Jim Crace - All That Follows

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The prodigiously talented Jim Crace has returned with a new novel that explores the complexities of love and violence with a scenario that juxtaposes humor and human aspiration.
British jazzman Leonard Lessing spent a memorable yet unsuccessful few days in Austin, Texas, trying to seduce a woman he fancied. During his stay, he became caught up in her messy life, which included a new lover, a charismatic but carelessly violent man named Maxie.
Eighteen years later, Maxie enters Leonard’s life again, but this time in England, where he is armed and holding hostages. Leonard must decide whether to sit silently by as the standoff unfolds or find the courage to go to the crime scene where he could potentially save lives. The lives of two mothers and two daughters — all strikingly independent and spirited — hang in the balance.
Set in Texas and the suburbs of England, All That Follows is a novel in which tender, unheroic moments triumph over the more strident and aggressive facets of our age.
It also provides moving and surprising insights into the conflict between our private and public lives and redefines heroism in this new century. It is a masterful work from one of Britain’s brightest literary lights.

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“So you say.”

Maxie laughs, genuinely amused, happy to be arguing. “Believe me, comrade. Even I was tempted to beat you up and I agreed with everythin’ you said, except about the shirt. So.”

“You were tempted to beat me up? That’s nice.”

“Nice I came and hauled you out of there. Nice I know the basic rules of engagement, like kick butt or get butt kicked. One day you’ll look at your big smile in the mirror and know who to thank for havin’ any teeth left. You’d never play that cheesy saxophone again. How’d that be?”

“I don’t think he meant to do me any real harm.” Cheesy?

“You don’t? Now who’s to say? You don’t negotiate with guys like that, is all I know. This is what the world is all about. You always have to stand up to those punks. Or always be a loser. That’s my philosophy.”

“Well, my philosophy is that discussion is always better than concussion. I might’ve calmed him down myself if you hadn’t interfered.”

“You think?”

“I was just explaining to the guy—”

“You’re in the restroom with your zipper down and someone sticks his shoulder in your back. And you explain? And you apologize? That’s not the way we deal with dickheads in America. You should have pissed all over him. Instead, what do you do? Listen to me, Leon. What do you do?” Maxie knows the answer. Leonard pissed down his own leg. Leonard pissed on his own shoe.

“What could I do? You saw the size of him. How many times do I have to repeat myself?” Leonard adopts an American accent, more East Coast than East Austin. “I was gonna speak to him.”

“Jeez, Leon, who are you, Neville Chamberlain?”

“Oh, please.”

“That’s a conversation I’d have liked to hear. You’ve got two fat lips and some guy’s fist halfway down your throat and you want to open a peace conference. Where’s the brains in that?”

“Where’s the brains in sending someone back home or to his wife, well … bleeding? Bleeding and unconscious.”

“He won’t be goin’ home. Not yet. He’ll be needin’ stitches. He’ll be needin’ crutches. He was lucky, point of fact. I could’ve shot him in the knees and he’d be limpin’ till he dies. Fuck him, anyway. And fuck his wife.”

“And you’re supposed to be against the war.”

“Leon, now I’m warnin’ you. Don’t cheapen it. Don’t get confusin’ this or that, because the way I feel, all dandered up, I might be tempted to take a poke at you myself, just in the name of fair play. And parity.”

“What kind of father are you going to make?”

“He’ll be the perfect dad,” Nadia says, interrupting finally, her hands still resting on his full and springy head of hair. “No need to make it personal.”

Maxie stands, stretches out, and takes hold of Leonard’s shoulder, a fifty-fifty grip, loose enough to be mistaken as friendly contact, firm enough — after it is held for far too long — to hurt a little. “Best keep it calm, Leon. Don’t say another word.”

“Maxie, this is all I want to say. You went too far. You frighten me. You’re hurting me. You really hurt that guy.”

“Yes, I did. Oh, boy, I hurt him bad.”

“Congratulations.”

“It’s deserved. We walked all over him.”

“You walked all over him. I didn’t touch the man.”

“Well, yes indeedy-deed. Comrade Leon walks away unscathed.”

