Duong Huong - The Zenith

All these concerns could only be shared with her. He knows that people would dissect every word that came from him. Even if he ventured to tell Vu, Vu could not bring up any photo of Trung, as Vu, too, is being watched closely. If he showed the slightest sign that his heart was still passionate, the child would be used more effectively as a weapon in the hands of his enemies.

Knowing all this, he still cannot suppress his anxiety:

“An old father and a young child: that is the reality. Is the unfortunate woodcutter as tormented as I am at this instant? No! No!..because he died right on the hammock, on the way home. That way, even if he were worried and in pain, he only had to put up with it for a couple of hours, not to mention that during so short a time, the pain had paralyzed his brain.”

Love between father and child runs deep; for the first time he thoroughly understands the meaning of this.

When he was young, still a child, his spirit had not yet sought the far distant horizon, his ears heard only the wind blowing over the homeland, and his eyes looked only at the roof of the ancestral cottage. The work of the father, the responsible love of the mother: he knew these only as an average person would. Later those bonding kinship emotions grew fainter and fainter, easily forgotten when his heart had turned to a larger and more theoretical love: the country, the people, the nation…

These terms describe something grand, something wonderful. All great things are abstractions. The revolution was something even more gigantic, even more wonderful…and more shapeless…and more inhuman…

He recalled the year when the revolution succeeded, how his sister had come up from Nghe An to visit him. He did not set aside even a moment to chat with the woman he considered to have been his second mother when he was young. That woman was a virgin all her life; a virgin until she crawled into the coffin. Her life had been one of complete sacrifice for all her relatives. Not being received by the younger brother, she quietly returned home without a word of complaint. That day, for once, his heart was torn apart. Then he was forced to forget and he had forgotten. All his life he had adapted to accepting and practicing forgetting. A forgetting that had been ordered; a forgetting that was carefully formalized; a forgetting that was deliberate.

But this time, he does not succeed in forgetting. The boats that had been sunk pop up to the surface of the sea. A ghostly corpse from underneath the ocean’s mud, which has ceased decomposing, appears on the surface, rising and bobbing on the peaks of the waves. This is his hell.

Suddenly he wants to be a father! Suddenly he can no longer accept forgetting. Suddenly he remembers the son and hourly visualizes his features. Suddenly he craves seeing him, even from afar, even hidden behind a tree or some wall; nameless, shapeless, and ashamed like a fellow that squanders then repents in his old age, trying now to find a way to his own lost drop of blood.

All this nagging, this wishing, this longing confines him within the cage of an inexorable fate. A prison of his own making. His own legal system, wherein he is both criminal and judge. Why does heaven so torment him? From where does this rushing madness come that brings chaos to his mind, pain to his body, and agony to his heart?

The necessary psychology of a father toward a son!

Only now does he understand this reality. Of old, it was said: “Tears run downward.” So true.

“Filial love for parents can’t equal the ties of anxious love in a father’s soul for a child. Because when we love our parents we look up but when we love our children we look down. And, according to the laws of heaven and earth, tears always flow downward. Especially whenever we recognize that as fathers we have done wrong. Hell itself will then open a door straight into the heart.”

Such angst is as old as the earth. He had thought that he could avoid the ordinary waves of feeling that come with being human, but now those same ordinary waves are drowning him. For a long time he had assumed that he could just forget his own small affliction, believing that he could concentrate all his energies to better serve his country. There had been times when he had fairly succeeded in such forgetfulness. But forgetfulness was an opponent with a long memory and ferocious tenacity. Now he receives its reciprocating blows. Because life is always a stream flowing between the banks of forgetfulness and longing — a frail human vessel needs only a change of wind or some rough water to bounce it around and beach it on one side or the other.

“I thought life had calmed down.…I thought I had solved the problem and there were no more worries. But just now, everything has changed.”

Now the ship that is his life has been pulled by the wind from forgetfulness to longing. He can no longer pretend to live like a saint. He must now face up to every ordinary pain, the pains that run in all the channels of an ordinary life, a life that for so long he had refused to live.

Might it be that because ordinary people see beforehand the kind of hell that now confronts him, they easily avoid it? For him, could the pain now be appearing when his strength has diminished, making its taste more bitter?

Damn those old, penetrating and sad songs. He now really hears them only when his sun has almost set:

“Father, oh, Father, why do you leave the little ones?

Summer’s sun has not gone, but fall is here.

Then the winter brings the north wind back.

Father has left, the house has lost its roof.

Who will spread their arms to protect the little ones?”

Before him he visualizes almost thirty heads, each circled with the white cloth band of mourning; pairs of red eyes, swollen with crying; wailings rising in concert, in the harmony of a farewell song; the whole company standing on both sides of the coffin; beyond are dripping candles and bowls of rice each with a boiled egg on top and flowers amid the incense smoke.

“When I come to die, will any of my children cry for me like all those children of the woodcutter?

“Oh, no; my two children will stand among a noisy crowd and whisper: ‘The president is dead.’ Or a little more elegantly if they have been well educated: ‘The president has passed away.’ If they would shed a tear or two, it would only be infectious drops picked up from the common sadness; only a chain reaction, as when people sneeze because the one next to them has sneezed, or one laughs loudly, losing one’s breath, following the spirit of the surrounding crowd.

“My children will never know that this president was the one who created them, that the blood flowing in their veins is his, that their skin and flesh are no different from his, that their hearts, brains, livers, lungs, all their genetic diseases or their idiosyncrasies are from that same person. They will never know all this.

“My fate is much worse than that of the woodcutter in the Tieu Phu hamlet, because at the very least, he had blessings. A real father, with real power. Did he not know well what he wanted, what he could do, and what needed to be accomplished?”

The portrait of the deceased reappears before his eyes. He remembers clearly the handsomely curved eyebrows above eyes both welcoming and taunting. A defiant look: a seasoned life and a firm disposition marked the corners of his mouth with chiseled insets and the straight bridge of his nose with bamboolike resilience. Special is the bushy beard, jet black and curly like that of a European; it frames his square jaw, like that of the folk hero Tu Hai, which was dubbed a “swallow’s jaw.”

“This peasant dared confront his fate. Even lying in the coffin, he still had this resolved look of someone who defies all obstacles that block his way. And those sad songs sending off his soul, could they break the heart of the one who has just closed his eyes? Oh no, absolutely not. The woodcutter was a blessed father, because he brought good fortune on his son. These chants should be for me, just for me!”