Will Self - Psychogeography

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For those interested in the connection between people and place, the best of the decade long collaboration between literary brat packer Will Self and gonzo illustrator Ralph Steadman.
Opening with a dazzling new 20,000-word essay on walking from London to New York,
is a collection of 50 short pieces written over the last four years, together with 50 four-color illustrations by Ralph Steadman. In
Self and Steadman explore the relationship between psyche and place in the contemporary world. Self thinks most people have a "wind-screen-based virtuality" on long- and short-distance travel. We drive, take buses and trains, fly. To combat this compromised reality, Will Self walks, relating intimately to place, as pedestrians do. Ranging in subject from swimming the Ganges to motorcycling across the Australian outback, shopping in an Iowa mall to surfing a tsunami,
is at once a map of our world and the psychoanalysis of the way we inhabit it. The pieces are serious, humorous, facetious, and rambunctious. Psychogeography, the study of the effects of geographical environment on the emotions and behavior of individuals, has captivated other writers including W. G. Sebald and Peter Ackroyd, but Self and Steadman have their own unique spin on how place shapes people and vice versa.

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Self: (to Finnish camouflage specialist) What’s the biggest thing anyone’s ever asked you to camouflage?

Finn: Um. . I don’t know. .

Self: How about a whole country, could you do that?

Finn: Well. . it would be. .

Self: Could you camouflage a whole country as another country?

Self: (to South African sniper rifle salesman) Tell me a little about this one. South African: The Springbok 8809 is a versatile, laser-targeted weapon capable of 99 per cent accuracy at a range of two kilometres.

Self: So in your opinion would this be the right weapon to hit someone in a motorcade?

SA: Errr. . I guess.

Self: Like a head of state?

SA: You could do that.

Self: For instance. . Robert Mugabe?

SA: Robert Mugabe?

Self: Yes, he’s up that river operating without any control at all and we’re going to terminate him. . with extreme prejudice.

Needless to say, none of this made it on to the box — but at least the Delhi belly was forced back up its line of control. But a week later we were back in England, and I had to raise a delicate matter with Amir.

‘Have you, um. . been burping sort of sulphurously?’

‘Yup — you too? It must be because those pills have worn off.’

‘Yeah, either that or we’ve been internally camouflaged by a miniaturised special forces unit.’

‘As a volcano?’

‘Yeah, obviously, as a volcano.’

‘Best call Geoff Hoon 2then.’

‘Yeah, yeah, better had.’

Tea Towel Archipelago

I was standing at the bar of the Taversoe Hotel on the northern isle of Rousay in the Orkneys. My interlocutor had the slushy vowels and beetling brows of a local. ‘Where’re you going on holiday then, Will?’ he asked. ‘The Scilly Isles,’ I replied. The Orcadian peered for a while into his glass of Dark Island stout, a brew as black as the heart of a berserker, before replying, ‘That’s not just silly — it’s fucking stupid.’

I could see his point. From the vantage of the Orkneys, where the wind only stills for 2 per cent of the average year and the lethal swell of the Pentland Firth crashes against the 600-feet-high cliffs of Hoy, the Scillies not only appear remote but also implausible. In my mind’s eye I could visualise a few flower-patterned handkerchiefs of land crumpled in balmy waves; Harold Wilson — the last British Prime Minister who could conceivably be described as ‘cute’ — sat puffing a pipe in the garden of a bungalow submerged beneath running roses; dwarf cattle wended o’er the lea; a hippy made hay with a pitchfork the size of a table fork. The whole archipelago was so dinky that it could be placed on a tea towel and flogged to a tourist.

Boarding the Scillonian at Penzance I found myself in an island fugue. The ferry looked stubby compared to other, similar vessels, high in the water and a short jog from bow to stern. Across the bay St Michael’s Mount rose out of the surf, a tidal nipple of an isle, prinked from the swelling breast of mother England. The Scillonian cast off and within twenty minutes it was rollicking around the long Atlantic swell. I began to feel sick, very sick.

