John Banville - Ghosts

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Ghosts: краткое содержание, описание и аннотация

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A group of strangers, passengers on a day-boat that runs aground, are washed up on an island. Shaken and sodden, they nonetheless make quick work of the situation at hand. But what is the situation? They've invaded the closely protected enclave of an eminent art historian, but their presence seems to rouse in the historian's assistant a long-ripening hunger for company. Certainly the grounding of the boat was an accident, but one of the passengers seem to know the professor and to have an air of purpose about him. Why as their day on the island progresses, do they seem to inhabit a series of weighty tableaux? And who is the man who moves among them as both spectator and player, the nameless, seemingly haunted narrator whose sensibility is the sometimes clarifing, sometimes distorting lens through which we view the action? Invoking all lost souls and enchanted islands, Ghosts gives us a brilliant mix of gaiety and menace to tell a story about the failures and triumphs of the imagination, about time's passage, and about the frailty of human happiness. It is an exquisitely written novel — stately and theatrical — by one of the most widely admired and acclaimed writers at work today.

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‘Grand day,’ I said, in a loud voice hollow with false heartiness.

‘But hardy, though,’ he answered smartly and looked pleased with himself, as if he had caught me out in some small, deceitful strategem.

‘Yes,’ I said, abashed, ‘hardy indeed.’

He stood bowed before me, bobbing gently from the waist as if his spine were fitted with some sort of spring attachment at its base. The sickle dangled at the end of his long arm like a prosthesis. We were silent briefly. I considered the sky while he studied the roadway at my feet. I was never one for exchanging banter with the peasantry, yet I was loth to pass on, I do not know why. Perhaps I took him for another of this day’s mysterious messengers.

‘And are you from these parts yourself, sir?’ he said, in that wheedling tone they reserve for tourists and well-heeled strangers in general.

For answer I made a broad, evasive gesture.

‘Do you know that house?’ I asked, pointing over the hedge.

He passed a hard brown hand over his jaw, making a sandpapery noise, and gave me a quick, sly look. His eyes were like shards from some large, broken, antique thing, a funerary jar, perhaps.

‘I do,’ he said. ‘I know it well.’

Then he launched into a long rigmarole about my family and its history. I listened in awed astonishment as if to a tale of the old gods. It was all invention, of course; even the few facts he had were upside-down or twisted out of shape. ‘I knew the young master, too,’ he said. ( The young master ?) ‘I seen him one day kill a rabbit. Broke its neck: like that. A pet thing, it was. Took it up in his hands and — ’ he made a crunching noise out of the side of his mouth ‘ — kilt it. He was only a lad at the time, mind, a curly-headed little fellow you wouldn’t think would say boo to a goose. Oh, a nice knave. I wasn’t a bit surprised when I heard about what he done.’

What was this nonsense? I had never wrung the neck of any rabbit. I was the most innocuous of children, a poor, shivering mite afraid of its own shadow. Why had he invented this grotesque version of me? I felt confusion and a sort of angry shame, as if I had been jostled aside in the street by some ludicrously implausible imposter claiming to be me. The old man was squinting up at me with a slack-mouthed grin, a solitary, long yellow tooth dangling from his upper gums. ‘I suppose you’re looking for him too, are you?’ he said.

A cold hand clutched my heart.

‘Why?’ I said. ‘Who else was looking for him?’

His grin turned slyly knowing. ‘Ah,’ he said, ‘there’s always fellows like that going around, after people.’

