Hans Keilson - Comedy in a Minor Key

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A penetrating study of ordinary people resisting the Nazi occupation — and, true to its title, a dark comedy of wartime manners—"Comedy in a Minor Key "tells the story of Wim and Marie, a Dutch couple who first hide a Jew they know as Nico, then must dispose of his body when he dies of pneumonia. This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.”
Published to celebrate Keilson’s hundredth birthday, "Comedy in" "a Minor Key" — and "The Death of the Adversary," reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

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“I’ve been so angry with myself,” Marie said, still crying, and she let go of Coba’s neck.

“But Marie, it was both of us” escaped Wim’s lips.

But she shook her head slowly. It was a little celebratory too, since she was also wiping away her tears. No, it was her fault, only hers! The same way she alone knew the secret. Because somehow or other there was a secret connection running between these two events, she just didn’t yet know what.

Coba went on: “… He cut out the laundry number and the monogram himself and destroyed them as soon as he noticed them. Yes, our police…! He understood right away. Later, when the police chief came, and the coroner, there wasn’t a trace.”

Wim was silent and bit his upper lip.

But Marie said, after a little pause, “Don’t we need to find him and…”

“Thank him!!” Coba cried “—Marie! You’re…! If you want to, you can send him some flowers after the war!”

After the war! “I’m afraid that’ll still be a little while yet,” Wim said bitterly. With all the excitement, worries, and day-to-day trivialities, you could almost forget there was still a war going on.

“Now come with me,” Coba said decisively. And they packed their little suitcase.

XII

When they came home late on the last train, a little before eleven, the moon’s sickle hung in the sky and cast a dull light. It was bright enough to show that two people, a man and a woman, were walking there, but their faces remained unrecognizable.

Marie and Wim liked the half-dark. For they had the feeling that there was still, even now, something to hide.

Big, dark clouds sailed across the sky, and for a moment, everywhere they looked it was gloomy. A wind was blowing from the sea. It would bring rain tonight. But the rain would not find them sleeping.

When they turned the corner, they were hit by the full strength of the wind coming in from the fields and across the park. Searchlights in the distance. When the wind let up, they could hear weak thuds from far away… The airplanes had chosen another route tonight.

The park was empty. Alongside the footpath a chain-link fence, interrupted in only one place. The road led slightly downhill. The last time Wim had walked it… Behind the path, as tall as they were and casting deep shadows, were bushes and shrubs, like the darkness itself; farther back, like extinguished candles, were trees and telephone poles. It was like looking at a cemetery.

They found their house just as they had left it. Still, they went inside as though entering something they used to know intimately that had suddenly become unfamiliar. Their happiness too was dampened.

Since they couldn’t turn on any lights right away, they felt their way through the dark rooms and hallways to hang the blackout curtains in the windows. Once, they bumped into each other in the dark. They stood for a moment, two warm islands in the cold sea of darkness, facing each other and waiting and calming down. They had had enough adventure. When they started to move carefully through the house again, their arms slightly raised, they reclaimed possession of their things in a new way, different from the way you do when you turn on a bright light the moment you set foot in a house, even before you have walked through a room and straightened a pillow here, tugged at a blanket there.

Afterward, Wim went down to the cellar to get wood for the next day. Marie brewed some coffee. Everything started up again in the ordinary way they were used to. They felt abashed and a little lonely; even though they didn’t say anything about it, each noticed it in the other.

Then Wim wound the clock back up and reset it to the right time. And with every half hour and hour that chimed while Wim was gently pushing the hand around with his finger, they too returned as though to a new day.

It was almost midnight.

“Tomorrow morning early, as usual?” Marie asked.

“Seven-thirty. Come up to bed!”

As they climbed the steps to their bedroom and walked past “his” door, they shyly and silently looked at the brightly painted wood. The black door handle remained at the horizontal, as always.

But it seemed to them both that the door was closed in a way it had never been closed before.

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