Leonard pushes Maxie’s hands away and turns toward his room. “I’m not unscathed. I’m hurt.” He points at the cuts and bruises on his face and flexes his shoulders. “I’m hurt real bad,” he adds. “By both of you.”

“Real bad? You’ve no idea what real bad means. The fat guy knows.”

“Enough.” Eee-nuff!

“See, that’s it, you’re still runnin’ off … Some two-trick circus pony you turned out to be, either runnin’ off or down on your knees—”

“Leave him. Let him go. You guys are ugly drunk. Let’s fix your hair before the evening’s completely spoiled and wasted.” Nadia pushes Maxie back onto his seat and holds up her scissors, clicking the blades. “Sit still and stop talking, unless you want to bleed,” she warns. She lifts the first tress and pulls it clear of his scalp, starting at his widow’s peak. “You’re sure of this?”

“Just cut.”

“Farewell, the lunatic fringe.”

“Amen.”

When Leonard comes back an hour later — he has to show he isn’t in a sulk — his face and nostrils wiped clean of blood, his bruises dressed, his trousers changed, Maxie has become a different man. His black mustache and sparse and adolescent beard have gone. Nadia’s cut has almost reached the top of his head. All the hair around is harvested and cleared. It’s only stubble that remains, black bristles on white, unweathered skin, and two inches of Mohican, standing straight and vulnerable as wheat. He’s nothing but an exclamation mark. A crest. A military plume. But already Maxie is virtually unrecognizable. The familiar piled hair made him unmistakable. Perhaps that’s why so many people greet him on the street. They recognize the hair and think they know the man. The loss of hair has aged and brutalized him — criminalized him, in fact. His lips and nose seem huge. His eyebrows — till she trims them too — hang heavy on his face, like bats. And once the Mohican is gone and Nadia is rubbing Maxie’s scalp with the same tea tree oil that Leonard has rubbed into his bruises, the original Sniper Without Bullets has disappeared entirely. Nadia holds up the mirror. “You clean up good,” she says, though she does not sound impressed; regretful, rather.

“He looks like a skinhead,” suggests Leonard. “Or like a serviceman.”

“What kind of serviceman, Leon? Am I fixin’ TV sets or swimmin’ pools? Or am I fixin’ for Uncle Sam?”

“We’re speaking different languages. In England, servicemen are … army personnel. They don’t fix anything. That’s for sure. You look like a marine.”

“No bull. Just look at me. Back to the bone. Ain’t that a head of hair?”

“Looks more like rawhide than a head of hair.” Leonard disapproves of what he sees, of what the haircut has confirmed.

“Yessir, I’m all spit-shined and polished up. So hats on, ladies. Let’s go greet the president.”

11

IT IS A SAPPHIRE, late October day, warm enough for shorts or hiking pants, but Leonard does his best to dress conservatively, a Bush supporter, though to dress like a Republican in Texas does not necessarily mean the light jacket, trousers, and button-down shirt that he has chosen from his few British clothes. It could mean the cowhide boots and the pair of Wranglers cinched by a buckle bigger than your brain that the president favors for himself at weekends. Or even the full black and unlikely business suit that Maxie has, without a word of explanation for its provenance, taken from his closet. His court suit, possibly. He looks less like a skinhead now, and less like a serviceman. His scalp stubble is only thirteen hours old but has already darkened. Today he seems most like an excitable Baptist pastor heading for a prayer breakfast or gospel brunch, with, at worst, a nerdish streak. No one can see how muscular he is, or wildly menacing, or know for sure what he has tucked under his shirt.

“My, don’t you look the part?” Nadia says, picking off bits of fluff and thread from the back and shoulders of his suit.

Maxie is surprised and elated by the sight of himself, it seems. He turns and twists in front of the mirror, changing his expression. “Well, look at me. I’m Tony Perkins for the day. So welcome to the Bates Motel. Your shower’s ready, Mr. President.” He glimpses Leonard’s tense, unsmiling, damaged face in the mirror. The men have not yet exchanged a civil word this morning. The fug of last night’s fights and squabbles has not cleared. Besides, Leonard is too nervous to be civil — and he is hoping to engineer a final row, something upsetting enough for him to take offense and run from Austin in a righteous huff, flying out while Bush is flying in.

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