Lydia Davis - The Collected Stories of Lydia Davis

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Lydia Davis is one of our most original and influential writers. She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants. . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance.
The Collected Stories of Lydia Davis is an event in American letters.

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When we returned home, we let the dogs out, as we always did, to run around before they were shut in for the night. The hunting season had begun again. We should not have let the dogs out loose, but we did not know that. More than an hour passed and the female came back but her brother did not. We were afraid right away, because he never stayed out more than an hour or so. We called and called, near the house, and then the next morning, when he had still not returned, we walked through the woods in all directions, calling and searching among the trees.

We knew he would not have stayed away so long unless he had somehow been stopped from coming back. He could have wandered into the nearest village, lured by the scent of a female in heat. He could have been spotted near the road and taken by a passing motorist. He could have been stolen by a hunter, someone avid for a good-natured, handsome hunting dog, proud to show it off in a smoke-filled café. But we believed first, and longest, that he lay in the underbrush poisoned, or caught in a trap, or wounded by a bullet.

Day after day passed and he did not come home and we had no news of him. We drove from village to village asking questions, and put up notices with his photograph attached, but we also knew that the people we talked to might lie to us, and that such a beautiful dog would probably not be returned.

People called us who had a yellow dog, or had found a stray, but each time we went to see it, it was not much like our dog. Because we did not know what had happened to him, because it was always possible that he might return, it was hard for us to accept the fact that he was gone. That he was not our dog only made it worse.

After a month, we still hoped the dog would return, though signs of spring began to appear and other things came along to distract us. The almond tree blossomed with flowers so white that against the soft plowed field beyond them they were almost blue. A pair of magpies came to the scrub oak beside the woodpile, fluttering, squawking, diving obliquely down.

The weekend people returned, and every Sunday they called out to each other as they worked the long strip of earth in the field below us. The dog went to the border of our land and barked at them, tense on her stiff legs.

Once we stopped to talk to a woman at the edge of the village and she showed us her hand covered with dirt from digging in the ground. Behind her we could see a man leading another man back into his garden to give him some herbs.

Drifts of daffodils and narcissus bloomed in the fields. We gathered a vase full of them and slept with them in the room, waking up drugged and sluggish. Irises bloomed and then the first roses opened, yellow. The flies became numerous again, and noisy.

We took long walks again, with one dog now. There were bugs in the wiry, stiff grass near the house, small cracks in the dirt, ants. In the field, purple clover grew around our ankles, and large white and yellow daisies at our knees. Bloodred bumblebees landed on buttercups as high as our hands. The long, lush grass in the field rose and fell in waves before the wind, and near us in a thick grove of trees dead branches clacked together. Whenever the wind died, we could hear the trickle of a swollen stream as though it were falling into a stone basin.

In May, we heard the first nightingale. Just as the night fully darkened, it began to sing. Its song was not really unlike the song of a mockingbird, with warbles, and twitters, and trills, warbles, chirps, and warbles again, but it issued in the midst of the silence of the night, in the dark, or in the moonlight, from a spot mysteriously hidden among the black branches.

Agreement

First she walked out, and then while she was out he walked out. No, before she walked out, he walked out on her, not long after he came home, because of something she said. He did not say how long he would be gone or where he was going, because he was angry. He did not say anything except “That’s it.” Then, while he was out, she walked out on him and went down the road with the children. Then, while she was out, he came back, and when she did not return and it grew dark, he went out looking for her. She returned without seeing him, and after she had been back some time, she walked out again with the children to find him. Later, he said she had walked out on him, and she agreed that she had walked out on him, but said she had walked out on him only after he walked out on her. Then he agreed that he had walked out on her, but only after she said something she should not have said. He said she should agree that she should not have said what she said and that she had caused the evening’s harm. She agreed that she should not have said what she said, but then went on to say that the trouble between them had started before, and if she agreed she had caused the evening’s harm, he should agree he had caused what started the trouble before. But he would not agree to that, not yet anyway.

In the Garment District

A man has been making deliveries in the garment district for years now: every morning he takes the same garments on a moving rack through the streets to a shop and every evening takes them back again to the warehouse. This happens because there is a dispute between the shop and the warehouse that cannot be settled: the shop denies it ever ordered the clothes, which are badly made and of cheap material and by now years out of style; while the warehouse will not take responsibility because the clothes cannot be returned to the wholesalers, who have no use for them. To the man all this is nothing. They are not his clothes, he is paid for this work, and he intends to leave the company soon, though the right moment has not yet come.

Disagreement

He said she was disagreeing with him. She said no, that was not true, he was disagreeing with her. This was about the screen door. That it should not be left open was her idea, because of the flies; his was that it could be left open first thing in the morning, when there were no flies on the deck. Anyway, he said, most of the flies came from other parts of the building: in fact, he was probably letting more of them out than in.

The Actors

In our town there is an actor, H. — a tall, bold, feverish sort of man — who easily fills the theater when he plays Othello, and about whom the women here become very excited. He is handsome enough compared to the other men, though his nose is somewhat thick and his torso rather short for his height. His acting is stiff and inflexible, his gestures obviously memorized and mechanical, and yet his voice is strong enough to make one forget all that. On the nights when he is unable to leave his bed because of illness or intoxication — and this happens more often than one would imagine — the part is taken by J., his understudy. Now, J. is pale and small, completely unsuitable for the part of a Moor; his legs tremble as he comes onstage and faces the many empty seats. His voice hardly carries beyond the first few rows, and his small hands flutter uselessly in the smoky air. We feel only pity and irritation as we watch him, and yet by the end of the play we find ourselves unaccountably moved, as though something timid and sad in Othello’s character had been conveyed to us in spite of ourselves. But the mannerisms and skill of H. and J. — which we analyze minutely when we visit together in the afternoons and contemplate even when we are alone, after dinner — suddenly seem insignificant when the great Sparr comes down from the city and gives us a real performance of Othello. Then we are so carried away, so exhausted with emotion, that it is impossible to speak of what we feel. We are almost grateful when he is gone and we are left with H. and J., imperfect as they are, for they are familiar to us and comfortable, like our own people.

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