Tariq Ali - The Stone Woman

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Each year, when the weather in Istanbul becomes unbearable, the family of Iskender Pasha, a re-tired Ottoman notable, retires to its summer palace overlooking the Sea of Marmara. It is 1899 and the last great Islamic empire is in serious trouble. A former tutor poses a question which the family has been refusing to confront for almost a century: 'Your Ottoman Empire is like a drunken prostitute, neither knowing nor caring who will take her next. Do I exaggerate, Memed?' The history of Iskender Pasha's family mirrors the growing degeneration of the Empire they have served for the last five hundred years. This passionate story of masters and servants, school-teachers and painters, is marked by jealousies, vendettas and, with the decay of the Empire, a new generation which is deeply hostile to the half-truths and myths of the 'golden days.'
is the third novel of Tariq Ali's 'Islam Quartet'. Like its predecessors—
and
—its power lies both in the story-telling and the challenge it poses to stereotyped images of life under Islam.

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“I had thought that one day, before death claimed either of us, I would visit him in New York. I wanted so much to see him again, Nilofer. Just once. After his letter I felt futile and betrayed. But there was one consolation he could never take away from me. I had you, the child of our love. In order to survive, he had to rebuild his shattered life, construct an inner wall that could not be breached and obliterate all memories of the love we had once given each other. All I had to do was to look into your eyes and be reminded once again of happiness. I pitied him.”

Silence. Neither of us could speak. I kissed her hands. She stroked my face and kissed my eyes. I had never felt so close to her in my whole life. I wanted to be alone to think of all she had told me. I had to decide the course of my life. It could not be determined by this household.

I took my leave of Sara and went to my own room. It was strange to think that none of them were related to me any longer. Salman and Halil were not my brothers. Zeynep was not my sister. Iskander Pasha was not my father. How absurd my world had become. I felt tears beginning to make their way to my eyes.

“Why are you crying?” Orhan’s voice brought me back to reality. “Are you missing Emineh?”

I nodded, grateful to him for providing me with an excuse, and dried my face. Orhan was cheerful.

“Tomorrow, Hasan Baba will cut my hair himself. He says he cannot return without making sure that my hair is properly cut. Then he will have cut the hair of four generations in our family.”

I smiled inwardly. Our family? The words held a new meaning for me.

Orhan had been filled with such excitement when he met his uncles and his grandfather that the truth suddenly made me fearful. Orhan and Iskander Pasha communicated with each other on paper every day. Both of them felt useful. Orhan felt he was helping his grandfather and Iskander Pasha had begun to teach the child the French alphabet. How could I ever tell my son that we had no right to be here, that his real grandfather was a painter in New York, that we belonged to a different world? I looked out at the sea. It was silent today as it shimmered in the dazzling light of a July afternoon. Its calmness helped to settle me.

I lay down on my bed and shut my eyes. I was pleased that Mother had told me the truth. Orhan’s presence had made me feel that life would go on as before. I might not be related by blood, but this was my family. These were people I loved and would always love — despite the past, despite the future. I heard Orhan laughing outside my window. I got up to see the cause of the merriment.

It was Selim. The sight of him aroused me. I knew then that I would want him for a long time.

EIGHT

The day of the family photograph; Iskander Pasha insists on being photographed alone next to an empty chair; the story of Ahmet Pasha and how he pretended to be the Sultan

IT WAS A LANGUID morning. There was no breeze and the sun was hot. We were sitting under the shade of a walnut tree on the front terrace. Hasan Baba had finished cutting Orhan’s hair and a maidservant was removing the pieces from the ground. Hasan Baba had chosen a style that was fifty years out of date, a style he had used when my father and uncles were young boys, and he had ignored my instructions and cut Orhan’s hair far too short, but the approval he sought was not mine. He knew that Iskander Pasha would appreciate his work.

A photographer was due to arrive from Istanbul later that day to photograph the entire family. It had been an annual ritual, discontinued when Salman and Halil left home. Usually the photograph was taken on a feast day in the old courtyard of our house in Istanbul. This was the first time a photographer had been permitted to violate the privacy of our summer sanctuary. The chairs had already been laid out in exactly the same pattern as in Istanbul, except that we were fewer in number. Uncle Kemal’s family had not been invited here, whereas it was usually difficult to exclude them in Istanbul.

Petrossian, following Iskander Pasha’s instructions, was organising the place names so that when the time came each of us would know where to sit. I shuddered at the thought of a family gathering, but Orhan was delighted. He was greatly looking forward to the occasion and had, for once, meekly accepted my mother’s insistence that he must bathe, wash his hair and wear the suit specially made for him, together with the fez . He was to be dressed like a little pasha. Nor would he be alone. Everyone had been instructed to dress formally. At breakfast that morning, Salman had made us all laugh by asking Uncle Memed whether he and the Baron, too, would be wearing the fez. Both men had looked at him coldly and refused to reply.

I was about to ask Hasan Baba to tell me of the time he had spent with Iskander Pasha in Paris, when the deep, beautiful voice of a singer chanting a Sufi verse came towards us as if from the sky.

Let us drink our fill from the wine of thy lips

Let us drink to the satisfaction of lovers

Let the hearts that have suffered too much separation become

intoxicated and bewildered;

Let their love overflow like the seven seas

Let us drink till their hearts are covered in moonlight

Let us drink till in their bliss, in their bliss, in their bliss, the lovers

experience

Allah, wa Allah, wa Allah!

Hasan Baba’s frail and battered body began to change before my eyes. His eyes developed a shine and he began to sway in perfect harmony with the song of ecstasy. Suddenly the voice stopped. It had come from the direction of the garden below my father’s terrace, which was invisible from the front terrace where we were seated enjoying the morning breezes and inhaling the scent of the pines.

“Who was the singer? I had no idea that we had a dervish in the servants’ quarters.”

“That was Selim, my grandson, hanim effendi .”

I was amazed. “Are you sure?”

Hasan Baba nodded eagerly. “Selim must be tired today. He has been cutting their hair since breakfast. First it was your brothers, then Memed Pasha and the Baron. Now your father’s hair is being trimmed. All this in readiness for one stupid photograph.”

“But could he be singing while cutting my father’s hair?” I was surprised, given the decorum normally associated with any ritual involving Iskander Pasha.

“Why not? There are many things you do not know about your father. He was a Sufi in his youth. He frequented some of the more dubious meeting houses where ecstasy had little relation to Allah. He must have instructed Selim to sing this particular verse. Perhaps it reminds him of the time he first saw Zakiye, the mother of Salman Pasha.

“I have known your father since the day he was born, but never in such a state as he was that winter when he first saw her at a meeting house. They inhaled some very potent herbs and began to whirl together. Afterwards, in a state of ecstatic exhaustion, they fell on the floor and rested. It was then that she sang the verse that we just heard again, but this time in the voice of my grandson. Iskander Pasha’s heart experienced a turbulence he had never known before. His love grew by the day and there were times I thought he would lose his sanity altogether. I was with him a great deal at the time. I tried to calm him. I offered to take him to Konya for a festival. I suggested we come to this house so that he could, at least, reflect on his state of mind and, at a distance, from the object of his love. He refused to leave Istanbul. Zakiye was moved by her young admirer’s passion, but I don’t think she could ever reciprocate his love. He refused to rest till he had obtained permission from his parents to marry her.”

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