Ivan Klíma - Love and Garbage

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Love and Garbage: краткое содержание, описание и аннотация

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The narrator of Ivan Klima's novel has temporarily abandoned his work-in-progress — an essay on Kafka — and exchanged his writer's pen for the orange vest of a Prague road-sweeper. As he works, he meditates on Czechoslovakia, on Kafka, on life, on art and, obsessively, on his passionate and adulterous love affair with the sculptress Daria. Gradually he admits the impossibility of being at once an honest writer and an honest lover, and with that agonizing discovery comes a moment of choice.

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Yet even so the moment must come when we are exhausted, when the chill that’s seeping from the floor and the walls gets between us, enters her eyes. I know that she’s asking herself how long I intend to make love to her without giving her any hope, without finding a solution which would bring her out of her icy loneliness. But she only asks what I’m going to do tonight.

I say that I will work, even though I know that my answer will seem unsatisfactory to her if I don’t decide to stay with her. I want to know what she’ll be doing.

Why should I care? I wasn’t going to stay with her anyway, after all, there was my wife waiting for me at home, I have to be with her, act the part of the faithful loving husband, create an atmosphere of home. Yes, of course, I also had to work, make money so I could keep the lady, my wife, in appropriate style. Also I mustn’t forget to buy something for dinner so she needn’t put herself out, and bring her a little present so she should know what a fine model husband she has. All she wants to know now is why she should plunge with me into this sacchariney sticky filthy mess of ours? She curses the moment when I crossed her path. Why didn’t I say something, why didn’t I at least speak up in my defence?

I reached out for my cold shirt and she screamed that I should push off, that I should get back as fast as possible to that sacred cow of mine who has ruined her life. She’ll still try to save herself, to dig herself out of the shit I have dragged her into.

Outside, darkness had fallen, and its icy maw swallowed us up instantly. The snow had turned grey and seemed to collapse under our feet. We got to the metro station and she asked: When shall I see you?

As always, Hope was looking down on us from her stone plinth with her invariably gentle, even warm, smile.

Tomorrow I have to take Dad to the doctor. How about the day after?

She took hold of both my hands: I really won’t see you all day tomorrow?

The youngster finished his part and handed the clarinet back to its owner. Somebody clapped, my wife clapped too, the youngster bowed awkwardly; when he jumped down from the stage his face was back to its usual pallor.

The concert was over. The people around us were pushing towards the exit. It had got cold outside, and a brilliant full moon stood in the cloudless sky.

To us, who’d stayed behind on earth, the astronaut Aldrin said then:

I’d like to take this opportunity to ask every person listening in, whoever and wherever they may be, to pause for a moment and contemplate the events of the past few hours, and to give thanks in his or her way!

The producer in St Louis casually mentioned to me that eighteen years earlier, after he’d escaped, he’d been sentenced to death in his native country for some fictitious political crimes. Now they wanted to rehabilitate him. When on that memorable day we went to bed at three in the morning he said: A pity, back home they couldn’t even watch this properly, by now they’re at work. And he showed me his watch. To my amazement it was still showing Central European Time.

‘That was a nice day,’ said my wife, my guide through sunny and nocturnal landscapes. She pressed herself close to me because she was shivering with cold, and I felt comforted by her closeness.

IV

Autumn is well advanced, the streets are full of dry leaves which add to our work, from the houses fly tired unenthusiastic flags, public buildings are displaying streamers with jerkish slogans which would undoubtedly please any chimpanzees that might happen along. Luckily we don’t have to pick up any of this colourful textile rubbish: flags and slogans are put up and taken down by special motorised squads.

A little way short of the beflagged Palace of Culture we met our now familiar uniformed pair. The foppish one looked a little wilted, he’d probably come on duty after a heavy night; his companion seemed unchanged.

‘Bloody mess, isn’t it?’ the fop addressed us, pointing vaguely ahead.

‘People are pigs,’ the foreman agreed. ‘Hey, what about the murderer?’ he remembered. ‘Got him yet?’

‘Signed, sealed and delivered,’ the fop said casually; ‘the lads did a good job.’

‘Name of George,’ his companion explained.

‘George who?’ the foreman asked curiously.

‘Would you believe it, he was a juvenile,’ the fop yawned. ‘Introduced himself to a girl he wanted to strangle as George from Kladno. But he made a mistake there; she got away from him.’

‘Told her he was a mining apprentice,’ the fair one added.

‘Yeah. Our lads chased up all the Georges who were mining apprentices, though they realised it might have been a trick.’

‘That’s right,’ our youngster sounded pleased. ‘And was it?’

‘Course it wasn’t. The man was simple! Know how many women he raped? Go on, you tell him,’ he encouraged his companion.

‘Sixteen!’

‘And they identified him beyond any doubt.’

‘And he was a mining apprentice?’ the foreman voiced his astonishment.

‘I’m telling you he was simple. Fellow like that commits one murder, and then has to go on. Things ain’t what they used to be — mining being an honourable job!’ The fop yawned broadly. ‘Still no pantaloons?’ he turned to the captain.

‘After my death!’ the captain snapped. But maybe I misheard him and he really said: ‘Save your breath!’

The fop didn’t even laugh this time. He nodded to his companion and the two continued down the road.

Mrs Venus pushed her shovel into my hand and grabbed the cart. With her free hand she immediately produced a cigarette and lit it. Her eyes were wet with tears. As we were tipping the rubbish into the cart I asked if anything had happened to her.

She looked at me as if deciding what lay hidden behind my inquiry: ‘Happened? Why should anything’ve happened to me? Only the old gent died.’

It took me a while to work out whom she was talking about. ‘The one on your passage?’

‘Well, he was eighty, so he died!’ She flicked her fag-end into the dustbin on the handcart and lit another. To change the subject away from death she pointed to the palace: ‘They say they found a gypsy buried in the concrete there!’

‘You’re telling me,’ the foreman was angry; ‘I’ve got a chum working in the garages there. Last month they came along with pneumatic drills and started to knock down the wall. And d’you know who they were looking for? That woman singer from the National Theatre, the one who went missing eight years ago.’

‘Did they find her?’ I ask.

‘They found bugger-all. Their drills all got screwed up!’

‘It’s a monstrosity,’ the captain gave the palace its proper description. ‘They can drive a million people inside, they switch the radiation on and they’ve turned them into a million sheep!’ At the thought of it he spat mightily. ‘One day someone will set fire to it,’ he added prophetically, ‘and good luck to him!’

At that moment a suspicion grew inside me about the direction of his latest dreams.

My wife went off to the mountains for a week’s skiing with our daughter and grand-daughter, but I didn’t want to leave Dad for so long and therefore stayed behind at home. Only on one day did I go out into the country with my lover. She led me to some sandstone rocks where an anonymous sculptor had over the decades carved out statues of saints, knights and the Czech kings, as well as a lion which towered massively on a rocky ledge. We climbed up narrow icy chimneys and descended on steeply-cut steps. Half-hidden by the fir trunks and raspberry thickets we discovered ever new sculptures. I could see that she was touched and also amazed by the intensity of the creative will of some unknown person who, either not caring for an audience or, on the contrary, full of confidence in his own work, had imposed his visions on these lonely rocks.

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