Norman Rush - Mating

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The narrator of this splendidly expansive novel of high intellect and grand passion is an American anthropologist at loose ends in the South African republic of Botswana. She has a noble and exacting mind, a good waist, and a busted thesis project. She also has a yen for Nelson Denoon, a charismatic intellectual who is rumored to have founded a secretive and unorthodox utopian society in a remote corner of the Kalahari — one in which he is virtually the only man. What ensues is both a quest and an exuberant comedy of manners, a book that explores the deepest canyons of eros even as it asks large questions about the good society, the geopolitics of poverty, and the baffling mystery of what men and women really want.

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The roar stopped and we were in Kang. Day was done. It was abrupt. I felt like one of those disciples of Gurdjieff who demonstrated the depth of their servitude by freezing in midcourse of whatever action they were performing, at Gurdjieff’s command, not excluding when they were running from the back of a stage straight at the audience. Naturally many of them sailed into the orchestra pit in marvelously frozen postures, crashing down triumphantly among the chairs and music stands.

The moon was up. We were under the wings of a beautiful tree, or a tree whose stasis seemed beautiful. I was still vibrating and still a blur as I got my gear together and set off to find shelter with the nuns at a mission oddly called, as I understood it, Mary, Star of the Sea.

The Sisters

Kang has douceur. The village is very dispersed, but the heart of it is under the canopy of a healthy acacia grove in which lots of the trees are lordly mature specimens of the umbrella and cloud genuses. The red aloes were up. At one time Kang was a government camp, and there is still a handful of government officers posted there who are typically away hunting or attending conferences or on leave, which doesn’t bother the Bakgalagadi farmers and herders who populate Kang. The dominant tribes tease and look down on the Bakgalagadi as hopeless rustics only one step above the absolute bottom dogs, the Basarwa. Sometimes in the most unimaginably remote spots in Africa you find a bemused lakhoa staying for years, unable to leave, gripped by the particular genius loci. I could conceive that happening in Kang. The atmosphere is drowsy and floral. Underfoot is fine dark-grayish sand, soft, almost a talc, overlaid with a lattice of some vine resembling trailing myrtle, with small tough white blooms you hate to step on. You have a silence decorated by occasional goatbell and cowbell sounds. All the housing is in the old style: the male and the common rondavels have trimmed thatch and the female houses have loose, weeping thatch. The people are ragged and the place is poor, but there is a sense that things are being seen to. Kang is not demoralized. The brush fencing around the lolwapas is kept tight.

Whites in Kang are few and far between. There is the Boer general dealer and moneylender. There are the Franciscan Missionaries of Mary, at Mary, Star of the Sea, where I was crashing, six of them. There were supposed to be whites out at the half-built new consolidated secondary school outside Kang. I stopped out to see the place. The school complex is very futurist, in pink cement. A considerable error was made in preparing the site: they tore up the ground vines and whatever grass they could find and consequently sand is everywhere and in everything, a real affliction. The Dane who gave me tea was obsessed with managing the sand. He was shaking out a rug when I came up. When we sat down he kept clearing the gleaming tabletop between us with the side of his hand. The other teachers had gone and he was about to go. He was bitter. He had been surcharged for a watering violation: he had been caught pouring pitchers of water on the sand around the front door of his bungalow, to keep it down. The Italian contractors who had been putting up the school had gone bankrupt. He was the one who had believed the longest that the government would restart construction any day. But that was his curse, he had decided: he was credulous. He was using the time to review his life.

