Adam Haslett - Union Atlantic

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Union Atlantic: краткое содержание, описание и аннотация

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The eagerly anticipated debut novel from the author of the Pulitzer Prize finalist
: a deeply affecting portrait of the modern gilded age, the first decade of the twenty-first century.
At the heart of
lies a test of wills between a young banker, Doug Fanning, and a retired schoolteacher, Charlotte Graves, whose two dogs have begun to speak to her. When Doug builds an ostentatious mansion on land that Charlotte's grandfather donated to the town of Finden, Massachusetts, she determines to oust him in court. As a senior manager of Union Atlantic bank, a major financial conglomerate, Doug is embroiled in the company's struggle to remain afloat. It is Charlotte's brother, Henry Graves, the president of the New York Federal Reserve, who must keep a watchful eye on Union Atlantic and the entire financial system. Drawn into Doug and Charlotte's intensifying conflict is Nate Fuller, a troubled high-school senior who unwittingly stirs powerful emotions in each of them.
Irresistibly complex, imaginative, and witty,
is a singular work of fiction that is sure to be read and reread long after it causes a sensation this spring.

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As a single woman out in the world, it had only seemed the more necessary. At her seat at work behind the reference desk of the New York Public Library, middle-aged men would wink at her. On the subway they’d try worse.

“A bit lonesome, isn’t it?” she remembered her mother asking at the table at Thanksgiving the fall she started graduate school at Columbia. “All those hours cooped up studying?”

“As opposed to the ones you spend cooped up in this house?” she replied, which brought silence and a withering stare.

Her father understood; he’d encouraged her from the beginning.

“I’m just being practical,” her mother suggested, defending her worries for Charlotte’s future. Henry, five years younger, had already graduated from law school, started with a firm, and, to perfect the narrative, married Betsy, whom he’d met one summer on a trip to the Cape. The wedding had been given by Betsy’s parents in Hyannis, all white tents and high Episcopal good form, from the Bloody Marys to the starched collars to the understated, almost humble self-satisfaction of the father’s toast and the look in Charlotte’s mother’s eye as Henry took his bride by the arm and led her onto the parquet for the first dance. Or the last dance, as Charlotte thought of it. After all the cotillions and proms and coming-out balls, the dance that fixed you in place. For Henry, it was a dress-up lark dreamed by women into existence for which he was happy to play his role for the day, because what would it ever cost him, and it made his mother so happy (decades later, imitations of the clothes they’d worn on weekends like that would show up in all those catalogues, Ralph Lauren and the others, the smugness of that faded time resurrected as commercial fantasy). At the reception, Charlotte had been seated next to the bride’s brother, a Cadillac dealer who’d clearly never read Appointment in Samarra . Henry, to his credit, didn’t join in the cloying asides about her being next.

She’d spent three years studying: taking seminars, attending extra lectures, working in the library, and reading in the evenings. Her friends were other people in the history department along with the two or three women from college who hadn’t moved out of the city. In school, being single didn’t register the way it did at home with her parents. Time had purpose without a companion. Still, the solitude got to her now and again. Despite her best effort, she couldn’t rid herself of the tug of “Saturday Night” and the need to have something to do. On the weeks she failed to plan ahead and found herself alone, the doubt which concentration otherwise kept at bay entered her, and she heard her mother’s voice. The words in the books and journals spread on her kitchen table seemed lifeless then, dead as the time they described. But the feeling always passed; a paper would demand more reading, more research; the vistas would open up again inside her, lending the world that sense of integration, as she discerned more and more of the structure of the present in the society and politics of Europe three centuries before, as though she were glimpsing the hidden order of things. Try explaining that over gin and tonics at the beach club to one of the sons of her mother’s friends. Why no, Chuck, I don’t get to play much squash. You see, I’m a secular mystic, transported in private hours by the grandeur of human knowledge. You don’t say? Well, actually, I do.

Of the men she met in the city, most were married or seemed put off by her lack of deference.

It was at a winter party, given by one of her professors at Columbia, that she met Eric. She knew most of the people there, other graduate students, junior professors she’d taken classes with or heard speak. She noticed him first with his back to the room, examining the bookshelf, his head craned to read the spines. When he turned, he accidentally met Charlotte’s gaze and smiled, shyly, before looking into his drink. Something about the curly brown hair that hung over his brow and the creamy skin and the wide, slightly unshaven jaw had caused her to stare. That afternoon, sitting at her desk at the back of her apartment as the light faded in the courtyard, she’d finished writing what she considered her best work yet, a paper on Milton’s tenure in Cromwell’s government, the result of a year’s research. She remained full of the satisfaction of being done, a pleasure so long and scrupulously deferred. Eric looked a bit younger than she was, in his mid-twenties perhaps. Keeping an eye out, she spotted him a few minutes later on the far side of the room and went over to introduce herself. It was the kind of egalitarian gesture she believed in and for once she’d drunk enough to bring it off.

They spoke for two hours that evening, sitting on the bench in the bay window, the Hudson visible through the bare trees. After an awkward few moments, he had started in, dispensing with the pleasantries of asking who she was or where she fit in the party, right away wanting to know what she’d read recently, “the best things,” he said, “the stuff that could change you,” and he didn’t want to hear only about history but about novels, journalism, poetry. And then through and past that, to her thoughts, assuming without question that her ideas possessed the same integrity and significance of any of the books that helped shape them. His need to hear all this seemed almost animal-like, as though by elaborating her thoughts she were feeding him. At first, she spoke haltingly. She was used to the prescribed discussions of seminars; she’d never been asked to offer such comprehensive views. Answering his questions, she felt ideas, long inchoate, come into focus. The plainness of early Protestant worship explained something about why she’d been transfixed in Amsterdam the summer before by Vermeer’s painting of an everyday exterior — the brick fronts of the merchant’s house, the gray cloud, the women doing their daily work. And this connected in ways she could only guess at to idealism in politics, the insistence on equality, the plainness of it, and thus too, somehow, to the power of the spectacle of troops in Little Rock escorting a black girl to the ordinary activity of school. She understood then, and even more later, that others, the beautiful perhaps, would laugh if she were to confess it, but sitting fully clothed on that window seat, never having touched a hair on Eric’s body, she felt more sexually alive than ever in her life. She would have walked into a bedroom of that apartment, closed the door on the party, and made love to him at once if he’d asked.

As it happened, they made love on her couch the next night after dinner, the heat of his chest on hers and the smell of his flesh a blessing she’d thought she might never receive. Before they even climbed in the bath together, before he even raised himself from her and stood, naked and wet, looking down at her in surprise, she already feared the power of her wanting. She was twenty-nine and a fierce social independent, a position that had cost her a sense of future safety. They’d said nothing about anything between them, how could they? And yet even that first night, every time he touched her, there in the soapy water, lathering her hair, cupping her breast in his hand, it felt to her like a promise.

Had God foreseen the subtlety of your modern devils , Sam began, raising his blunt face from the carpet, he might have added a Commandment: Thou Shalt not Pity thy Self. In the case of Sorrow for a Dead Friend: Suppose, I were Dead; would I have my Friend mourn for me, with an Excessive, Oppressive, Destructive Sorrow? No, sure. Why then let my Sorrow for my Friend be moderated. You dwell in Memory like some Perversity of the Flesh. A sin against the gift of Creation it is to harp so on the dead while the living still suffer .

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