Nadine Gordimer - Life Times - Stories 1952-2007

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A stunning selection of the best short fiction from the recipient of the Nobel Prize in Literature.
This collection of Nadine Gordimer’s short fiction demonstrates her rich use of language and her unsparing vision of politics, sexuality, and race. Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer’s career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as “Friday’s Footprint” and “Something Out There” to her shorter, more experimental stories, Gordimer’s work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires.
This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer’s vision.

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He taught Praise not only how to play the flute, but also the elements of musical composition, so that he should not simply play by ear, or simply listen with pleasure, but also understand what it was that he heard. The flute-playing was much more of a success with the boys than the chess had been, and on Saturday nights, when they sometimes made up concerts, he was allowed to take it to the hostel and play it for them. Once he played in a show for white people, in Johannesburg; but the boys could not come to that; he could only tell them about the big hall at the university, the jazz band, the African singers and dancers with their red lips and straightened hair, like white women.

The one thing that dissatisfied Father Audry was that the boy had not filled out and grown as much as one would have expected. He made it a rule that Praise must spend more time on physical exercise — the school couldn’t afford a proper gymnasium, but there was some equipment outdoors. The trouble was that the boy had so little time; even with his exceptional ability, it was not going to be easy for a boy with his lack of background to matriculate at sixteen. Brother George, his form master, was certain he could be made to bring it off; there was a specially strong reason why everyone wanted him to do it since Father Audry had established that he would be eligible for an open scholarship that no black boy had ever won before — what a triumph that would be, for the boy, for the school, for all the African boys who were considered fit only for the inferior standard of ‘Bantu education’! Perhaps some day this beggar-child from the streets of Johannesburg might even become the first black South African to be a Rhodes Scholar. This was what Father Audry jokingly referred to as Brother George’s ‘sin of pride’. But who knew? It was not inconceivable. So far as the boy’s physique was concerned — what Brother George said was probably true: ‘You can’t feed up for those years in the streets.’

From the beginning of the first term of the year he was fifteen Praise had to be coached, pressed on, and to work as even he had never worked before. His teachers gave him tremendous support; he seemed borne along on it by either arm so that he never looked up from his books. To encourage him, Father Audry arranged for him to compete in certain inter-school scholastic contests that were really intended for the white Anglican schools — a spelling team, a debate, a quiz contest. He sat on the platform in the polished halls of huge white schools and gave his correct answers in the African-accented English that the boys who surrounded him knew only as the accent of servants and delivery men.

Brother George often asked him if he were tired. But he was not tired. He only wanted to be left with his books. The boys in the hostel seemed to know this; they never asked him to play cards any more, and even when they shared smokes together in the lavatory, they passed him his drag in silence. He specially did not want Father Audry to come in with a glass of hot milk. He would rest his cheek against the pages of the books, now and then, alone in the study; that was all. The damp stone smell of the books was all he needed. Where he had once had to force himself to return again and again to the pages of things he did not grasp, gazing in blankness at the print until meaning assembled itself, he now had to force himself when it was necessary to leave the swarming facts, outside which he no longer seemed to understand anything. Sometimes he could not work for minutes at a time because he was thinking that Father Audry would come in with the milk. When he did come, it was never actually so bad. But Praise couldn’t look at his face. Once or twice when he had gone out again, Praise shed a few tears. He found himself praying, smiling with the tears and trembling, rubbing at the scalding water that ran down inside his nose and blotched on the books.

One Saturday afternoon when Father Audry had been entertaining guests at lunch he came into the study and suggested that the boy should get some fresh air — go out and join the football game for an hour or so. But Praise was struggling with geometry problems from the previous year’s matriculation paper that, to Brother George’s dismay, he had suddenly got all wrong that morning.

Father Audry could imagine what Brother George was thinking: was this an example of the phenomenon he had met with so often with African boys of a lesser calibre — the inability, through lack of an assumed cultural background, to perform a piece of work well known to them, once it was presented in a slightly different manner outside of their own textbooks? Nonsense, of course, in this case; everyone was over-anxious about the boy. Right from the start he’d shown that there was nothing mechanistic about his thought processes; he had a brain, not just a set of conditioned reflexes.

‘Off you go. You’ll manage better when you’ve taken a few knocks on the field.’

But desperation had settled on the boy’s face like obstinacy. ‘I must, I must,’ he said, putting his palms down over the books.

‘Good. Then let’s see if we can tackle it together.’

The black skirt swishing past the shiny shoes brought a smell of cigars. Praise kept his eyes on the black beads; the leather belt they hung from creaked as the big figure sat down. Father Audry took the chair on the opposite side of the table and switched the exercise book round towards himself. He scrubbed at the thick eyebrows till they stood out tangled, drew the hand down over his great nose, and then screwed his eyes closed a moment, mouth strangely open and lips drawn back in a familiar grimace. There was a jump, like a single painful hiccup, in Praise’s body. The Father was explaining the problem gently, in his offhand English voice.

He said, ‘Praise? D’you follow’ — the boy seemed sluggish, almost deaf, as if the voice reached him as the light of a star reaches the earth from something already dead.

Father Audry put out his fine hand, in question or compassion. But the boy leapt up dodging a blow. ‘Sir — no. Sir — no.’

It was clearly hysteria; he had never addressed Father Audry as anything but ‘Father’. It was some frightening retrogression, a reversion to the subconscious, a place of symbols and collective memory. He spoke for others, out of another time. Father Audry stood up but saw in alarm that by the boy’s retreat he was made his pursuer, and he let him go, blundering in clumsy panic out of the room.

Brother George was sent to comfort the boy. In half an hour he was down on the football field, running and laughing. But Father Audry took some days to get over the incident. He kept thinking how when the boy had backed away he had almost gone after him. The ugliness of the instinct repelled him; who would have thought how, at the mercy of the instinct to prey, the fox, the wild dog long for the innocence of the gentle rabbit and the lamb. No one had shown fear of him ever before in his life. He had never given a thought to the people who were not like himself; those from whom others turn away. He felt at last a repugnant and resentful pity for them, the dripping-jawed hunters. He even thought that he would like to go into retreat for a few days, but it was inconvenient — he had so many obligations. Finally, the matter-of-factness of the boy, Praise, was the thing that restored normality. So far as the boy was concerned, one would have thought that nothing had happened. The next day he seemed to have forgotten all about it; a good thing. And so Father Audry’s own inner disruption, denied by the boy’s calm, sank away. He allowed the whole affair the one acknowledgement of writing to Miss Graham-Grigg — surely that was not making too much of it — to suggest that the boy was feeling the tension of his final great effort, and that a visit from her, etc.; but she was still away in England — some family troubles had kept her there for months, and in fact she had not been to see her protégé for more than a year.

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