John Banville - Ghosts

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Ghosts: краткое содержание, описание и аннотация

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A group of strangers, passengers on a day-boat that runs aground, are washed up on an island. Shaken and sodden, they nonetheless make quick work of the situation at hand. But what is the situation? They've invaded the closely protected enclave of an eminent art historian, but their presence seems to rouse in the historian's assistant a long-ripening hunger for company. Certainly the grounding of the boat was an accident, but one of the passengers seem to know the professor and to have an air of purpose about him. Why as their day on the island progresses, do they seem to inhabit a series of weighty tableaux? And who is the man who moves among them as both spectator and player, the nameless, seemingly haunted narrator whose sensibility is the sometimes clarifing, sometimes distorting lens through which we view the action? Invoking all lost souls and enchanted islands, Ghosts gives us a brilliant mix of gaiety and menace to tell a story about the failures and triumphs of the imagination, about time's passage, and about the frailty of human happiness. It is an exquisitely written novel — stately and theatrical — by one of the most widely admired and acclaimed writers at work today.

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On a straight stretch Billy put his foot down and we fairly flew along. I sat watching the countryside rise up and rush to meet us and I drank more gin and felt faintly sick. She is a troubled sleeper, my wife, yet I always envied what seemed to me the rich drama of her nights, those fretful, laborious struggles through the dark from one shore of light to another. She would drop into sleep abruptly, often in the middle of a sentence, and lie prone on the knotted sheet with her face turned sideways and her mouth open and her limbs twitching, like a long-distance swimmer launching out flounderingly into icy black waters. She used to talk in her sleep too, in dim grumbles and sudden, sharp questionings. Sometimes she would cry out, staring sightlessly into the dark. And I would lie awake on my back beside her, stiff as a drifting spar, numb with that obscure anguish that wells up in me always when I am left alone with myself. Now I wondered if there was someone else who lay by her side at night with a dry throat and swollen heart, listening to her as she slept her restless sleep: not the prancing centaur of my inventing, but some poor solitary mortal just like me, staring sightlessly into the dark, still leaking a little, doing his gradual dying. I think I would have preferred the centaur.

‘Stop here, Billy!’ I cried. ‘Stop here.’

I AM ALWAYS FASCINATED by the way the things that happen happen. I mean the ordinary things, the small occurrences that keep adding themselves on to all that went before in the running total of what I call my life. I do not think of events as discrete and discontinuous; mostly there is just what seems a sort of aimless floating. I am not afloat at all, of course, it only feels like that: really I am in free fall. And I come to earth repeatedly with a bump, though I am surprised every time, sitting in a daze on the hard ground of inevitability, like Tom the cat, leaning on my knuckles with my legs flung wide and stars circling my poor sore head. When Billy stopped the van we sat and listened for a while to the engine ticking and the water gurgling in the radiator, and I was like my wife in that hotel room that I had conjured up for her imaginary tryst, looking about her in subdued astonishment at the fact of being where she was. I had not intended that we should come this way, I had left it to Billy to choose whatever road he wished; yet here we were. Was it another sign, I asked myself, in this momentous day of signs? Billy looked out calmly at the stretch of country road before us and drummed his fingers on the steering wheel.

‘Where’s this?’ he said.

‘Home.’ I laughed. The word boomed like a foghorn.

‘Nice,’ Billy said. ‘The trees and all.’ I marvelled anew at his lack of curiosity. Nothing, it seems, can surprise him. Or am I wrong, as I usually am about people and their ways? For all I know he may be in a ceaseless fever of amazement before the spectacle of this wholly improbable world. He twitches a lot, and sometimes he used to wake up screaming in his bunk at night; but then, we all woke up screaming in the night, sooner or later, so that proves nothing. All the same, I am probably underestimating him; underestimating people is one of my less serious besetting sins. ‘Your family still here?’ he said. ‘Your mam and dad?’

He frowned. I could see him trying to imagine them, big, bossy folk with loud voices clattering down this road astride their horses, as outlandish to him as medieval knights in armour.

‘No,’ I said. ‘All dead, thank God. My wife lives here now.’

