Paul Theroux - The Consul's File

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The Consul’s File is a journey to post-colonial Malaysia with a young American diplomat, to a “bachelor post” at the uneasy frontier where civilization meets jungle.

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Milly waved to him. He signalled back and like an obedient pet responding to a mistress's nod came forward, vaulted the hibiscus hedge, smiling. Instead of taking the chair next to her he crouched at her feet, seeming to hide himself.

'They won't send you away,' said Milly. 'You can say you're my guest.'

The boy shrugged. 'At night — after everyone clears out — we come here swimming.' He was silent, then he said, 'Naked.'

'How exciting,' said Milly, frowning.

Seeing that it was a mockery, the boy did not reply. He got to his feet. For a moment, Milly thought he was going to bound over the hedge and leave her. But in a series of athletic motions he strode to the edge of the pool, and without pausing tipped himself into it. He swam under water and Milly followed his blue shorts to the far end of the pool where he surfaced powerfully, flinging his arms into the water. But he did not climb out of the pool; he rested his forearms on the tiles and said, 'Come in. I'll teach you how to swim.'

'I was swimming before you were born.' She wished she had not said it, she wished it was not true. She picked up a magazine from her lap and plucked at a page.

The boy was beside her, dripping.

'Take this,' she said, and handed him a towel. He buried his face in it with an energy that aroused her, then he wiped his arms and threw it aside.

'Time for lunch,' said Milly.

'Let me treat you,' said the boy.

'That's very thoughtful of you,' said Milly, 'but I'm afraid they won't let you in the dining room like that.'

'They have room service. We can have it sent up — «at on the balcony.'

'You seem to be inviting yourself to my room,' said Milly.

'No,' said the boy, Tm inviting you to mine.'

Milly almost laughed. She said, 'Here?'

'Sure. I've been here for about six weeks.'

'I've never seen you at breakfast.'

'I never eat breakfast,' said the boy. 'And I've only used my room a few times in the past week or so. I met a girl over on the beach — they have a house there. But my stuff is still in my room. My money, camera, passport, watch— the rest of it. I don't want it stolen.'

'It must be fearfully expensive.'

'My mother pays.'

'How very American.'

'She's on a tour — in Hong Kong,' said the boy. 'I thought we were talking about lunch.'

'If you're a guest at this hotel, then you must have other clothes here. I suggest you dress properly, and if there's an empty chair at my table I have no objection to your joining me.' Her voice, that fastidious tone, surprised and appalled her.

The boy's name was Mark. He told her that over lunch, but he said very little else. He was so young there was practically nothing he could say about himself beyond his name, and it was for Milly to keep the conveisation going. It was not easy in her new voice. She described her trip through Indonesia, everything that had happened to her since leaving Ayer Hitam, but after that she was stumped. She would not speak about Lloyd or the divorce, and it angered her that it was impossible to speak about her life without discussing her marriage. Nearly twenty years had to be suppressed, and it seemed as if nothing had happened in those years that could matter to this young boy.

To his timid questions she said, 'You wouldn't understand.' She was hard on him. She knew why: she wanted him in the simplest way, and she resented wanting him. She objected to that desire in herself that would not allow her to go on alone. She did not want to look foolish — the age difference was ridicule enough — and wondered if in shrinking from an involvement she would reject him. She feared having him, she feared losing him. He told her he was nineteen and eagerly added the date of his next birthday.

Milly said, 'Time for my nap.'

'See you later, then,' said Mark. He shook her hand.

In her room, she cursed herself. It had not occurred to her that he might not be interested. But perhaps this was so. He had a girl, one of the innocent witches; but her fate was the Australian who, late at night, rattled the change in his pocket and drawled for a persuasive way to interest her. She pulled the curtains, shutting out the hot sun, and for the first time since she arrived lay down on her bed wondering not if she should go, but where.

She closed her eyes and heard a knock on the door. She got out of bed, sighed, and opened the door a crack. 'What is it?'

'Let me come in,' said Mark. 'Please.'

She started, and said nothing. Then she moved aside and let the boy swing the door open. He did this with unnecessary force, as if he had expected her to resist.

Milly had not written any letters. A few postcards, a message about the weather. Letters were an effort because letters required either candour or wit, and her solitary existence had hardened her to both. What Milly had done, almost since the hour she had left Ayer Hitam, was rehearse conversations with an imaginary friend, a woman, for whom in anecdote she would describe the pleasures of divorce. Flying alone. The looks you got in hotels. The Australian. A room of one's own. The witches and princelings on the beach. Misunderstandings. The suspicious eyes of other men's wives. The mystery and the aroma of sexuality a single woman carried past mute strangers.

Listen, she imagined herself saying; then she reported, assessed, justified. It was a solitary traveller's habit, one enforced by her separation from Lloyd. She saw herself leaning over a large menu, in the racket of a restaurant— flowers on the table, two napkin cones, a dish of olives— and she heard her own voice: I think a nineteen-year-old boy and a woman of — let's be frank — forty-one—/ think they're perfectly matched sexually speaking. Yes, I really do. They're at some kind of peak. That boy can have four or five orgasms in a row, but so can a middle-aged woman — given the chance. It's the middle-aged man with all his routines and apologies that makes the woman feel inadequate. Sex for a boy, granted, is usually a let-down because he's always trying himself out on a girl his age, and what could be duller? It hurts, Jim, and hurry up, and what if my parents find out? What I'm saying, and I don't think it's anything to be ashamed af, is Mark and I were well-matched, not in spite of our ages, but on the contrary, on the contrary. It was like coaching a champion. I know I was old enough to be his mother, but that's just the point. The age ratio isn't insignificant. Don't laugh — the boy of a certain age and his mother would make the best of lovers—

But lovers was all they'd make. Conversation with Mark was impossible. He would say, 'I know a guy who has a fantastic yacht in Baltimore.'

A yacht. At the age of twenty-three, when Mark was one, Milly had driven her own car to the south of France and stayed with her uncle, a famous lawyer. That handsome man had taken her on his yacht, poured her champagne and tried to seduce her. He had failed, and angrily steered the yacht close to the rocky shore, to scare her. Later he bought her an expensive ring, and in London took her to wonderful restaurants, treating her like his mistress. He renamed his yacht Milly. Lloyd knew part of the story. To Mark Milly said, 'I was on a yacht once, but I was much younger then.'

For three weeks, in her room, in his, and twice on the beach, they made love. They kissed openly and made no secret of the affair. The guests at the hotel might whisper, but they never stayed longer than a few days, and they took their disapproval away with them. Milly herself wondered sometimes what would happen to her when Mark left, and she grew anxious when she remembered that she would have to leave eventually. She had no destination; she stayed another month: it was now November, and before Christmas she would exhaust herself of this boy. She was not calculating, but she saw nothing further for him. The affair, so complete on this bright island, would fail anywhere else.

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