Robert Wilson - Eureka Street - A Novel of Ireland Like No Other

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When your street address can either save your life or send it up the creek, there’s no telling what kind of daily challenges you’ll face in the era of the Northern Irish Troubles.
“All stories are love stories,” begins
Robert McLiam Wilson’s big-hearted and achingly funny novel. Set in Belfast during the Troubles,
takes us into the lives and families of Chuckie Lurgan and Jake Jackson, a Protestant and a Catholic — unlikely pals and staunch allies in an uneasy time. When a new work of graffiti begins to show up throughout the city—“OTG”—the locals are stumped. The harder they try to decipher it, the more it reflects the passions and paranoias that govern and divide them.
Chuckie and Jake are as mystified as everyone else. In the meantime, they try to carve out lives for themselves in the battlefield they call home. Chuckie falls in love with an American who is living in Belfast to escape the violence in her own land; the best Jake can do is to get into a hilarious and remorseless war of insults with a beautiful but spitfire Republican whose Irish name, properly pronounced, sounds to him like someone choking.
The real love story in
involves Belfast — the city’s soul and spirit, and its will to survive the worst it can do to itself.

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If you do you can do violence or harm becomes decreasingly possible for you.You hold a gun to someone's head, hammer cocked. If you can see what this would do to that head, then it is literally impossible to pull the trigger.

I had happily hurt people because I had no imagination.

Because of Sarah I didn't fight for two years.Then Sarah left. A fortnight later, a guy from Ottawa Street told me what a cunt I was outside the toilets in the Morning Star. I decked him. I picked his teeth out of my knuckles.

People talk about the red mist of the angry, of the sociopath. Only people who've never fought say that. There's no mist. Things are distinctly uncloudy. Rather, there is a great philosophical clarity, an absolute reliability about the decision to throw the arm. Everything seems fine and sensible and punching someone's head away seems like the dignified, democratic thing to do. And the other secret about being good at fighting is to know that you're no good at fighting. That's for the movies. No one can ward off blows and dodge swipes like they do in the movies. Being good at fighting is simply knowing which bits hurt, which bits break and just having a swing at those. That's all.

I'd tried giving up. When Sarah had been with me, it had been hard to think I'd ever done it. But when Sarah had left I'd started again. It had been a natural progression, an inevitable decline. I'd known Marty Allen all those years before. We'd been involved in a variety of bellicose enterprises and he was glad to bring me in on his repo thing. He'd yuppied up since the last time I'd seen him. He even called his new trade Credit Adjustment but I knew I was back to punching heads and baring teeth.

Crab, Hally and I worked North Belfast. It was mostly poor up there so we had a lot of ground to cover. We were thrillingly ecumenical and we raided Protestant estates with all the elan and grace with which we raided Catholic ones. I could never see the difference. There were grim estates and their multiple greys. There were pale, flabby people and their crucial lack. There was the damp, inoneyless smell. Both types of places were simply deep cores of poverty.They could paint their walls any colour they wanted, they could fly a hundred flags and they still wouldn't pay the rent and we would still come and take their stuff away from them.

It was Povertyland. It was the land where the bad things happened. Solvent snorting Evostik down an alley in Taughmonagh, keeling over and drowning in a twofoot puddle. Going out with a sniff and a gurgle. It was the land of Love on the Breadline. Kids here used clingfilm for condoms; they bought their 015.99 engagement rings from the Argos catalogue. They shacked up together for warmth, for forgetting. It was the land where they wrote things on the walls.

I was never surprised that they bought all this stuff they couldn't afford. That's what I'd have done. That's I had done. The only times I'd ever truly shopped were when I had no money. Buying things is the only activity that makes you feel better about not being able to buy things.

And it was such sad stuff. Mail-order stuff, catalogue stuff, penny-a-word, poundstretchers' stuff. Sometimes, after a few runs, the back of the van would look like a iop stall at a church fete. It amazed me that anyone could want this garbage back. But someone did. So back we took it.

Old, young and medium, the people all looked like I felt. Which was truly, impressively bad. They lived in countries of poverty, in climates of poverty. They ate it, slept it, breathed it in and out.