I opened the door of the van and swung my legs out and sat for a moment with my head bowed and shoulders sagging and the gin bottle dangling between my knees. When I lifted my eyes I could see the roof of the house beyond the ragged tops of the hedge. I found myself toying with the notion that this was all there was, just a roof put up there to fool me, like something out of the Arabian Nights , and that if I stood up quickly enough I would glimpse under the eaves a telltale strip of silky sky and a shining scimitar of moon floating on its back.

‘Did I ever tell you, Billy,’ I said, still gazing up wearily at those familiar chimney-pots, ‘about the many worlds theory?’

Of the few scraps of science I can still recall (talk about another life!), the many worlds theory is my favourite. The universe, it says, is everywhere and at every instant splitting into a myriad versions of itself. On Pluto, say, a particle of putty collides with a lump of lead and another, smaller particle is created in the process and goes shooting off in all directions. Every single one of those possible directions, says the many worlds theory, will produce its own universe, containing its own stars, its own solar system, its own Pluto, its own you and its own me: identical, that is, to all the other myriad universes except for this unique event, this particular particle whizzing down this particular path. In this manifold version of reality chance is an iron law. Chance. Think of it. Oh, it’s only numbers, I know, only a cunning wheeze got up to accommodate the infinities and make the equations come out, yet when I contemplate it something stirs in me, some indistinct, fallen thing that I had thought was dead lifts itself up on one smashed wing and gives a pathetic, hopeful cheep. For is it not possible that somewhere in this crystalline multiplicity of worlds, in this infinite, mirrored regression, there is a place where the dead have not died, and I am innocent?

‘What do you think of that, Billy?’ I said. ‘That’s the many worlds theory. Isn’t that something, now?’

‘Weird,’ he answered, shaking his head slowly from side to side, humouring me.

Spring is strange. This day looked more like early winter, all metallic glitters and smooth, silver sky. The air was cool and bright and smelled of wet clay. An odd, unsteady sort of cheerfulness was gradually taking hold of me — the gin, I suppose.

‘What’s the first thing you noticed when you got out, Billy?’ I said.

He hardly had to think at all.

‘The quiet,’ he said. ‘People not shouting all the time.’

The quiet, yes. And the breadth of things, the far vistas on every side and the sense of farther and still farther spaces beyond. It made me giddy to think of it.

I got myself up at last, feet squelching in the boggy verge, and walked a little way along the road. I had nothing particular in mind. I had no intention as yet of going near the house — the gate was in the other direction — for in my heart I knew my wife was right, that I should stay away. All the same, now that I was here, by accident, I could not resist looking over the old place one more time, trying my feet in the old footprints, as it were, to see if they still fitted. Yet I could not feel the way one is supposed to feel amid the suddenly rediscovered surroundings of one’s past, all swoony and tearful, in a transport of ecstatic remembrance, clasping it all to one’s breast with a stifled cry and a sudden, sweet ache in the heart, that kind of thing. No; what I felt was a sort of glazed numbness, as if I were suspended in some thin, transparent stuff, like one of those eggs my mother used to preserve in waterglass when I was a child. This is what happens to you in prison, you lose your past, it is confiscated from you, along with your bootlaces and your belt, when you enter through that strait gate. It was all still here, of course, the ancient, enduring world, suave and detailed, standing years-deep in its own silence, only beyond my touching, as if shut away behind glass. There were even certain trees I seemed to recognise; I would not have been surprised if they had come alive and spoken to me, lifting their drooping limbs and sighing, as in a children’s storybook. At that moment, as though indeed this were the enchanted forest, there materialised before me on the road, like a wood-sprite, a little old brown man in big hobnailed boots and a cap, carrying, of all things, a sickle. He had long arms and a bent back and bandy legs, and progressed with a rolling gait, as if he were bowling himself along like a hoop. As we approached each other he watched me keenly, with a crafty, sidewise, leering look. When we had drawn level he touched a finger to his cap and croaked an incomprehensible greeting, peering up at me out of clouded, half-blind eyes. I stopped. He took in my white suit with a mixture of misgiving and scornful amusement; he probably thought I was someone of consequence.

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