Jim Crace - All That Follows

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The prodigiously talented Jim Crace has returned with a new novel that explores the complexities of love and violence with a scenario that juxtaposes humor and human aspiration.
British jazzman Leonard Lessing spent a memorable yet unsuccessful few days in Austin, Texas, trying to seduce a woman he fancied. During his stay, he became caught up in her messy life, which included a new lover, a charismatic but carelessly violent man named Maxie.
Eighteen years later, Maxie enters Leonard’s life again, but this time in England, where he is armed and holding hostages. Leonard must decide whether to sit silently by as the standoff unfolds or find the courage to go to the crime scene where he could potentially save lives. The lives of two mothers and two daughters — all strikingly independent and spirited — hang in the balance.
Set in Texas and the suburbs of England, All That Follows is a novel in which tender, unheroic moments triumph over the more strident and aggressive facets of our age.
It also provides moving and surprising insights into the conflict between our private and public lives and redefines heroism in this new century. It is a masterful work from one of Britain’s brightest literary lights.

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There is, however, a brief, dry summary in the home news columns of the Times , under the misspelled strapline “Seige Enters Third Day.” Their correspondent writes: “The named suspect, an American national, is reported to have a record of criminal convictions including arson and motor vehicle theft as well as political ones, both in the United States and in Canada, where he sought and was granted protected residence in 2012 as a ‘citizen by birth.’” Leonard can predict Maxie’s irritation at such accurate reports, can almost hear him protesting in his stagy High Texan with that distinctive Yiddish edge, “I’m Russian, man! Russian out of U.S.A. So what, I wrecked a car or two? So what, I introduced some hellfire to a church ’n’ cindered it? ’N’ I hate to be picky, but it wasn’t arson, it was firebombing! Y’all hear?” Then, in the closing paragraph, Leonard reads, “The armed group are thought to have been under police surveillance since entering the United Kingdom in early July, and although their purposes are unclear, it is not counted in security and intelligence circles as happenstance that their arrival coincides with the upcoming Reconciliation Summit.”

Leonard would have preferred it if Maxie’s apparent “purposes” had been less commendable: unambiguously criminal, perhaps, with psychopathic tendencies, brutally expressed. That would better befit a man who, in Leonard’s opinion and experience, is “purposeless” and deserves little sympathy from liberals, a man who is more intent on turmoil for the sake of turmoil than on turmoil for the sake of change. But as ever, Maxie’s immoderation of action is validated by latching on to a rational and sympathetic cause. No one vaguely progressive, Leonard included, could wish the Reconciliation Summit well. So long as nobody gets injured, any boisterous and dramatic disruption to the week of meetings — even this armed and desperate hostage-taking in Alderbeech — might almost be welcome, might even be counted proportionate, given what one campaign group has already labeled passionately, if not pithily, “the vile offenses of the summit’s detestable guests.” But with Maxie, as Leonard knows too well, there are always injuries. The day is not complete without a bloody nose.

There is, of course, Take to the Curb, a peaceful vigil Leonard can attend himself on Tuesday afternoon, if he’s so concerned, with protesters lining the forty-kilometer route between the airport and the summit venue. It’ll take more than eighty thousand people, standing shoulder to shoulder, if there are to be no gaps, or one third of that if they are prepared to stretch their arms and hang on by their fingertips. But no matter how hard he tries, Leonard cannot imagine himself in line these days. He means to play a part but rarely does. His shoulder isn’t up to it, of course. It’s shaming, actually, to be so disengaged. What will his contribution be, this fist-clenching man who only yesterday claimed he “hasn’t lost the fire,” when the summit and the demonstrations start? Not waving fists, for sure, except in private and at the telescreen. Not waving placards or leafleting. Not even standing silently in line. No, standing back, nursing his shoulder. He’ll be standing back and watching it on-screen, at home, watching all the politics on-screen.

It’s far too easy, though, in Leonard’s current anxious and tormented mood — what will Lucy think of him? — to imagine Maxie at the demonstration, magically escaped from Alderbeech, just a couple of kilometers away from the route, and doing what he can to turn the vigil wild. Take to the Curb? It’s not enough, he says. Take Up the Curb and throw those stone blocks against those limousines. Shoulder to shoulder? Hand in hand? Too tame, he says. Too fucking British. No, leave the line and put your shoulders up against the horses and the police and sweep those enemies away. Pit yourselves against their flesh. Tear into their flesh. Wrap your fingers round those bastards’ throats. Then Maxie’s at the summit gates. If there’s a fracas, he is there, wielding the shaft of his placard like a truncheon. If only Maxie were less … no, commendable is not the word, Leonard thinks. Resolute is better. Wielding and unwavering. Now the pseudo-Texan leads the way into the summit grounds, into the summit hall, and stands with his handy placard shaft in the middle of the summit’s “detestable guests.” And sixteen gray-haired heads of state are knocked to the ground like scuttlepins, sixteen heads of state and one first lady of America. Blood is dripping from her nose onto the lapel of her pearl pantsuit. Leonard shakes his head, tries to drive the memory away. That final part is far too real, too near the truth, to contemplate again.

Lucy should be calling soon. He’s almost eager for it now. Let’s get it over with. He sits down on the futon with his cell phone resting on the arm. While he waits, prompted by his success with tracing the Emmersons last night, he idly enters “TelecomUK” and types in “Sickert,” the name of Francine’s dead first husband. It’s something that for fear of finding nothing he hasn’t dared to do, at least in any depth, since Celandine’s original e-mail and phone accounts were canceled. Where should he start his search? He cannot specify a town or approximate a location code, a country even, but to satisfy the Web site’s insistence, he narrows the field and offers the initial C . All he is offered in return is “Too many results found. Refine your search.” This is not the way, Leonard thinks, closing the tab impatiently. He’ll not secure a lead that easily. Instead, he Googles “UK Only, Celandine.” It is the kind of given name a girl might either hate or love so much that she could never abandon it, no matter what. Francine’s daughter never claimed to dislike her name, as far as he can recall, although she disliked many things, given half a chance. In fact, as a teenager she decorated the ceiling of her bedroom with suspended models of flying swallows, the bird from which her name (in Greek) was taken. They even had to call her Swallow for a while. More than fifty thousand results pile and tile onto the screen, twenty-five to the page. He shuffles through the openers as quickly as he can, but everything is horticultural — the greater celandine, the lesser celandine, the marsh celandine, the edible celandine — until the fourteenth page, where there are links to a Celandine Café in Bath and a sailboat called Celandine for hire in Falmouth Harbor. He does not reach the fifteenth page. His cell phone rings, and it is Lucy, button-bright and punctual.

“My God, that was so weird last night, about the bike,” she says, before Leonard has a chance to speak. “How did you know about the bike? Did I say anything? What did I say? I told my mum I’d had it nicked. I’d flogged it, though. Now she thinks some bloke has found it. Wow, that’s hilarious! Except it’s put me in a fix.”

“Listen,” Leonard says.

“I’m listening.”

“Today.”

“Midday, I’ll be there, yeah?”

“I won’t be there. Sorry, Lucy, but I can’t.”

“Don’t say you’ve changed your mind.”

“I haven’t changed my mind. Your idea’s genius, it is—”

“But? But?”

But it’s too risky, Leonard wants to say. It might be safe enough for you. You’re just a lively kid who wants to rescue Dad. But I’m an adult and I have to be sensible, I have to be responsible. Except he dares not speak those words to her. Sensible. Responsible . Those are the words that teachers use on school reports for someone dull.

“Francine isn’t up for it,” he says, though he says it softly, just in case his lie can fly the nine kilometers to where his wife works.

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