Nadine Gordimer - Jump and Other Stories
Здесь есть возможность читать онлайн «Nadine Gordimer - Jump and Other Stories» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2012, Издательство: Bloomsbury Paperbacks, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.
- Название:Jump and Other Stories
- Автор:
- Издательство:Bloomsbury Paperbacks
- Жанр:
- Год:2012
- ISBN:нет данных
- Рейтинг книги:5 / 5. Голосов: 1
-
Избранное:Добавить в избранное
- Отзывы:
-
Ваша оценка:
- 100
- 1
- 2
- 3
- 4
- 5
Jump and Other Stories: краткое содержание, описание и аннотация
Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Jump and Other Stories»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.
is a vivid, disturbing and rewarding portrait of life in South Africa under apartheid.
Jump and Other Stories — читать онлайн бесплатно полную книгу (весь текст) целиком
Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Jump and Other Stories», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.
Интервал:
Закладка:
Of course, there really is a roof — the tent is the roof, far, high up. It’s like a sky. It’s like a mountain and we’re inside it; through the cracks paths of dust lead down, so thick you think you could climb them. The tent keeps off the rain overhead but the water comes in at the sides and in the little streets between our places — you can only move along them one person at a time — the small kids like my little brother play in the mud. You have to step over them. My little brother doesn’t play. Our grandmother takes him to the clinic when the doctor comes on Mondays. Sister says there’s something wrong with his head, she thinks it’s because we didn’t have enough food at home. Because of the war. Because our father wasn’t there. And then because he was so hungry in the Kruger Park. He likes just to lie about on our grandmother all day, on her lap or against her somewhere, and he looks at us and looks at us. He wants to ask something but you can see he can’t. If I tickle him he may just smile. The clinic gives us special powder to make into porridge for him and perhaps one day he’ll be all right.
When we arrived we were like him — my first-born brother and I.I can hardly remember. The people who live in the village near the tent took us to the clinic, it’s where you have to sign that you’ve come — away, through the Kruger Park. We sat on the grass and everything was muddled. One Sister was pretty with her hair straightened and beautiful high-heeled shoes and she brought us the special powder. She said we must mix it with water and drink it slowly. We tore the packets open with our teeth and licked it all up, it stuck round my mouth and I sucked it from my lips and fingers. Some other children who had walked with us vomited. But I only felt everything in my belly moving, the stuff going down and around like a snake, and hiccups hurt me. Another Sister called us to stand in line on the verandah of the clinic but we couldn’t. We sat all over the place there, falling against each other; the Sisters helped each of us up by the arm and then stuck a needle in it. Other needles drew our blood into tiny bottles. This was against sickness, but I didn’t understand, every time my eyes dropped closed I thought I was walking, the grass was long, I saw the elephants, I didn’t know we were away.
But our grandmother was still strong, she could still stand up, she knows how to write and she signed for us. Our grandmother got us this place in the tent against one of the sides, it’s the best kind of place there because although the rain comes in, we can lift the flap when the weather is good and then the sun shines on us, the smells in the tent go out. Our grandmother knows a woman here who showed her where there is good grass for sleeping mats, and our grandmother made some for us. Once every month the food truck comes to the clinic. Our grandmother takes along one of the cards she signed and when it has been punched we get a sack of mealie meal. There are wheelbarrows to take it back to the tent; my first-born brother does this for her and then he and the other boys have races, steering the empty wheelbarrows back to the clinic. Sometimes he’s lucky and a man who’s bought beer in the village gives him money to deliver it — though that’s not allowed, you’re supposed to take that wheelbarrow straight back to the Sisters. He buys a cold drink and shares it with me if I catch him. On another day, every month, the church leaves a pile of old clothes in the clinic yard. Our grandmother has another card to get punched, and then we can choose something: I have two dresses, two pants and a jersey, so I can go to school.
The people in the village have let us join their school. I was surprised to find they speak our language; our grandmother told me, That’s why they allow us to stay on their land. Long ago, in the time of our fathers, there was no fence that kills you, there was no Kruger Park between them and us, we were the same people under our own king, right from our village we left to this place we’ve come to.
Now that we’ve been in the tent so long — I have turned eleven and my little brother is nearly three although he is so small, only his head is big, he’s not come right in it yet — some people have dug up the bare ground around the tent and planted beans and mealies and cabbage. The old men weave branches to put up fences round their gardens. No one is allowed to look for work in the towns but some of the women have found work in the village and can buy things. Our grandmother, because she’s still strong, finds work where people are building houses — in this village the people build nice houses with bricks and cement, not mud like we used to have at our home. Our grandmother carries bricks for these people and fetches baskets of stones on her head. And so she has money to buy sugar and tea and milk and soap. The store gave her a calendar she has hung up on our flap of the tent. I am clever at school and she collected advertising paper people throw away outside the store and covered my schoolbooks with it. She makes my firstborn brother and me do our homework every afternoon before it gets dark because there is no room except to lie down, close together, just as we did in the Kruger Park, in our place in the tent, and candles are expensive. Our grandmother hasn’t been able to buy herself a pair of shoes for church yet, but she has bought black school shoes and polish to clean them with for my first-born brother and me. Every morning, when people are getting up in the tent, the babies are crying, people are pushing each other at the taps outside and some children are already pulling the crusts of porridge off the pots we ate from last night, my first-born brother and I clean our shoes. Our grandmother makes us sit on our mats with our legs straight out so she can look carefully at our shoes to make sure we have done it properly. No other children in the tent have real school shoes. When we three look at them it’s as if we are in a real house again, with no war, no away.
Some white people came to take photographs of our people living in the tent — they said they were making a film, I’ve never seen what that is though I know about it. A white woman squeezed into our space and asked our grandmother questions which were told to us in our language by someone who understands the white woman’s.
How long have you been living like this?
She means here? our grandmother said. In this tent, two years and one month.
And what do you hope for the future?
Nothing. I’m here.
But for your children?
I want them to learn so that they can get good jobs and money.
Do you hope to go back to Mozambique — to your own country?
I will not go back.
But when the war is over — you won’t be allowed to stay here? Don’t you want to go home?
I didn’t think our grandmother wanted to speak again. I didn’t think she was going to answer the white woman. The white woman put her head on one side and smiled at us.
Our grandmother looked away from her and spoke — There is nothing. No home.
Why does our grandmother say that? Why? I’ll go back. I’ll go back through that Kruger Park. After the war, if there are no bandits any more, our mother may be waiting for us. And maybe when we left our grandfather, he was only left behind, he found his way somehow, slowly, through the Kruger Park, and he’ll be there. They’ll be home, and I’ll remember them.
A Find
To hell with them.
A man who had bad luck with women decided to live alone for a while. He was twice married for love. He cleared the house of whatever his devoted second wife had somehow missed out when she left with the favourite possessions they had collected together — paintings, rare glass, even the best wines lifted from the cellar. He threw away books on whose flyleaf the first wife had lovingly written her new name as a bride. Then he went on holiday without taking some woman along. For the first time he could remember; but those tarts and tramps with whom he had believed himself to be in love had turned out unfaithful as the honest wives who had vowed to cherish him forever.
Читать дальшеИнтервал:
Закладка:
Похожие книги на «Jump and Other Stories»
Представляем Вашему вниманию похожие книги на «Jump and Other Stories» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.
Обсуждение, отзывы о книге «Jump and Other Stories» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.