.

A nasal voice called out through a megaphone the names of southern cities in this cavern of stale smoke and boredom. Suttree adjusted his fish and went through the doors at the far side of the waiting room and down the concrete steps, along the platform past idling buses and into State Street. He went past the firehouse where the inmates sat tilted in cane chairs along a shaded wall and he went down the hill past dolorous small taverns and cafes and down Vine Avenue by secondhand furniture stores among throngs of blacks and along Central where loud and shoddy commerce erupted out of the dim shops into the streets and packs of scarred dogs wandered. Shouldering his way through dark shoppers in a market ripe with sweat and the incendiary breath of splo drinkers, wide white teeth and laughter and cupshot eyeballs. Beyond the grocery cases a long trestle of beerdrinkers. An old woman thickly mantled in rags mumbled something incoherent at his ear in passing. He leaned on the meatcase and waited.

A pocked black face peered at him over the top of the counter through racks of packaged sausage and porkskins.

I’ve got four fresh buglemouth, Suttree said.

Lessee.

He handed up the limp package. The dark butcher unrolled it and looked the fish over and placed them in his bloodstained balance. Foteen pound, he said.

All right.

How come you aint never got no catfish?

I’ll try and get you some.

Folks astin all the time: Where yo catfish at? Aint none, that’s all.

I’ll see if I can get you some.

Dollar twelve.

Suttree held out his hand for the money.

Out in the baking street with the bills wadded together in the toe of his pocket he swung along whistling. He went up Vine to Gay Street and along the walk by pawnshop windows. Wares to find a thousand trades. Consulting with his image in the glass he studied a display of knives. Come in, come in. A round and shirtsleeved merchant from the doorway. Suttree moved along. Late noon traffic pushed sluggishly through the heat and trolleys clicked past dimly dragging sparks from the wires overhead.

He cruised the cool wooden dimestore aisles, eyeing the salesgirls. He revolved into the perfumed and airconditioned sanctuary of Miller’s. A cool opulence available to the most pauperized. Up the escalator to the second floor. Holt was standing with his hands clasped in the small of his back like an usher at a funeral. He wore a shoehorn in his waistband and a small grin.

He didnt make it today.

Thanks, said Suttree.

He went down the escalator and into the street again.

Jake the rack stood with his hands in the change of his apron, tilling the coins. He spat enormously and dark brown toward a steel spittoon and stepped to a table where the balls were being shucked up from the pockets and a player was pounding the floor with his cue. He called back over his shoulder: He just left, him and Boneyard. I think they went to eat. Jim’s drunk.

He saw them in the rear of the Sanitary Lunch, J-Bone and Boneyard and Hoghead all three, bleary figures gesturing beyond the fogged glass. He went in.

Jimmy the Greek speared up meat from his gasping trypots and forked the slabs onto thick white plates. He adjusted salads with his thumb and wiped away drips of gravy with his apronskirt. Suttree waited at the counter. The fans that hung from the stamped tin ceiling labored in a backwash of smoke and steam.

The Greek was blinking at him.

Two hamburgers and a chocolate milk, Suttree said.

He nodded and scratched the order on a pad and Suttree went on to the back of the cafe.

Here’s old Suttree.

Come here and set down, Sut.

Scoot over, Hoghead.

Suttree looked them over. What are you all doing?

I’m tryin to get well, said J-Bone.

How do you feel?

I feel like I need a drink.

Suttree looked at Hoghead. A halfcrazed grin spread over Hoghead’s freckled face. Suttree looked from one to the other of them. They were all drunk.

You sons of bitches havent been to bed.

Early Times, called out J-Bone.

J-Bone’s crazy, Hoghead said.

Boneyard’s black eyes darted about from one to the other.

The Greek set down a glass of water and a carton of milk and an empty glass.

Bring us another Coke, Jimmy, J-Bone said.

He nodded, collecting dishes.

Suttree took a drink of the water and poured the water into the empty glass and opened the milk and poured it into the cold glass and sipped it. J-Bone was fumbling around under the seat. When the Greek came back he straightened up and cleared his throat loudly. The Greek set down a plate with two hamburgers and a Coke with a glass of ice and shuffled off again. Suttree lifted the sandwiches open and poured salt and pepper. The meat was seasoned and thinned with meal and there were scoops of coleslaw on top.

J-Bone had come up with a bottle from under the booth and was pouring whiskey over the ice, holding the glass in his lap and looking about cunningly. He slid the bottle partly from the sweatwrinkled bag that held it and checked the level of the contents and slid it back.

We’re on that good stuff now, Sut. Here. Have a little drink.

Suttree shook his head, his mouth full of hamburger.

Go on.

No thanks.

J-Bone was looking at him crazily. He leaned a little, as if to lift one leg. His eyes wandered in his head. An enormous fart ripped through the lunchroom, stilling the muted noontime clink of cutlery and cup clatter, stunning the patrons, rattling the cafe to silence. Boneyard rose instantly and took a stool at the counter, looking back wildly. The Greek at his steamtable tottered backwards, one hand to his forehead. Hoghead staggered into the aisle, strangling, his face a mask of anguish and the lady in the next booth rose and looked down at them with a drained face and made her way to the cash register.

Hee, crooned J-Bone into cupped hands.

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