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Noah Cicero: The Collected Works of Noah Cicero Vol. II

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Noah Cicero The Collected Works of Noah Cicero Vol. II

The Collected Works of Noah Cicero Vol. II: краткое содержание, описание и аннотация

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Vasily Krymov is a first-generation Russian immigrant living in Youngstown, Ohio. He drinks coffee at the Waffle House. He drinks rum in seedy strip clubs. He washes dishes at a steakhouse for minimum wage. Through all of it, he thinks of suicide, envisioning grand escapes from his own personal hell. When he discovers a pill bottle full of Oxycontin in the restroom of a bar, Vasily thinks he has found his escape. He and his best friend devise a plant to sell the pills to raise enough money to head out west and escape the squalid streets of Youngstown forever. But for a man like Vasily, escaping one hell only means finding another. A bleak, comedic masterpiece of down-and-outers in decaying America, "The Insurgent" is Noah Cicero at his minimalistic best. "The Collected Works of Noah Cicero Vol. 2" also features three of Noah Cicero's most acclaimed short stories: "Two Old Lovers Bring Out Their Guns," "Visiting My Sister," and "Two Hard Workers."

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All of humanity dies and nothing is left but their garbage!

Another good movie.

I search ‘9/11 conspiracy.’

A lot of movies pop up.

I click one.

The movie begins.

A man stands before the camera and says, “Your country has lied to you. You are fucking stupid. Is life a Jerry Bruckheimer film? Buildings don’t fall from fire! Those fires couldn’t make that steel melt! This is reality! In reality, in this universe, that would never happen! Don’t let yourselves be tricked! You are smarter than this! There are no terrorists! There is Bush and his Bushies and the Illuminati and they are trying to take away your rights, your freedoms. And you are giving them up! You are selling your mind and soul to the highest bidder for what? You don’t even know! You are Americans!”

The man is screaming this.

Then the man keeps screaming:

“YOU ARE LETTING IT FUCKING HAPPEN!

“YOU ARE LETTING IT FUCKING HAPPEN!

“YOU ARE LETTING IT FUCKING HAPPEN!

“YOU ARE LETTING IT FUCKING HAPPEN!

“YOU ARE LETTING IT FUCKING HAPPEN!

“YOU ARE LETTING IT FUCKING HAPPEN!

“YOU ARE LETTING IT FUCKING HAPPEN!”

This guy is serious.

“The government planned 9/11 and carried it out. You can trust no one. I’m not talking about the government, because there is no government. There is the Illuminati. Secret organizations of Yale graduates that have been working together since the time of Christ to bleed humanity dry of individuality, happiness, and normal human compassion!”

I stop watching YouTube videos, take a shit, and go to sleep.

6

Sasha and I sit in the Paprika Café.

The Paprika Café serves Hungarian food, which is almost like Russian food. They both involve cabbage.

It is a new restaurant in Youngstown. We like the place. It is small and has a nice atmosphere. It kind of smells like cabbage-hell, but you get used to it after a while.

Sasha has no kids or husband, and doesn’t really care about anything. She owns a bar in downtown Youngstown called Sweet Jenny’s, after the Bruce Springsteen song.

“Isabella is supposed to come over tonight,” I say.

“For real? Good job,” Sasha says.

“She won’t come,” I say.

“Do you care?”

“Of course I care. I want to get laid.”

“That’s a good point.”

“I’m trying not to care though. I’m trying to be strong and think about other things, like video games and washing dishes.”

“That sounds like a lot to think about.”

“Seriously, do you think she’ll come?”

“She’s a junkie. Do you have any coke?”

“No,” I say.

“Then probably not. Cokeheads date cokeheads. You know the rules.” She eats a spoonful of cabbage soup and says, “This is great cabbage.”

“It’s cabbage. How do you fuck up cabbage?”

“You can fuck up cabbage.”

“All cabbage tastes the same.”

“Maybe.”

“I don’t feel like I can live anymore.”

“What the hell does that even mean?”