But they'd bought on, unsurprisingly. They were still allowed to purchase, to consume. They'd shored themselves up with comfort goods. They'd committed the crime of wanting what they could not have and they all came quietly. I had not hit anyone since I'd started working in repo again. I hadn't needed to. I would never need to. They were already beaten, these people. There was nothing more I could do to them.

The really surprising thing was that we never got any grief from either of the forces of national liberation. Both sets, aboriginal and colonist, had been paid off by Marty Allen. They left us alone mostly. The cops, too, just about tolerated us. But it was tricky. IRA, INLA, IPLO, UVF, UFF and the Royal Ulster Constabulary. A whole horde of dumb fucks with automatic weapons and the three of us wandering in and out taking people's televisions away. Luckily, Crab and Hally were too stupid to give it much thought, but me, I had a lot of executive stress.

After the first couple of hours of that morning, I should have realized it was all going wrong. We were working the little streets off the Shore Road. Albino Protestant land. Some furniture in Peace Street, a microwave and multigym from Parliament Street and a stereo, video and camcorder in Iris Drive. We'd made ten people unhappy and frightened. The Iris Drive address was a couple with six children. The kids had wasn't untypical, we were used to one of them, a girl of about six, had become hysterical. She screamed and wailed. I was amazed that she could be so terrified. Was she incredibly fond of luxury electrical goods or were we just frightening men? Whatever, we really scared the piss out of her and I felt bad. I felt worse that we got no abuse. Neither father nor mother, brothers nor sisters said any bad words to us as we tramped in and out of there.

But just as I went to close the door behind me, the mother had stared at me. Just once, and not for long, but I had never seen such contempt, such fear. I wondered what I looked like that she could look at me like that. It didn't take me long.

Afterwards we drove back up to Rathcoole.We were a little irritated as we'd been there only last week, but Allen had said it was a big deal, a special pick-up and that we had to do it today. Hally looked through his list (with his literacy skills no mean or brief feat).

`It's a bed,' he said.

`What?' Crab was driving, his mood suitably foul.

`A bed!

`We're going back up there for a fucking bed'

'Aye. I think it's some kind of big fuck-off bed. We're taking it off somebody called Johnson. Marty says it's worth a lot of money.'

Crab grunted some Neanderthal grunt and turned into the estate. On one of the walls, he spotted some graffiti. `Have you seen that, Hally?'

`What?'

Crab pulled to a halt. He pointed at the smeared, scribbled pebbledash wall. `That'

Hally leaned across him and looked out. `What, "Tina sucks my cock"?'

`No, no. The big letters.!

'OTG,' said Hally.

'Aye'

`What about it?' Hally asked, mystified.

`Have you seen that before?'

`Nah.'

`What about you, Jakie?'

I ignored him. I wasn't in the mood.

`What does it mean?' said Hally.

`How the fuck do I know?' snapped Crab. `I've seen it around a couple of times. Some of the lads are getting fucked off about it. They wanna know who the fuck these OTG cunts are.'

Hally pondered. `What, you think they're like a movement, an organization?'

`Yeah, probably.'

`And nobody knows who they are.'

'No.'

`Have they done anything yet?'

'Like what?'

'I mean have they claimed responsibility for anything yet?'

'Nah, don't think so.'

'So, how do you know it's an organization, then?'

'What else would it be?'

`Could mean anything.'

'Like what?'

`I don't Old Thick Git, Open The Gate, Omelettes Taste Good. I don't know. Fuck.'

'Then don't fucking blather about things you don't know, you thick fuck' Crab pouted. Oops, I thought, and blinked.

I missed the blow I just heard the wet slap and the sound of Crab's head bouncing back off his headrest. When I opened my eyes Crab's nose was bleeding and Hally was looking aggrieved.

`Don't call me stupid,' said Hally, mildly.

It took us twenty minutes to find the house. A bad twenty minutes. Things were tense enough without navigational difficulties.That was the thing about yob friendships. They were so very blunt. Mild controversies were conducted bone on bone. None of these people ever agreed to disagree. They were both psychopaths but Hally would be able to kill Crab every time. This consciousness weighed on Crab's mind. His neck grew red with hatred and suppressed rage. By the time we lumbered out of the van, the air between us was thick and hot with violence and anger.

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