Lydia Davis - The End of the Story

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Mislabeled boxes, problems with visiting nurses, confusing notes, an outing to the county fair-such are the obstacles in the way of the unnamed narrator of
as she attempts to organize her memories of a love affair into a novel. With compassion, wit, and what appears to be candor, she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.

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* * *

One evening I hadn’t expected to see him, either because he was busy himself or for some other reason, and I had asked Mitchell to come have dinner with Madeleine and me. We had finished eating and were still sitting at the table in the arcade by the terrace, Mitchell talking about a recent trip, when he came through the gate and across the terrace to us. The sight of him provoked a sharp feeling of annoyance in me, because I did not want to see him just then, but he must not have suspected that I could feel anything like that. Quite comfortably, he sat down with us and listened while Mitchell finished telling us about his trip. After Mitchell went home, he took me down the hill to the bar at the bottom of my street, to meet a teacher of his whom he admired very much. Two other students were present also. My feeling of annoyance only continued, and increased, as I sat there vehemently disliking both this teacher and his students, who paid such close attention to him they barely seemed to see or hear anything else. But I don’t know if my dislike of those three men fed my annoyance at him, so that it did not dissipate all evening, or if I disliked them so vehemently only because I was already annoyed.

Now that I have remembered this teacher, whom I had forgotten, I also remember that he lived farther up the hill and a little to the south of me in that same town, and that he used to hold his classes at his house, so that his students, in small seminars, would gather there.

And I recall that this was another place he might be in the evening, before he came to me at the end of the evening, whether he was actually a student in the class or he was only occasionally invited to join the others. And when I recall a specific place he might have been, then it is easier for me to hear him, again, telling me he would come by at the end of the evening from that specific place, and it is easier for me to remember how the knowledge of where he was and the plan we had, the prospect of his coming later, was as distinct, as perceptible, and as sweet as a piece of ripe fruit near me, within sight, and within reach, as I worked comfortably through the evening, beginning to listen, toward the end of it, for the sound of his car and then the sound of his footsteps by the gate.

* * *

When he was silent with me I found his silence difficult and uncomfortable. I am almost certain he was silent because he was afraid to speak, afraid that I would think what he said was wrong — inaccurate, or not very intelligent, or not very interesting. Even when I did not mean to be unkind to him, I was unkind, and made him afraid to speak.

His silence hid things, as his face hid things, what was in his mind and what he was feeling, and forced me to look at him more attentively, to try to search out what lay behind his silence. He never explained himself, unlike another man I had known who explained himself so fully that I never had to guess. I guessed at his reasons, I guessed at his thoughts, but when I asked him if I was right in my guesses, he did not answer me and I had to guess further, whether I had been right.

This kept my attention on him, but at times I became impatient. I knew I should not be impatient with his silence, or with his indirect way of doing things, or with his slower way of doing things, and yet I was. I wanted everything to be quick, most of the time, except when I chose it to be slow. I simply wanted everything to be the way I chose it to be, quick or slow.

If I look at how impatient I was with him, I have to wonder about the way I loved him. I think I was irresponsible in handling his love. I forgot it, ignored it, abused it. Only occasionally, and almost by chance, or on a whim, did I honor or protect it. Maybe I only wanted to be entrusted with his love: then I was willing to let him suffer, because I was safe in the trust of that love and did not suffer myself.

It was not easy for me to speak to him, either. I wanted to speak, and my voice spoke inside me, I thought of the words to say and said them, but what I said was dry and stiff, the words did not communicate anything of what I was feeling. It was easier for me to touch him and to write things down.

So there was sometimes this strange formality between us, a vacancy and difficulty, because of the awkwardness of what he said to me when he spoke, and the awkwardness of what I said to him, and the vast silences that fell between us. Maybe we did not have to talk, but when we were together we must have felt we should have something like a conversation. We tried over and over again to talk, and did it badly, there were so many barriers in the way.

Other things about him bothered me, and he must have known that. I was uneasy if he sat very silent in company with other people, or if he made a remark that showed he had not understood what was being talked about, his enunciation clearest when he was most nervous, his t ’s noticeably crisp, or if he laughed in his self-conscious way, his voice tense and rising. Even his smile, broad as it was every time, seemed tense and self-conscious, as though he were offering himself to me then, standing behind his smile and behind his wide body, so straight and tense and quiet. I thought his body was unusually wide, his arms and legs unusually thick. I thought his skin was strangely white, the flesh of his limbs so wide and white it almost shone in the dark. It did shine in a dim light, in a darkened room with light coming in through the windows from the moon or a streetlamp. He was certainly nice-looking, his features were agreeable, but his nose was oddly pointed and upturned in his wide face, the skin of his face was pale, pink, and freckled, even his lips were freckled. He often fell into one self-conscious pose or another, his head thrown back, smiling or wary, or his head bowed, when he was not smiling and seemed angry, or ready to fight, but was not angry, looking up at me from under his eyebrows, his lips tight shut. I could not say his eyes did not have a pretty color of blue in them, though even the blue was very pale, and the whites often a little bloodshot.

When we were no longer together, what had bothered me did not bother me anymore. It was harder for me to see anything wrong with him, because although the same things were there, they had shrunk, in my attention, to a point where they were barely visible.

* * *

I have been counting things today. I have been counting quarrels and trips. I need to put more order into what I remember. The order is difficult. It has been the most difficult thing about this book. Actually, my doubt has been more difficult, but my doubt about the order has been the worst. I don’t mind working hard, but I don’t like not knowing what I am doing, or not knowing if what I am doing is the right thing to do.

I have tried to find a good order, but my thoughts are not orderly — one is interrupted by another, or one contradicts another, and in addition to that, my memories are quite often false, confused, abbreviated, or collapsed into one another.

I have trouble organizing things in my life anyway. I don’t have the patience to try very hard. One reason this book has taken so long to write is that instead of thinking it through and organizing it beforehand, I have simply kept trying, blindly and impulsively, to write it in ways that weren’t possible. Then I have had to go back and try to write it in a different way. I have made many mistakes, and couldn’t see them until after I had made them.

I still find myself forgetting things I had intended to do, and doing things I had not planned to do. I find myself doing things sooner than I had planned to do them: Oh, I say to myself, so I’m already at this stage.

I complained to Ellie a few weeks ago that although the novel was intended to be short, it had been growing and growing and was clearly going to become quite long before I could cut it down to the size it should be. But she said this seemed like a perfectly reasonable way to proceed. She had done the same thing with her dissertation all those many years ago, she said. That reassured me for a while. But now I am worried all over again. If it grows any more, will I still have time to cut it back before I run out of money?

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