The Scilly Isles are the last vertebra in the long bumpy spine of Cornwall - фото 49

The Scilly Isles are the last vertebra in the long, bumpy spine of Cornwall. These dinky nibblets of land — St Mary’s, St Martin’s, Tresco, Bryher et al. — are all that are left of a decent-sized island, Ennor, that was gradually submerged between the end of the last Ice Age and 2,000 BC. Ancient field systems can still be traced below the lagoon of St Mary’s Bay, and there are sufficient dolmens, tombs and cryptic maze formations to give the islands a satisfyingly mythical cast. John Fowles believes that Shakespeare had them in mind when he was location-spotting for The Tempest . Bermuda is the other island that lays claim to the play, and personally I think the two populations should fight it out between them using only whatever magical powers they possess.

I found the Scillies to be quite as twee as I expected — although far more beautiful. They really are stupendously lush in high summer, the teensy fields bursting with a host of flower and plant varieties not ordinarily seen outside the greenhouse. With no motor vehicles at all — except on St Mary’s, the biggest island — and everything not simply within walking, but even strolling distance, it was hard not to view the place as not so much a land mass as a scale joke. Pottering out to Porthellick, I was startled by the clatter of the twin-rotor helicopter which is the only other way of getting to the Scillies besides the ferry. I half expected the massive whirligig to let down a hawser, then winch the island to safety.

I’ve no doubt that when all the tourists are gone the islanders pack the clotted cream fudge away and revert to aggressive type. After all, it was Porthellick where Sir Cloudesley Shovell swam ashore after the wreck of HMS Association and two other ships of the line in 1707. The Scilly woman who found him promptly beat him to death and nicked his emerald rings. This disaster cost two thousand lives and demonstrated the absolute necessity for an effective method of calculating longitude. Still, perfectly calibrated chronometers, compasses and GPS didn’t stop a Polish freighter, the Cita , being wrecked off St Mary’s in the 1990s. I bought a little booklet about the wreck in the local bookshop and gathered that it had happened because the ship’s master fell asleep at the wheel somewhere in the region of the Strait of Gibraltar. The ship’s automatic pilot managed to get it all the way round the Iberian peninsula, across the Bay of Biscay and the Channel, but sadly hadn’t factored these flyspecks of land into its computations.

The islanders benefited to the tune of a superfluity of Jack Daniel’s, mahogany doors, trainers and car batteries. Of course, in the Orkneys orientation is a tad more robust. When I lived on Rousay there was one celebrated local who’d arrived a few years before from London, having sailed a Thames barge the entire way. Boarded by the coastguard off Peterhead in a Force 10, he was found to be setting his course for the flat-bottomed craft with a map of the Orkneys printed on a tea towel.

Tsunami

The ‘Surfers’ television commercial for Guinness beer was voted — by members of the public who, bizarrely, care enough about these things — ‘The Best Advert of All Time’. But I too found it compelling, and in the wake of the hideously destructive tsunami I find myself pondering again why it is that this filmkin should have such a visceral appeal.

For those of you not familiar with it, Surfers is, as its title suggests, a seconds-long drama in which a brawny young man — together with his sinewy pals — catches a massive wave. And I mean massive: if this were a real-life wave it would require a 9.4 Richter Scale earthquake to generate it. The surfer bests the wave, sliding down its great, dark flank in a white spume of spray. Shadowy stallions tossing their manes begin to emerge — in a subliminal kind of way — from the breaking wall of water, and yet our man holds his course and even manages to strike some attitudes. The soundtrack accompanying this feat is a mounting crescendo of bass and drums. Resolution comes: the surfers gain the beach, the stallions subside into the undertow, the tap drips its final dark jewel of Guinness and the glass is set up for our adoration.

I think the reasons this advert is so admired have nothing to do with Guinness itself. ‘Surfers’ is a timeless evocation of humankind’s Promethean urge to master natural forces. The surf, the stallions — they are both wild aspects of a world to be tamed — and when they are we rejoice with a tall glass of dark ale. Sadly, real life isn’t always like the movies — or the adverts for that matter. In a piffling, prosaic way I wonder if ‘Surfers’ will continue to hold on to its No. 1 spot post-tsunami, or if at this very moment the ‘creatives’ responsible for the Guinness account are pondering how stout adverts will never be the same again; in much the same way that commentators anticipated a re-evaluation of all imaginative values post-9/11.

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