Haruki Murakami - Colorless Tsukuru Tazaki and His Years of Pilgrimage

Tsukuru hesitated but then spoke. “There’s something I need to correct about what I told you the other day.”

As she walked along Sara shot him a look, her curiosity piqued. “What’s that?”

“I’ve had relationships with several women, but nothing ever really came of any of them, for various reasons. I told you it wasn’t all my fault.”

“I remember.”

“During the last ten years, I’ve gone out with three or four women. All of them were fairly long-term, serious relationships. I wasn’t just playing around. And the reason none of them worked out was because of me. Not because there was any problem with any of the women.”

“And what was the problem?”

“It was a little different depending on the person,” Tsukuru said. “But one common factor was that I wasn’t seriously attracted to any of them. I mean, I liked them, and enjoyed our time together. I have a lot of good memories. But I never felt—swept away, overpowered by desire for any of them.”

Sara was silent for a while. “So for ten years,” she finally said, “you had fairly long-term, serious relationships with women you weren’t all that attracted to.”

“That’s about right.”

“That doesn’t strike me as very rational.”

“I’d have to agree.”

“Maybe you didn’t want to get married, or get tied down?”

Tsukuru shook his head. “No, I don’t think that was it. I’m the sort of person who craves stability.”

“But still there was something holding you back psychologically?”

“Maybe so.”

“You could only have a relationship with women you didn’t have to totally open up to.”

“I might have been afraid that if I really loved someone and needed her, one day she might suddenly disappear without a word, and I’d be left all alone.”

“So consciously or unconsciously you always kept a distance between yourself and the women you dated. Or else you chose women you could keep that distance from. So you wouldn’t get hurt. Does that sound about right?”

Tsukuru didn’t reply, his silence an affirmation. At the same time, though, he knew that wasn’t what was at the heart of the problem.

“And the same thing might happen with you and me,” Sara said.

“No, I don’t think so. It’s different with you. I really mean that. I want to open up my heart to you. I truly feel that way. That’s why I’m telling you all this.”

“You want to see more of me?” Sara asked.

“Of course I do.”

“I’d like to see more of you, too, if I can,” Sara said. “You’re a good person, honest and sincere.”

“Thank you,” Tsukuru said.

“So tell me those four names. After that, you decide. Once I find out more about them, if you feel you don’t want to see them, then you don’t have to go ahead with it. That’s entirely up to you. But apart from all that, personally, I’m curious about them. I want to find out more about these people who are still weighing you down.”

When he got back to his apartment Tsukuru took an old pocket notebook out of his desk drawer, opened it to the list of addresses, and typed the four names, addresses, and phone numbers from when he’d last seen his four friends into his laptop.

Kei Akamatsu

Yoshio Oumi

Yuzuki Shirane

Eri Kurono

As he gazed at the four names on the screen, and considered the memories those names brought back, he felt the past silently mingling with the present, as a time that should have been long gone hovered in the air around him. Like odorless, colorless smoke leaking into the room through a small crack in the door. Finally, at a certain point, he snapped back to the present, clicked the key on his laptop, and sent the email to Sara’s address. He checked that it had been sent and switched off the computer. And waited for time to become real again.

Personally, I’m curious about them. I want to find out more about these people who are still weighing you down .

Sara is right, he thought as he lay down on his bed. Those four people are still stuck to me. Probably more tightly than Sara can ever imagine.

Mister Red

Mister Blue

Miss White

Miss Black

The night that Haida told him the story from his father’s youth, about meeting a jazz pianist named Midorikawa at a hot springs deep in the mountains of Kyushu, several strange things happened.

Tsukuru bolted awake in the darkness. A tapping sound had woken him, like the sound of a pebble striking a window. Maybe he’d only imagined it, but he wasn’t sure. He wanted to check the alarm clock on his nightstand, but he couldn’t turn his neck. His entire body was immobile. He wasn’t numb, it was just that when he tried to make his body move, he couldn’t. The connection between mind and muscles had been severed.

The room was swathed in darkness. Tsukuru had trouble sleeping when there was any light in the room, and always closed the curtains tightly when he went to bed, so there was no light filtering in from outside. Still, he felt the presence in the room of someone else, concealed in the darkness, watching him. Like a camouflaged animal, whoever it was held his breath, hid his scent, changed his color, and receded into the shadows. Still, for some reason Tsukuru knew who it was. Haida.

Mister Gray.

Gray is a mixture of white and black. Change its shade, and it can easily melt into various gradations of darkness.

Haida was standing in a corner of the dark room, staring down at Tsukuru, who lay faceup on the bed. As if he were a mime pretending to be a statue, Haida didn’t move a muscle for a long time. The only thing that moved, possibly, were his long eyelashes. Therein lay a strange contrast: Haida chose to be completely still, while Tsukuru chose to move, but couldn’t. I have to say something, Tsukuru thought, I need to speak and break down this illusory balance. But his voice wouldn’t come. His lips wouldn’t move, his tongue was frozen. The only thing slipping from his throat was dry, soundless breathing.

What is Haida doing here? Why is he standing here, staring so intently at me?

This isn’t a dream, Tsukuru decided. Everything is too distinct to be a dream. But he couldn’t say if the person standing there was the real Haida. The real Haida, his actual flesh and blood, was sound asleep on the sofa in the next room. The Haida standing here must be a kind of projection that had slipped free of the real Haida. That’s the way it felt.

Tsukuru didn’t feel that this presence was threatening, or evil. Haida would never hurt him—of this, Tsukuru felt certain. He’d known this, instinctively, from the moment they first met.

His high school friend Aka was very bright too, with a practical, even utilitarian intelligence. Compared to Aka’s, Haida’s intelligence was more pure iteration, more theoretical, even self-contained. When they were together Tsukuru often couldn’t grasp what Haida might be thinking. Something in Haida’s brain surged forward, outpacing Tsukuru, but what sort of thing that something was, he couldn’t say. When that happened he felt confused and left behind, alone. But he never felt anxiety or irritation toward his younger friend. Haida’s mind was just too quick, his sphere of mental activity too broad, on a different level entirely. With this knowledge, Tsukuru ceased trying to keep up with Haida.

In Haida’s brain there must have been a kind of high-speed circuit built to match the pace of his thoughts, requiring him to occasionally engage his gears, to let his mind race for fixed periods of time. If he didn’t—if he kept on running in low gear to keep pace with Tsukuru’s reduced speed—Haida’s mental infrastructure would overheat and start to malfunction. Or at least, Tsukuru got that impression. After a while Haida would debark from this circuit and, as if nothing had happened, smile calmly and return to the place where Tsukuru lay waiting. He’d slow down, and keep pace with Tsukuru’s mind.