He winked and touched a finger to his cap again, with the smug, self-satisfied air of a man who has properly settled someone’s hash, and bowled himself off on his way. I looked after him but saw myself, a big, ragged, ravaged person, flabby as a porpoise, standing there in distress on the windy road, dangling from an invisible gibbet in my incongruous white suit, arms limp, with my mouth open and my bell-bottoms flapping and the neck of the gin bottle sticking out of my pocket. I do not know why I was so upset. There came over me then that sense of dislocation I experience with increasing frequency these days, and which frightens me. It is as if mind and body had pulled loose from each other, or as if the absolute, essential I had shrunk to the size of a dot, leaving the rest of me hanging in enormous suspension, massive and yet weightless, like a sawn tree before it topples. I wonder if it is incipient epilepsy, or some other insinuating cerebral malady? But I do not think the effect is physical. Perhaps this is how I shall go mad in the end, perhaps I shall just fly apart like this finally and be lost to myself forever. The attack, if that is not too strong a word for it, the attack passed, as it always does, with a dropping sensation, a sort of general lurch, as if I had been struck a great, soft, padded punch and somehow had fallen out of myself even as I stood there, clenched in fright. I looked about warily, blinking; I might have just landed from somewhere entirely different. Everything was in its place, the roof beyond the hedge and the old man hobbling away and the back of Billy’s seal-dark head motionless in the van, as though nothing had happened, as though that fissure had not opened up in the deceptively smooth surface of things. But I know that look of innocence the world puts on; I know it for what it is.

I found a gap in the hedge and pulled myself through it, my shoes sinking to the brim in startlingly cold mud. Twigs slapped my face and thorns clutched at my coat. I had forgotten what the countryside is like, the blank-faced, stolid malevolence of bush and briar. When I got to the other side I was panting. I had the feeling, as so often, that all this had happened before. The house was there in front of me now, quite solid and substantial after all and firmly tethered to its roof. Yet it seemed changed, seemed smaller and nearer to the road than it should be, and for a panicky moment I wondered if my memory had deceived me and this was not my house at all. ( My house? Ah.) Mother’s rose bushes were still flourishing under the big window at the gable end. They were in bud already. Poor ma, dead and gone and her roses still there, clinging on in their slow, tenacious, secret way. I started across the lawn, the soaked turf giving spongily under my tread. The past was gathering ever more thickly around me, I waded through it numbly like a greased swimmer, waiting to feel the chill and the treacherous undertow. I veered away from the front door — I do not naturally go in at front doors any more — and skirted round by the rose bushes, squinting up at the windows for a sign of life. How frowningly do empty windows look out at the world, full of blank sky and oddly arranged greenery. At the back of the house I skulked about for a while in the clayey dampness of the vegetable garden, feeling like poor Magwitch on the run. A few big stalks of last year’s cabbages, knobbed like backbones, leaned this way and that, and there were hens that high-stepped worriedly away from me in slow motion, or stood canted over on one leg with their heads inclined, shaking their wattles and uttering mournful croaks of alarm. (What strange, baroque creatures they are, hens; there is something Persian about them, I always feel.) I was not thinking of anything. I was just feeling around blindly, like a doctor feeling for the place that pains. I would have welcomed pain. Dreamily I advanced, admiring the sea-green moss on the door of the disused privy, the lilac tumbling over its rusted tin roof. A breeze swooped down and a thrush whistled its brief, thick song. I paused, lightheaded and blinking. At last the luminous air, the bird’s song, that particular shade of green, all combined to succeed in transporting me back for a moment to the far, lost past, to some rain-washed, silver-grey morning like this one, forgotten but still somehow felt, and I stood for a moment in inexplicable rapture, my face lifted to the light, and felt a sort of breathlessness, an inward staggering, as if an enormous, airy weight had been dropped into my arms. But it did not last; that tender burden I had been given to hold, whatever it was, evaporated at once, and the rapture faded and I was numb again, as before.

I put my face to the kitchen window and peered inside. I could see little except shadows and my own eyes reflected in the glass, fixed and hungry, like the eyes of a desperate stranger. Crouched there with my breath steaming the pane and the bilious smell of drains in my nostrils, I felt intensely the pressure of things behind me, the garden and the fields and the far woods, like an inquisitive crowd gathering at my back, elbowing for a look. I am never really at ease in the open; I expect always some malignity of earth or air to strike me down or, worse, to whirl me up dizzyingly into the sky. I have always been a little afraid of the sky, so transparent and yet impenetrable, so deceptively harmless-looking in its bland blueness.

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