Robert Wilson - Eureka Street - A Novel of Ireland Like No Other

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When your street address can either save your life or send it up the creek, there’s no telling what kind of daily challenges you’ll face in the era of the Northern Irish Troubles.
“All stories are love stories,” begins
Robert McLiam Wilson’s big-hearted and achingly funny novel. Set in Belfast during the Troubles,
takes us into the lives and families of Chuckie Lurgan and Jake Jackson, a Protestant and a Catholic — unlikely pals and staunch allies in an uneasy time. When a new work of graffiti begins to show up throughout the city—“OTG”—the locals are stumped. The harder they try to decipher it, the more it reflects the passions and paranoias that govern and divide them.
Chuckie and Jake are as mystified as everyone else. In the meantime, they try to carve out lives for themselves in the battlefield they call home. Chuckie falls in love with an American who is living in Belfast to escape the violence in her own land; the best Jake can do is to get into a hilarious and remorseless war of insults with a beautiful but spitfire Republican whose Irish name, properly pronounced, sounds to him like someone choking.
The real love story in
involves Belfast — the city’s soul and spirit, and its will to survive the worst it can do to itself.

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When I got back, Chuckie had called (Slat had called too, Amnesty had called again and Crab and Hally continued their old guff but I ignored them all). I called Chuckie back. He and the rest of the boys were going to some kind of gathering in one of the new yuppie bars on the Dublin Road. I was too bored and lonely to say no.

I got my cat and forced him to sit on my knee while I watched the old folks in the two houses opposite me. I'd often seen these two playing out their comedy. They didn't seem to talk to each other but they always did the same things at the same times. He was Asian, obviously a widower, a soft-bellied old guy often being visited by various clutches of children and grandchildren. She was true Ulster intemperate stock, a bluehaired old dear often dressed in a miraculous pair of pink seminylon stretch slacks (no visitors). That evening they were out gardening in their little patches of green out front. They bent over their shrubs, their heads nearly touching, tugging at a weed bush that bordered both their little gardens. I sometimes suspected they didn't get on but I had to say that, that evening, the races sure seemed united in their mutual hatred of weeds. It was beautiful.

When I got to the bar where I was meeting the boys, I was horrified. There was a sign over the door.

`An Evening of Irish Poetry Tonight 8 p.m.,' it said.

`Oh, fuck,' I replied.

Obviously there were no bouncers that night. What hordes would they be fighting off? I stood on the doorstep and pondered. Could any solitude be worse than this? I was amazed that Chuckie would attend such a gathering. I mean, Slat, Septic and the rest of us were basically yobbish, vulgar and sad but we could claim some form of brush with education, with literature. Chuckie, however, was moronically ill-informed. I suspected Max's hand in this.

Inside, I found that my suspicions were correct and I also found, to my meagre delight, that Aoirghe was with them. I walked up to them. I patted Chuckie's arm, said hello to Max and was greeting the fearsome Aoirghe when I unfortunately coughed.

Her eyes narrowed. `Are you taking the piss again?'

`Jesus!' I choked. `I just coughed. Gimme a break.'

Her eyes narrowed more (how could she see anything like that?). `Yeah, and I got your message. Thanks very much, it was charming' She hissed the last word.

I blushed and coughed again. `Whoops, sorry. Sorry about the message. I was pissed about getting nosy calls from Amnesty.'

She turned to Max and started some chat with her. I shrugged my shoulders at Chuckie, smiled amiably at him and grabbed him viciously by the balls.

`Ow.,

'I don't fucking believe it, Chuckie. How come you didn't tell me she was going to be here?' I gave his pebbles another twist. `Hmm?'

`Fuck, Jake. Let go. It wasn't my fault.'

I released him.

Slat, Septic and Donal arrived. We stood in a bunch waiting for the wimp who couldn't stand the pressure of resisting buying the first round.

'Look,' Chuckie whispered to me, 'she's just staying for the poetry. After that, she's fucking off with one of the poets.'

My relief was tempered with a qualm of jealousy. That moment scared me badly. I shook my head and cleared my mind. I held my hand in front of my face and counted my fingers. I was OK.

'What's wrong with you?' asked Chuckie.

`Never mind that. What the fuck are you doing at a poetry reading?'