In Kang you are definitely at the still center of nowhere. Facing north you have bush running hundreds of miles unto Angola. To your west is the Kalahari and then Namibia, which is emptiness folded into emptiness until you get to the Atlantic, except for the flyspeck of Gobabis. To your east is more Kalahari, but an even more restricted and empty zone of it, the Central Kalahari Game Reserve. The desert gets drier and stonier to the west, but in the north, south, and east the Kalahari is flat to rolling thornveld, with trees and brush occasionally clustered but predominantly hot, dry grasslands, no surface water anywhere, absurd succulents you would be wasting your time trying to find in any field guide. Tsau, the omphalos of my idioverse, lay dead east in the reserve, a hundred miles away. I was listening circumspectly to see if anyone had anything to say about Tsau or Denoon, but nothing emerged. Conversation was arduous in Kang, which was not what I expected. I think people on the whole preferred to be silent. I began to understand it.

I loved the silence in Kang. My time in the bush had made me think about silence in a concerted way for the first time in my life, but there my appreciation of the silence had been colored by apprehension: I was listening through it for anything that might mean danger, intruders. In Kang I was always safe. I had also just survived the aural battering of the ride from Gabs. In any case I discovered I had a craving for silence that Kang seemed to feed. Conversation among the sisters was minimal, not out of obedience to any doctrinal rule I was aware of but because people preferred it that way. I halfway wondered if part of the success of cloistered institutions comes from parasitic exploitation of a deep thirst for silence that certain people may have and be unaware of. Denoon thought there might be something to this idea, although he also thought the taste for silence was draining out of mankind under conditions of civilization, and at a cost, if he was correct that the price of lamb in the United States was getting prohibitive because fewer and fewer people could be found who were capable of enduring the solitude entailed by being a shepherd. He claimed there had been a scheme to train welfare recipients for the occupation — the pay is quite decent — which had foundered spectacularly on entrenched silence aversion among the poor. This may be why he seemed fairly interested in my positive attitude toward silence. Not only should I have been more distinctly marked in this area by my low-income origins, but there was my escape from the generalized hatred of silence Americans are trained in, as manifested in the freezing horror that seizes us when the conversation during a date or at a dinner party falters. This was when it became clear that Denoon hardly thought of himself as an American. What he did think of himself as was another matter. In fact, for all my rather earnest musings on the subject, he had deeper feelings re silence than I did. When I was getting to know Denoon during what I allow myself to think of as a courtship period, we drifted into the inevitable eddying exchanges about our happiest memories, our most unpleasant experiences. For my most unpleasant experience I had come up trivially with once having had nothing to put a grease fire out with except a tray of cat litter. I should have scanned for something higher level. His was seeing a young cousin reading Lord Jim for the first time while a Doors album blasted on the stereo, the same side repeated over and over. He related this passionately. Of course in his own way he was being trivial too.

All I know is that in Kang the silence was almost lyrical, or more precisely, the ratio of innocuous noise to silence was perfect. I think you have to be deep inland for that kind of silence. The susurrus of wind in the thorn trees was highly occasional, not predictable. Furthermore I was so sick of talking. My last days in Gaborone had been endless structures of talk — coy talk, promises, cajolement, white lies — from morning to night. I was very ready to have it stop.

The mission was a line of squaredavels along the crest of the high side of the Kang pan. The sisters ran a tiny, overwhelmed clinic and were attempting, without luck so far, to establish a hostel cum primary school for Basarwa children. I enjoyed the sisters, who ceased being at all curious about me when I said the word anthropology. Their eyes glazed. We are not exotic in that part of the world. One of the sisters took me down into the pan to impress me with the severity of the drought. The pan at Kang is pretty deep and I had a recurrence of skepticism about the standard explanation of the origin of the pans, viz. wind action over millennia scouring out these depressions, the proof being that the rim standing most counter to the prevailing wind is supposedly always the highest. They look so much like volcanic or impact craters, though. We went down into the blinding thing. There had been next to no rain for three years. A hand-dug pit at the center of the pan which had been briefly used for watering cattle was now full of bones. We went to it. The floor of the pan was baked and checkered, and walking across it felt like walking on potsherds. In certain cracks you could insert your arm down to the biceps and your fingers would touch a wet substance like paste which would have dried into a rigid plaster coating by the time you pulled your hand out. You had to knock your coated fingers against something hard to get it off.

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