A. Yehoshua - Friendly Fire - A Duet

To distract the children from their parents, the grandpa steers them to the trunk to help him take the sandwiches and vegetables and oranges out of the cooler, and to arrange them all nicely on an old oilcloth. It is Daniela who generally tries to decipher her son's marital frictions, but she's far away in Africa, and he has to maneuver alone through this outbreak of hostilities.

One evening, in the empty office, in a rare moment of soul-baring, Moran confessed that his wife's good looks were not only a source of pride for him but also a heavy burden. Her beauty makes her more vulnerable to men. She easily arouses the wild fantasies of random passersby. He doesn't always watch her every move, but it sometimes seems to him that her glamour distances them from their closest friends.

Now she sits, fuming in the car, swathed in the cumbersome old windbreaker that obscures her body completely. On her sour face, devoid of makeup, are a few unsightly blemishes, as if she has deliberately made herself ugly for her husband, to stave off any suspicion or complaint.

"No, Amotz, I'm not hungry," she says, pushing away the sandwich, "you eat."

"I'm not hungry either," Moran says, rejecting the same sandwich, "you eat it, Abba."

Moran's work uniform smells of gun oil — a fundamental Israeli aroma, an ever-present whiff of dread, the smell of one's first contact with the army, of basic training, which forty years cannot erase from one's consciousness. What's this? Ya'ari extends a hand to feel the dense black stubble covering his son's face. That redheaded officer doesn't make you shave before he sits down to play backgammon with you? Moran pulls away from his touch. What about you, he goads his father, you didn't shave this morning either. What, Imma isn't here so you're trying out a sexier style?

"Sexy?" Ya'ari is insulted.

"Sexy like Arafat," Efrat says maliciously, looking at her husband.

The little ones have not had their fill of their father, and they cling to him and climb on him. But Moran is distracted, graceless. His mind is fixed on his wife, but they are both silent now, and the poisonous silence is affecting the children, who provoke each other, wanting attention.

Nadi is drawn to the smell of meat roasting on a nearby grill, and Ya'ari has to stop him. The Israeli din gains volume. Bluish smoke pollutes the winter air. Meat- and sweets-stuffed recruits improvise a mini-soccer match at the edge of the visiting area, or walk arm-in-arm with their girlfriends within the perimeter set by their commanding officers. Fathers laugh heartily, sharing memories of their own army days, and mothers exchange phone numbers, so they will be able to keep track together of special events during the months of training.

Yes, reflects Ya'ari, there's anger and bitterness between these two, but also attraction, and in this teeming parking lot they won't be able to defuse their spite and reconcile before parting. He cannot presume to fathom the workings of his son's marital relationship, nor does he intend to try without Daniela. But even Daniela, who does venture into mind-reading, can be mistaken. Could she imagine, for example, that tucked between Baby Mozart and Baby Bach is a videotape of hard-core sex, which these young people watch to get turned on, not relying on their own desire? But he won't tell Daniela about the tape, so as not to upset her.

He offers the car keys to his son and says, Listen, it's a mob scene here, and you might want some quiet time together, so take yourselves to some nice café in the area, and I'll look after the little ones. When I visited you at the base that night, I thought I saw an old tank the children might enjoy. Is there really an old tank here, or did I just imagine it?

"I haven't run into any old tanks, but I haven't done much exploring around the camp. If you say you saw an old tank, it must be there. You, Abba, are not capable of hallucinations."

And he takes the keys from his father. Efrat hesitates, but Moran insists, yes, we deserve a little privacy.

Nadi is thrilled by the chance to climb on a real tank, but Neta is sorry to be separated from her father. We'll be right back, Moran promises, and we'll bring you something better than the cucumbers and carrots that Imma peeled. And he puts the food back into the cooler.

Ya'ari holds his grandchildren's hands tight, and they cross the road with great caution. The children urgently need the toilet, he says grimly to the soldier guarding the gate, and leads them on with determination. Parents' visiting day loosens the disciplinary leash, and many recruits walk around without their berets or weapons; some have even traded in their army boots for civilian shoes. A few assertive mothers have succeeded in penetrating the base to inspect their children's living conditions. Is there an old tank monument here? Ya'ari asks everyone he runs into, but he gets no clear answer. Still he persists. They reach the far edge of the base. Beyond the eucalyptus trees lie the houses of the neighboring town. A raindrop lands on his head, and he looks up at the sky. The clouds are crammed together, yet patches of blue show through here and there. All at once heavy drops begin to fall, and he hurries with the children into a nearby tent.

The tent is filled with meticulously made beds, which are guarded by an Ethiopian soldier sprawled on one of them. He wears a light battle vest, and the rifle between his legs rocks to the beat of unfamiliar music.

Ya'ari requests cover until the rain lets up. And Nadi draws close to the guard and fearlessly, yet with deep reverence, strokes the bolt of the rifle.

"You didn't go out to visit with your folks?"

No, says this lone recruit, he has no family in Israel. His father died right after they arrived in the country, and his mother, who was supposed to follow them here, remarried and stayed in Addis Ababa.

Ya'ari is curious to know whether he misses Africa. Mother and Africa, explains the soldier, have become one for him, and he is unable to separate them.

SIJJIN KUANG IS slow to return to the sanatorium lobby. The powerful midday sunshine that pours through the window nearly lulls the two relatives to sleep as they sink deeper into the worn leather armchairs, which resemble a pair of hippopotamuses. Behind the reception desk sits an African man, typing into an elderly computer. What amazes Daniela is that for a long time now not a single patient or employee has entered the lobby. Only the tapping of the keys chips away at the great silence. Yirmiyahu closes his eyes and drifts off, and Daniela can now study his face from up close and see what has changed in this man she has known for so many years. Is this the first time you've been here? she asks him when for a moment his eyes open, very red, and he tells her no, he has been here a number of times, bringing diggers who had been felled by malaria. And they got well here? No way of knowing; we lost contact with them. Their tribesmen were in a hurry to get them out of here and replace them with others. UNESCO doesn't insure the health of diggers.

He yawns and stretches, places his hand on his forehead and says, I think I also have a bit of fever. She puts one hand against his forehead and the other to her own and says, I think I'm the one with fever, not you. But tell me why is there no one here, no patients or workers? Yirmiyahu shrugs. Maybe they're eating now, maybe sleeping. Do you suppose, she asks further, that there's a cafeteria here where I can find something sweet?

An ironic smile lights the man's eyes.

"No, Daniela," he says, yawning, "I don't believe there's a kiosk here for you."

"You're sure, or you only believe?"

"I am sure that I don't believe."

The elevator whirrs and starts to rise, and when it comes back down it brings with it the aristocratic Sudanese driver, who asks the white man to help her calm down Zohara al-Ukbi, who is refusing to stay here. On the way to her room they had passed the rooms of terminal patients, and the young Arab woman had a panic attack and demanded to be returned to the farm.