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A. Homes: May We Be Forgiven

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A. Homes May We Be Forgiven

May We Be Forgiven: краткое содержание, описание и аннотация

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Harry is a Richard Nixon scholar who leads a quiet, regular life; his brother George is a high-flying TV producer, with a murderous temper. They have been uneasy rivals since childhood. Then one day George's loses control so extravagantly that he precipitates Harry into an entirely new life. In , Homes gives us a darkly comic look at 21st-century domestic life — at individual lives spiraling out of control, bound together by family and history. The cast of characters experience adultery, accidents, divorce, and death. But it is also a savage and dizzyingly inventive satire on contemporary America, whose dark heart Homes penetrates like no other writer — the strange jargons of its language, its passive aggressive institutions, its inhabitants' desperate craving for intimacy and their pushing it away with litigation, technology, paranoia. At the novel's heart are the spaces in between, where the modern family comes together to re-form itself. May We Be Forgiven

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He wriggles on the gurney. “Scratch my ass, will you? I can’t reach. You’re a pal,” he says, breathing deep with relief. “A pal when you’re not a complete son of a bitch.”

An orderly brings George a lunch tray, and, arms and legs bound, he manages to contort himself sufficiently that with his knees he bounces it off the tray table and onto the floor.

“One per customer,” the lunch lady says, “try again tomorrow.”

“Start an IV on him so he doesn’t get dehydrated,” I hear the nurse say without missing a beat.

“They’re not fucking around,” I tell him, when she pulls back the curtain, needle in hand, with four guys singing backup behind her. “Speaking of lunch, I’m going to the cafeteria.”

“You may not die today,” he says, “but I will unwind you like a spool of thread.”

“Can I bring you anything?” I ask, cutting him off.

“Chocolate-chip cookies,” he says.

Фото

I go through the cafeteria line, circling steaming trays of mixed vegetables, stuffed shells, meat loaf, cold sandwiches made to order, pizza, doughnuts, cereal; I go around and at the end my tray is empty. I circle again and get the tomato-rice soup, a bag of Goldfish crackers, and a carton of milk.

When I tear the package open, orange crackers take flight, littering the table and the floor around me. I collect what I can. They are different from what I remember; I’m not sure if it’s the Goldfish in general or the flaw of the hundred-calorie pack — they’re smaller and flatter and now with facial expressions. They float on their sides, looking up at me with one eye and a demented half-smile.

I eat thinking of the “worm” in the Chinese food, of the way the man at the deli near my apartment says “tomato lice.” I eat picturing the pot of soup on my mother’s stove, soup that formed a membranous skin across the top as it cooled, and how she would obliviously serve me that stringy clot, which I always ate imagining that it was really blood.

I eat the soup, pretending it is blood, pretending that I am transfusing myself while Jane is upstairs having a “craniotomy and evacuation”—those are the words they used. I imagine a surgical stainless dust-buster sucking out the porcelain and bone. I imagine her coming out of it all with steel plates like armor and required to wear a football helmet twenty-four hours a day.

Did she even know it was happening? Did she wake up thinking, This isn’t real, this is a terrible dream — and then, when it was over, did she have a pounding headache? Did she think my hair was a mess?

She is in surgery, my spilled seed loose inside her, swimming furiously — as much as we did it with protection, we also did it without. Will anyone discover me swimming there? Do I need a lawyer of my own?

The soup warms me, reminding me that I’ve not eaten since last night. A man with two black eyes passes, lunch tray in hand, and I think of how my father once knocked my brother out, flattened him, for not much of a reason. “Don’t be confused who’s the boss.”

I think of George: the dent in the Sheetrock from his foot “slipping,” the coffee cup inexplicably flying out of his hand and smashing against the wall. I think of a story Jane once told me about heading out for Sunday brunch and George hitting a trash can as he backed out of the driveway and then getting so angry that he went back and forth over the can, rocking the gears from forward to reverse and back again, hurling the children this way and that, stopping only when Ashley threw up. Do outbursts against inanimate objects signal that someday you’re going to kill your wife? Is it really so shocking?

In the hospital men’s room, as I’m washing my hands, I glance in the mirror. The man I see is not so much me as my father. When did he show up? There is no soap; I rub hand sanitizer into my face — it burns. I nearly drown myself in the sink trying to rinse it off.

My face is dripping, my shirt is wet, and the paper-towel dispenser is empty. Waiting to dry, I carve Jane’s name into the cinder-block wall with the car key.

A hospital worker almost catches me, but I head him off with a confrontation: “Why no paper towels?”

“We don’t use them anymore — sustainability.”

“But my face is wet.”

“Try toilet paper.”

I do — and it catches in the stubble of unshaven beard and I look like I’ve been out in a toilet-paper snowstorm.

Monday, in the late afternoon, Jane comes out of surgery; they bring her down the hall attached to a huge mechanical ventilator, her head wrapped like a mummy, her eyes black and blue. Her face looks like a meatball. There is a hose coming out from under the blanket, a urine bag at the end of the bed.

I kissed her down there last night. She said no one had ever done that before, and then I kissed her again, deeply. I made out with her down there. I used my tongue — no one will ever know that.

I am telling myself that I did what I was told. Claire told me to stay. Jane wanted me — she pulled me towards her. Why am I being so weak? Why am I looking for someone else to blame? I ask myself, Did you ever think you should stop yourself, but in the moment you couldn’t or didn’t? Now I understand the meaning of “It just happened.” An accident.

The doctor tells me that if Jane survives she will never be the same. “Even in the short time she’s been with us, there has been a decline. She is retreating, folding into herself. We cleaned the wound and drilled holes to accommodate the swelling. The prognosis is poor. Does her family know? The children?”

“No,” I say. “They’re away at boarding school.”

“Let them know,” the doctor says, leaving me.

Do I call the children directly or do I call their schools first? Do I phone their respective headmasters and explain, Their mother is in a coma and their father is in shackles and perhaps you could interrupt study hall and suggest they pack a bag? And do I come right out and tell them how awful it really is — do I interrupt the children in the middle of their day to let them know that life as they know it is over?

I reach the girl first. “Ashley,” I say.

“Is it Tessie?” she asks before I can say more.

“Your parents,” I say stumbling.

“A divorce?” She collapses into tears before I say more, and another girl calmly takes the phone.

“Ashley is not available right now.”

To the boy I say, “Your father has gone insane. Maybe you should come home, or maybe you don’t want to come home, maybe you never want to come home again. I remember when your parents bought the house, I remember picking out things.”

“I’m not sure I understand.”

“Your mother has had an accident,” I say, wondering if I should tell him how bad it really is.

“Was it Dad?” he asks.

I’m caught off guard by the directness of his question. “Yes,” I say. “Your father struck your mother with a lamp. I tried to tell your sister, but I didn’t get very far.”

“I’ll call her,” he says. I am grateful for not having to go through that again.

I am standing in an empty hallway washed with stale fluorescent light. A man in a white coat comes towards me; he smiles. I imagine him like a wicked wizard whipping off his white coat, revealing a judge’s robe. Is it possible that your brother knew you were shtupping his wife and so he got up out of his sickbed and got himself home?

“I am going to limit my comments for now. I feel bad enough about the whole thing,” I say aloud in the hallway though no one is listening.

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