Nadine Gordimer - Loot and Other Stories

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With her characteristic brilliance, Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. An earthquake offers tragedy and opportunity in the title story, exposing both an ocean bed strewn with treasure and the avarice of the town's survivors. “Mission Statement” is the story of a bureaucrat's idealism, the ghosts of colonial history, and a love affair with a government minister that ends astoundingly. And in “Karma,” Gordimer's inventiveness knows no bounds: in five returns to earthly life, a disembodied narrator, taking on different ages and genders, testifies to unfinished business and questions the nature of existence. Revelatory and powerful, these are stories that challenge our deepest convictions even as they dazzle us with their artful lyricism.

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Tilla has never gone fishing. Her father doesn’t fish. Four hundred miles from the sea the boys at school kick and throw balls around — they know about, talk about, football and cricket. The father knows about, talks about, golf. Fishing. It opens the sea before her, the salt wind gets in the narrowed eyes conveying to her whole nights passed alone on the rocks. He walks from headland to headland on dawn-wet sand, the tide is out — sometimes in mid-sentence there’s a check, half-smile, half-breath, because he’s thinking of something this child couldn’t know, this is his incantation that shuts out the smart parade-ground march towards killing and blinds the sights the gun trains on sawdust-stuffed figures where he is being drilled to see the face of the enemy to whom he, himself, is the enemy, with guts (he pulls the intricately perfect innards out of the fish he’s caught, the fisherman’s simple skill) in place of sawdust. Sleeping parents are right; he will not touch her innocence of what this century claims, commands from him.

Walking home where she used to race her bicycle up and down under the same trees, the clothing on their arms, the khaki sleeve, the sweater her mother has handed her as a condition of permission to be out in the chill night air, brushes by proximity, not intention. The strap of her sandal slips and as she pauses to right it, hopping on one leg, he steadies her by the forearm and then they walk on hand in hand. He’s taking care of her. The next weekend they kiss in one of the tree-dark intervals between streetlights. Boys have kissed her; it happened only to her mouth; the next Saturday her arms went around him, his around her, her face approached, was pressed, breathed in and breathed against the hollow of neck where the pendulum of heartbeat can be felt, the living place above the breast-plate from which the incense of his presence had come. She was there.

In the kitchen there was no talk. The cocoa rose to top of the pot, made ready. All the sources of the warmth that her palms had extended to, everywhere in the house, as a domestic animal senses the warmth of a fire to approach, were in this body against hers, in the current of arms, the contact of chest, belly muscles, the deep strange heat from between his thighs. But he took care of her. Gently loosened her while she was discovering that a man has breasts, too, even if made of muscle, and that to press her own against them was an urgent exchange, walking on the wet sands with the fisherman.

The next weekend-leave — but the next weekend-leave is cancelled. Instead there’s a call from the public phone at the canteen bar. The mother happened to answer and there were expressions of bright and encouraging regret that the daughter tried to piece into what they were responding to. The family was at supper. The father’s mouth bunched stoically — Marching orders. Embarkation.

The mother nodded round the table, confirming.

She — the one I call Tilla — stood up appalled at the strength to strike the receiver from her mother and the inability of a good girl to do so. Then her mother was saying, But of course we’ll take a drive out on Sunday, say goodbye and Godspeed. Grandma’d never forgive me if she thought … now can you tell me how to get there, beyond Pretoria, I know … I didn’t catch it, what mine? And after the turn-off at the main road? Oh don’t bother, I suppose we can ask at a petrol station if we get lost, everyone must know where that camp is, is there something we can bring you, anything you’ll need …

It seems there’s to be an outing made of it. Out of her stun: that essence, ironed khaki and soap, has been swept from the house, from the kitchen, by something that’s got nothing to do with a fisherman except that he is a man, and as her father has stated — Embarkation — men go to war. Her mother makes picnic preparations: do you think a chicken or pickled ox-tongue, hard-boiled eggs, don’t know where one can sit to eat in a military camp, there must be somewhere for visitors. Her father selects from his stack of travel brochures a map of the local area to place on the shelf below the windscreen. Petrol is rationed but he has been frugal with coupons, there are enough to provide a full tank. Because of this, plans for the picnic are abandoned, no picnic, her mother thinks wouldn’t it be a nice gesture to take the soldier out for a restaurant lunch in the nearest city? There won’t be many such luxuries for the young man on his way to war in the North African desert.

They have never shown her the mine, the diamond mine, although since she was a small child they have taken their daughter to places of interest as part of her education. They must have talked about it — her father is a mining company official himself, but the exploitation is gold, not precious stones — or more likely it has been cited in a general knowledge text at school: some famous diamond was dug there.

The camp is on part of the vast mine property, commandeered by the Defence Force, over the veld there are tents to the horizon, roped and staked, dun as the scuffed and dried grass and the earth scoured by boots — boots tramping everywhere khaki everywhere, the wearers replicating one another, him; where shall they find him? He did give a tent number. The numbers don’t seem to be consecutive. Her father is called to a halt by a replica with a gun, slow-spoken and polite. The car follows given directions retained each differently by the mother and father, the car turns, backs up, take it slowly for heaven’s sake.

She is the one — There. There he is.

Of course, when you find him you see there is no-one like him, no bewilderment. They are all laughing in the conventions of greeting but his eyes have their concentrated attention for her. It is his greeting of the intervals between streetlights, and of the kitchen. This weekend which ends weekends seems also to be the first of winter; it’s suddenly cold, wind bellies and whips at that tent where he must have slept, remote, between weekends. It’s the weather for hot food, shelter. At the restaurant he chooses curry and rice for this last meal. He sprinkles grated coconut and she catches his eye and he smiles for her as he adds dollops of chutney. The smile is that of a greedy boy caught out and is also as if it were a hand squeezed under the table. No wine — the father has to drive, and young men oughtn’t to be encouraged to drink, enough of that in the army — but there is icecream with canned peaches, coffee served, and peppermints with the compliments of the management.

It was too warm in the restaurant. Outside, high-altitude winds carry the breath of what must be early snow on the mountains far-away, unseen, as this drive in return to the camp carries the breath of war, far-away, unseen, where all the replicas in khaki are going to be shipped. No heating in the family car of those days, the soldier has only his thin, well-pressed khaki and the daughter, of course, like all young girls has taken no precaution against a change in the weather, she is wearing the skimpy flounced cotton dress (secretly chosen although he, being older, and a disciple of the sea’s mysteries, probably won’t even notice) that she was wearing the first time they walked to the cinema. The mother, concealing — she believes — irritation at the fecklessness of the young, next thing she’ll have bronchitis and miss school — fortunately keeps a rug handy and insists that the passengers in the back seat put it over their knees.

It was easy to chat in the preoccupations of food along with the budgerigar chitter of other patrons in the restaurant. In the car, headed back for that final place, the camp, the outing is over. The father feels an obligation: at least, he can tell something about the diamond mine, that’s of interest, and soon they’ll actually be passing again the site of operations though you can’t see much from the road.

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