Jim Crace - Harvest

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Harvest: краткое содержание, описание и аннотация

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On the morning after harvest, the inhabitants of a remote English village awaken looking forward to a hard-earned day of rest and feasting at their landowner's table. But the sky is marred by two conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.
One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.
In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.

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“He said the heavens opened up for him, I think,” agreed Mr. Baynham, “and a tongue of light gave him the body of an old gnarled tree. He is deformed thereby. By alchemy. Something about the devil and an old cracked jar.”

“Collect him, then, and bring him here.”

Mr. Quill was not found in his room, of course. By that time he had already slipped away to throw his arm around the shoulder on the pillory, and then given chase to Mistress Beldam through the night. But there were objects in his room which only deepened his complicity: pestles, grinding blocks and bowls too small for kitchen work, together with powders, paints and grounds which, if separated from his parchments and his brushes, could not seem anything but menacing. There was a fiddle, Satan’s instrument. There was a Natural History of plants, handwritten with his recipes for making potions and procuring spells, and with suspicious vegetation pressed between its leaves. And there were wordless charts too colorful and incautious to be the kind of maps a landowner might need. No, Mr. Baynham had never seen such reckless maps before, although he had experience in such matters. He would expect some helpful keys and labels. These were more like incantations shaped by paint.

So it was that my neighbors arrived too late last night with their doffed caps to ask for the release of their two women and their girl: the captives had already spilled the cats out of their bags and were tied by their wrists and ankles to the heavy newels on the upper landing of the stairs. The three sidemen, looking both excited and shamefaced, were waiting with their cudgels in the lower hall for the sorcerer’s return. The steward was sent out to brush aside the villagers. “I know I should have answered them myself,” says Master Kent, “but I was still confined behind my door. I could have shouted, I suppose …” For Mr. Baynham, though, it didn’t matter who my neighbors named. His master already had the name he wanted most. He’d use the others if he needed to. Besides much of what they said supported what the sidemen had discovered. The Chart-Maker — a sinister title, wasn’t it? — was the Trouble-Maker too. And, in addition, it seemed he was, according to the local word, the one behind the theft of the velvet shawl belonging to Master Kent’s dead wife. And he was, as well, connected in some way — related, possibly — to the vagabond woman, who was evidently loose about the place, and her kinsman on the pillory, who was evidently not. The bloody killing of the mare began to make a little sense to them now. It was part of some dark ritual. No, matters were indeed “in hand.” And this was where the steward told my neighbors, “I’ll repeat you to the master, word for word.”

“And was my name put forward there as part of some conspiracy? I’m told it was,” I ask.

“Indeed, it was,” my master says. “I thought my heart might stop from hearing it.” He sounds a little nettled. “But, Walter Thirsk, it seems you are a man my cousin has determined he can … rely upon.” He spreads his hands and ducks his chin. He means it is a mystery, and one that bothers him.

“And what occurred when Mr. Qu … when Mr. Earle returned last night?”

“He has not come back to the house, not yet,” my master says, covering his eyes with a hand as he speaks. He is embarrassed by the answer he must give. “He will have slept”—he spreads his hands in front of him again—“elsewhere. My cousin’s men are hunting for him now.”

11

картинка 11HAVE FORGOTTEN MASTER JORDAN’S GROOM. I suppose I should have guessed how jealous he would be of the sidemen and the time they spent with female captives in the gallery. I am sure he will have overheard the quizzing and the probings and would have liked to creep upstairs to make his contribution. But he was not allowed. You’re just the horses man, they will have said. And so his comrades had the pleasure. He had none. He had to be the guard outside Master Kent’s bed-parlor. He was ungratified, and therefore he’ll be dangerous. Already, he has been left with too much leisure on his hands these past few days. Of all the Jordan party, he has had the least to do. Once he has fed and groomed his mounts and let them loose on the master’s edges to crop on wayside grass, the body of the day is his to waste. He wanders idly through our village lanes and makes a nuisance of himself with any pretty face he meets. He bothers livestock and scrumps our fruit. He pokes his nose through gates and doors that should be barred to him. He is the only one, as yet, who has the inclination and the time to test out rotten apples and putrid curses on Mistress Beldam’s husband at the pillory. He is the only one who’s been constant in his hunt for the woman herself. Today his efforts have been redoubled because, as he now understands from the events of last night at the manor house, in which he sadly has not played a satisfying part, there is a free-roaming sorceress to lay his hands upon and one not set aside only for those pampered sidemen to enjoy.

It is his misfortune, though, to be spotted standing and facing me, while I sit on my bench hoping for a greeting from a neighbor. He wants to know where I suppose a woman of her kind might find some secret refuge from where she can emerge at night to carry out her killings. I do not think he knows what enemies he’s made for simply being in the Jordan crew. How can he guess, in all his innocence, that I’m not popular today and that being in my company will not seem widely sociable? Certainly, he should have calculated for himself how rash it is, the morning after such occurrences, to walk into our village midst with nothing for protection except a length of rein. I must suppose he hopes to lead a chastened Mistress Beldam to his master on the knotted end of it.

On any other day but this he would be safe. We’d all be threshing, winnowing and sacking, and would shrug him off as nothing but a nuisance, as nothing worthier than chaff. But our women and our Gleaning Queen are still unaccounted for, beyond that talk of witchery. I know better than to enlighten them with Master Kent’s distressing news; they will not trust a word I say. What’s more, our three sons whose beds were cold and empty last night are still missed and missing from their homes. The master and myself are not the only ones to have despairing hearts. So we — yes, we; I still say we —are as tense and volatile as wasps. No one, not a single soul of us, has taken to their tools today. Even I, with my scarred hand, have not gone early to the manor house to labor on the thinning of the vellum square, its pumicing and chalking. I have no duty there, not even if the Chart-Maker returns. I can be of no use to him, except perhaps to find him and warn him about the welcome he’ll receive. I will hunt for him. I have a duty to the man. But since I last saw him scuttling in Mistress Beldam’s steps, I do not like to contemplate where he might be. I fear his injury. I fear that he is intimate with her. So, for the moment, I am sauntering about the lanes or loafing on my outside bench, approachable, but listless with unease.

Our village would seem leisurely to any passers-by. At least, our hands are idle. But this is not a feast day with pleasures to anticipate. We won’t be dancing to Thomas Rogers’s pipe tonight, or Mr. Quill’s fiddle, come to that. Our sluggishness is no more purposeful than our scurrying. Already our village fabric is unraveling. The harvested barley is uncared for. A sack has toppled, and spilt. No one is even seeing off the rats. There are sour cattle droppings waiting to be spread, molehills to be kicked over, cow ticks to be removed, unless we want our animals enfeebled by the theft of blood. Whoever was the gong-farmer this morning has not done his duty. The barrow is still clean and free from flies, and the latrines are not worth visiting. Our pigs have not yet received their morning scraps. That diseased bough from the Kips’ old cherry tree has fallen finally, and blocks a path, but none of the Kips has dragged it away or offered it an axe; there’s two night’s winter fuel there at least. Anyone that chances on it barely gives it a glance, but steps around the trunk with a vacant face. The cattle are protesting on the common land, heavy with milk. A gate hangs loose — the rarest sight — and cocks and hens are walking free as if they know these lanes will soon be theirs. But there are greater matters to resolve than hens. A congregation has been called, I hear, for noon. I will not go, of course. Until that time, my neighbors are as bored and puzzled as a pack of parlor cats with nothing close to scratch. With nothing close to scratch, that is, until they see me talking to the groom, not telling him where Mistress Beldam might have found her hideaway.

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