Nadine Gordimer - The Pickup

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When Julie Summers' car breaks down in a sleazy street, a young Arab garage mechanic comes to her rescue. Out of this meeting develops a friendship that turns to love. But soon, despite his attempts to make the most of Julie's wealthy connections, Abdu is deported from South Africa and Julie insists on going too — but the couple must marry to make the relationship legitimate in the traditional village which is to be their home. Here, whilst Abdu is dedicated to escaping back to the life he has discovered, Julie finds herself slowly drawn in by the charm of her surroundings and new family, creating an unexpected gulf between them… ‘As gripping as a thriller and as felt as a love song' IRISH TIMES

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There would have been frustration; no news at the consulate, the failure of a promised contact to materialize. He and she did not talk much about these inevitabilities of waiting; there was an unspoken pact of feeling that this would be somehow a way of attracting bad luck, as if some force were hanging over them, eavesdropping, grinning, tantalizing, holding out closed fists — which one? which one? — enjoying a knowledge that the one reached out for contained: visa refused. Why raise her hopes. Why answer questions about what he was ready to resort to, to get them out of this place. Just do it. Whatever it might be. Any day he might find the elegant suitcase packed. In her hand one ticket this time. Week after week passing; the sight of his sister-in-law, the woman Khadija, so haughtily accusatory of the family who had produced her husband, incensed him. Her mannerism of suddenly covering her well-made-up face with her hands, her nervous tic of despair. What the hell was bloody Zayd doing at the fucking oil fields! (The expletives heard at the garage where his wife had picked him up came back to him in their language.) Yes, that’s it. Fucking, he’s found another woman there, and my mother has to feed the grand wife from the capital he was so proud of, my father has to pay and send his children to school.

Who would have thought they would still be here when the wind months came. The rih is blowing.

He comes back from wherever it is the friends-of-friends take him with what they calculate is probably the right sum of her dollars to place in an opened hand, and there she is wrapped up with a robe round her head like any village woman in the street. She smiles an acknowledgment at Maryam: Wasn’t it good of your little sister to kit me out for the wind? She drew the covering over her mouth and nose to show him how well she had been protected from the cutting fury of flaying sand on the way to the ladies’ conversational tea at the house of Maryam’s employer, for which she had now agreed to modest payment.

He was shouting at his sister, some of the words could be understood as a result of those tea-parties: who do you think you are what are you doing who walks out in the rih are you mad take that thing off her, and the gentle girl was swaying this way and that as if she were being slapped.

He disappeared into the lean-to. Julie put her arms round the girl and rocked with her. Maryam struggled free and pulled the robe away from Julie, who was incantatory, apologizing for him, Sorry, sorry, sorry. But the girl comforted her in Arabic and then, correcting herself, in English, licking away a tear that had run down her cheek to her lip and chokingly laughing at herself: —He has many worry — he is too busy with hard things. I know that. It is not me. Ibrahim — he — is angry for him not for me. — The two with their arms again about each other sat on the sofa quietly as if Ibrahim’s wife were a sister.

Of course he’s right about the wind; even with the entire outfit women and even men wore, just their eyes showing, venturing out in that wind was terrifying, exciting — something never experienced before, beyond imagining back where the most intense experience of this force of nature was the wind called Black South-Easter that slammed doors and kept you off the beaches on Cape Town holidays. This was the reality of the cosmic blasts issuing from mouths of angry gods symbolized in prophetic engravings. It’s not often, now, waiting for Canada or wherever it’s going to be — with him, that’s all that matters — she thinks of the childhood where she did have the room with the plush panda she had wandered to find in the wrong house, that Sunday; of the revamped servant’s quarters with gleaming bathroom, organic soap and bath oils, miniature kitchen with suitably modest freezer and microwave, weekly washwoman, wide ever-ready bed for whoever the latest lover might be: trappings of the coterie of the alternative to Nigel Ackroyd Summers’ Sunday lunches, The Table at the EL-AY Café—what was supposed to be the simple life. We were playing at reality; it was a doll’s house, the cottage; a game, the EL-AY Café.

The wind to which everything and everyone in the village was submitted blew itself out after exactly the months she was told it would. Its time was over; Canada still in the balance, there were decisions to come from the final authority in Ottawa. Julie knew that he had other initiatives out for the possibility of other countries; but what countries would be left to try. It ceased to be a question: an unspoken statement, conclusive. (That’s it.) He was away more and more from the family house, driving the old car to the capital — an Uncle is not a stranger, a sister’s son cannot be denied time off like any employee — spending the evenings in the village or perhaps another village, with the friends who knew contacts to follow up. The father and other men of the family were also usually out in the evenings; Amina’s husband Suliman, Daood the coffee-maker, Ahmad who worked at the butchery, and even schoolboy Muhammad, his cheese delivery round concluded, homework overseen by the mother, disappeared to kick a football with other boys under the dim bat-circled street-lights. It was a quiet time in this house that reverberated with many lives; the small children in bed, the women waiting for the men. The sisters Maryam and Amina would be talking dreamily as they endlessly knotted a carpet — or was it the next carpet — on a handmade loom, not much more than two young trees stripped of bark and branches, crossed by rough beams. She sat with the women watching subtitled American soap operas, left carefully, not to disturb, as if along the row in a cinema, to read under the lamp he had provided for her in the lean-to. Sometimes Maryam came hesitantly after her, and settled with legs crossed under her garment on the floor beside the bed where she lounged. Maryam had made extraordinary progress; they could talk now, exchange ideas beyond phrase-book pleasantries; even confidences. Did Maryam want to marry? The police commissioner’s son: did she love him?

The girl showed her clamped teeth, softly giggled, dropped her head back. — I don’t know any other one. Only my father, my brothers. He looks a nice man. He speaks well. And he is not fat — you know — I would not want a fat one. — They laughed together; the girl shuddered, as if in some imagined embrace. — I think I can love him, we’ll see. — She had anecdotes about and reflections on the other women. They all talked of Khadija, so annoying and yet so shaming in her hostile despair. Yes, a pain in the neck … but that was a colloquialism hard to explain to Maryam … — Poor Khadija. She was — what do you say — awful, oh awful before, when my brother Zayd was here with her, when they got married and he brought her from her parents, she did not like our house, she was the one who said he must go to the oil fields for money to buy a house for her. Now she is — more awful— because she is so unhappy. She looks at you like this, she hates because she is jealous. You have your husband, your husband will take you to a good country, you have money. Poor Khadija. In this house no person likes her. And my brother …? Does he still want her. We don’t know. If he doesn’t come back?—

— But the children are lovely. Your father and mother like having the children with them.—

The girl was silent for a while, considering the threshold between gossip and causing offence. She opened her pretty face to Ibrahim’s wife, the half-known, half-mysterious, about to tell something. — The others, they wonder why you do not get a baby. Then perhaps you will first marry here, our way. They look at you. We talk about it. And now — I must say to you … My mother has asked. She asks me.—

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