“It means that when I walk around this planet, I keep getting the urge to blow my brains out.”

“You don’t have a gun.”

“You need to take me and my suicide seriously.”

“Listen motherfucker, you keep reminding me of Lizaveta. But from Lizaveta I know that people who are going to kill themselves don’t sit around and talk about it like sack-asses.”

“I know, I’m not going to kill myself.”

“No shit. Quit reminding me of Lizaveta,” Sasha says.

“Why can’t we talk about Lizaveta?”

“Because she’s dead.”

“What’s wrong with dead people? Are we just supposed to forget them now that they are dead? Pretend their lives never occurred?”

“I feel guilty.”

“Who doesn’t feel guilty? We let her go nuts and die. We watched her disintegrate, we watched her go nuts, we watched like complacent assholes as our sister leaped off the precipice into a pit of jackals, to drown in madness!”

Sasha looks down at her food and says, “That was mean.”

A single tear falls from Sasha’s left eye.

I say, “We didn’t do anything. We watched her die. She’s dead.”

“What are we supposed to do?”

“I guess nothing. But we could at least mention her once in a while.”

“There’s no point. If she wanted to be mentioned, she wouldn’t have killed herself. You can’t shit-talk about the dead unless they are poets or politicians. Shit-talking dead people who aren’t famous doesn’t seem right.”

“No, it doesn’t,” I say.

“Sometimes I dream about her. She doesn’t talk in the dreams. She doesn’t look at me either. I don’t want her to look at me. If Lizaveta ever looked at me in one of my dreams, I would wake to kill myself. I couldn’t even look at her toward the end. She was ruined. I couldn’t look at her ruins. It didn’t make me feel better. Usually I feel somewhat better when someone is doing worse than me. But that was

too

worse.”

“I didn’t really know her.”

“I did. She was all right. I remember playing in the yard a lot when we were little and doing shit like that. But you know how high school is. Everyone goes their own way. Everyone thinks they are awesome and has to be cool.”

“I got laid more in high school.”

“It is hard to get laid after you’re twenty-two. People start to think they

must

get married, have babies, shit like that. It is like a gun is pointed at their head or something.”

“It’s strange,” I say. “You go through high school and the next four years randomly fucking people, and then when twenty-two hits, it’s like, ‘I gotta get married and have babies.’ When I think about most people’s lives, I see it as being made up of a series of escapes. They face reality and escape. They face it again and escape, and face it and escape, then die.”

7

Isabella is supposed to call around nine o’clock.

It is 8:49

PM

.

That’s eleven minutes.

I’m freaking out.

I cleaned the house.

I vacuumed the floor, did the dishes, took the garbage out, even dusted.

The place looks good.

I’m sitting in front of the computer, improving my MySpace page, trying to waste time, trying to make time go easier.

Time won’t go easy.

Time is crushing me.

It is 8:50

PM

.

A minute has passed.

I’m still sitting here.

I wish she would call early.

She won’t call.

Isabella hates me.

No, she doesn’t hate me.

She doesn’t care about me.

She views me as someone who sits at the Waffle House all night reading with a strange man, looking terrified, never saying the right thing, unable to hold a decent conversation.

She always goes, “What’s up, Vasily?”

And like a fuckhead I say, “Nothing.”

Then she says with that inflection that signifies she is speaking to a loser, “You live an interesting life.”

But what am I supposed to say? Am I supposed to describe how I watched global warming disaster videos for four hours last night? Am I supposed to describe how Gina makes my heart swoon, my cheeks redden, and I get all stupid when I’m around her. I can’t say that to Isabella, because I’m trying to fuck her. Talking about how my mother hates me is not how to get chicks. I can’t describe how I lay in bed for two hours dwelling on how big of a fucking ass I am, how I’m a failure, how I’m crushed by history, fucked, lonely, and want to die.

No, I can’t say those things out loud.

To get a chick you have to say something witty, you have to get them to laugh, you have to put on a performance, be a comedian.

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