Chuckie looked slightly miffed at my surprise. Septic muffled a laugh.'It was Aoirghe's idea. One of the guys reading is a councillor for just Us. He wrote a book when he was in the Maze.'

'Oh, great.'

`One of them's famous,' said Chuckie consolingly. `Shauny… Shinny… Shamie…'

'Sugar Ray Leonard?' suggested Septic.

'Chuckle struggled on manfully, `Shilly. .

'Shague Ghinthoss,' shouted Max.

`Even better,' I complained.

Shague Ghinthoss was an inappropriately famous poet who looked like Santa Claus and wrote about frogs, hedges and long-handled spades. He was a vaguely anti-English Catholic from Tyrone but the English loved him.They had a real appetite for hearing what a bunch of fuckers they were. I liked that about the English.

Max sloped over with a book. Aoirghe trailed along reluctantly behind her. Max smiled. `It's the launch of this new book. It's supposed to be very good' She passed it to me.

'According to whom?' I asked grammatically.

Chuckie coughed and old Aoirghe looked ready to tell me. I dipped into the book to avoid her eye.

'Of course,' she put in acidly, 'I wouldn't expect you to be sympathetic to any writers belonging to the Movement but even you couldn't deny Shague Ghinthoss's reputation.'

`Is that right?'

'There's a beautiful one of his on the first page,' said Max brightly.'It was good of a writer of his repute to endorse a book like this, don't you think?'

`I bet I can recite it without reading it.'

Chuckie looked impressed at satire passed him by. Aoirghe bristled. I passed the book to Deasely, open at the first page. Donal adopted a pedagogical expression.

I cleared my throat.

I stopped There was no applause Deasely looked at me severely He tutted - фото 5

I stopped There was no applause Deasely looked at me severely He tutted - фото 6

I stopped. There was no applause. Deasely looked at me severely. He tutted. `You left out the fifth blah, Jackson. Go to the back of the class and buy me a beer.'

He chucked the book back to Aoirghe. She looked like she was pissing blood.'Jesus, Jackson.Your friends are near as bad as you. Do you boys go to asshole support groups at weekends?'

It was a bad, bad evening. Before the reading started we were both to a number of Aoirghe's friends and associates. To do her justice, they weren't all extremist republicans. There was a man who taught Television-watching Skills at the University of Ulster. There was an old college chum of hers, a man with a Theory of everything. He had a Theory of Poetry. He had a Theory of Parties. A Theory of History. A Theory of Haircuts. He told me all of them. He did not include a Theory of How Not To Be Boring.

Then the reading commenced. We stood still while a series of twats in poetic clothes (a varying costume, always expressing equal measures of nonconformity, sensitivity and sexual menace) drivelled on about the flowers, the birds, the hedges, the berries, the spades, the earth, the sky and the sea. Whatever you said about Shague Ghinthoss's reputation, he definitely had one. All these tossers bore his mark. Unlike Ghinthoss, none of these boys was from the country. They were all pale-faced city boys and most obviously had never seen any of the hedges, berries or spades about which they wrote so passionately.

It was clear, in addition, that these were all nationalist hedges, republican berries, unProtestant flowers and extremely Irish spades.These subtleties were dashed, however, when the penultimate poet did his stuff. This unprepossessing john, we were told, had had his work translated from the original Gaelic into Russian but not into English. He was to read one of his poems in Irish and some guy would translate into English. (I should point out that I had seen this poet at the bar, showing a fine grasp of idiomatic English when he was trying to chat up one of the bar admittedly, he seemed to have some difficulty in understanding the phrase, `Fuck off, you ugly twat.')

This man read, haltingly but confidently, a poem entitled `Poem to a British Soldier About to Die'. It was hard enough to follow the text in detail, what with the simultaneous translation and the fact that it was crap, but the sentiments were apparent enough. The poem told the young British soldier (about to die) why he was about to die, why it was his fault, how it had been his fault for eight hundred years and would probably be his fault for another eight hundred, why the man who was going to shoot him was a fine Irishman who loved his children and never beat his wife and believed firmly in democracy and freedom for all, regardless of race or creed, and why such beliefs gave him no option but to murder the young British soldier (about to die).

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