Percival Everett - Erasure

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Erasure: краткое содержание, описание и аннотация

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Percival Everett’s blistering satire about race and writing, available again in paperback.
Thelonious "Monk" Ellison’s writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of
, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies — his aged mother is fast succumbing to Alzheimer’s, and he still grapples with the reverberations of his father’s suicide seven years before.
In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins’s bestseller. He doesn’t intend for
to be published, let alone taken seriously, but it is — under the pseudonym Stagg R. Leigh — and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

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The fear of course is that in denying or refusing complicity in the marginalization of “black” writers, I ended up on the very distant and very “other” side of a line that is imaginary at best. I didn’t write as an act of testimony or social indignation (though all writing in some way is just that) and I did not write out of a so-called family tradition of oral storytelling. I never tried to set anybody free, never tried to paint the next real and true picture of the life of my people, never had any people whose picture I knew well enough to paint. Perhaps if I had written in the time immediately following Reconstruction, I would have written to elevate the station of my fellow oppressed. But the irony was beautiful. I was a victim of racism by virtue of my failing to acknowledge racial difference and by failing to have my art be defined as an exercise in racial self-expression. So, I would not be economically oppressed because of writing a book that fell in line with the very books I deemed racist. And I would have to wear the mask of the person I was expected to be. I had already talked on the phone with my editor as the infamous Stagg Leigh and now I would meet with Wiley Morgenstein. I could do it. The game was becoming fun. And it was nice to get a check.

Jelly, JellyJellyAll night long

Behold the invisible!

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Bill did not come home that night, but came in the following morning, smiling and talking fast. I had collected some of Mother’s favorite recordings and was taking them to her with a CD player. He seemed high to me, but I couldn’t imagine on what and I had never been good at making those kinds of calls. I asked if he was all right.

“Yeah. Why?” was his response.

“I don’t know,” I said. “You just seem different.”

“Different? Like how?”

“Never mind.”

“No, I want to know how I seem different.” The edge on his voice was amplified by its suddenness.

“There was no subtext,” I said. “If you want to know, I thought that maybe you were high.”

“High on what?”

“I don’t know. I don’t care.”

“This is because I’ve been of no help regarding Mother, isn’t it?”

“No.”

“You’re mad because I stayed out all night. Should I have called?”

“I’m going to see Mother.”

“That’s why I’m in town.” Bill tried to look like he wasn’t high. “But I can see that my presence isn’t urgently required.”

“I was on my way out when you came in. I waited around this morning for you and so I decided to leave. Now, you’re here. So, I’m asking you, would you like to go with me to visit Mother.”

“I need to shower. And it’s my business where I’ve been.”

“I’ll wait.”

“No, that’s okay. You go on. She’s probably wondering what’s keeping you.”

I watched his lips and realized I understood nothing he was saying. His language was not mine. His language possessed an adverbial and interrogative geometry that I could not comprehend. I could see the shapes of his meaning, even hear that his words meant something, but I had no idea as to the substance of his meaning. I nodded.

“What’s that supposed to mean?” he said.

He was mocking me. That was it. He understood my confusion and was using it against me. I nodded again.

“Go on.” As I reached the door, he said. “I was wrong to think you’d understand. Actually, I didn’t expect you to at all. You’re just like Father. You always were and you’re growing up to be him.”

I nodded.

“Go on. Go see Mother without me. Time has a way of deflating purpose and becoming all those things that the center of our being would rather reject. Be that as it may though, my center is far more centered than that tainted middle of yours. I’m true to myself in spite of the detours and interruptions I have encountered beyond the shelf of what is my beach.”

I didn’t nod this time, but left.

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Sitting in the attending physician’s office, awaiting a report on Mother’s first night’s stay, I was able to examine the small shelf of books behind the doctor’s desk. There were books by John Grisham and Tom Clancy, a paperback of John MacDonald and things like that. Those books didn’t bother me. Though I had never read one completely through, I had peeked at pages, and although I did not find any depth of artistic expression or any abundance of irony or play with language or ideas, I found them well enough written, the way a technical manual can be well enough written. Oh, so that’s tab A. So, why did Juanita Mae Jenkins send me running for the toilet? I imagine it was because Tom Clancy was not trying to sell his book to me by suggesting that the crew of his high-tech submarine was a representation of his race (however fitting a metaphor). Nor was his publisher marketing it in that way. If you didn’t like Clancy’s white people, you could go out and read about some others.

Where fo’ you be goin?Mis’sippi.Why fo’ you gone way down dere?I gots to get ‘way from this souf-side Chicago.Shit, Mis’sippi aint nofin but da souf-souf-side Chicago.(They laughed together.)

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The doctor was a fat, unhealthy-looking man, but a natty dresser. His wingtips were polished to a shine and the sweater vest (despite the warm weather) he wore blended perfectly with his suit. He sat behind the desk and I imagined him to look like Tom Clancy, though I had never seen as much as a newpaper photo of the man. Then I imagined him trying to squeeze through the small hatch of a submarine.

“Your mother is not having a good day so far. We’ve had to sedate her. We have a nurse at her bedside now. I don’t really know what to say, Mr. Ellison. Sometimes patients take a sudden turn. Perhaps tomorrow she’ll have a better day.”

Then the fat doctor was my sister Lisa. She leaned back in the chair and lit that imaginary cigarette and said my name. I allowed my awareness of my hallucination to serve as evidence that I was not in fact insane, but I had to note that coming on the heels of my brother’s linguistic show I was a bit concerned.

“There’s nothing to do, Monk,” Lisa said. “Go home. Make a home. Relax in the knowledge that Mother is not suffering. In fact, to her each moment is new. Think of it like that. You know the joke: What’s the best thing about Alzheimer’s? You get to meet new people.” Lisa laughed. “So, run along. And don’t let Bill get you down. He’s trying to find his way. He can’t help it if he’s not likeable. At least, I never much liked him.”

“How do you know Mother’s not suffering?” I asked.

The fat man, whose desk plate read Dr. H. Bledsoe, said, “Pardon me?”

“I’m sorry,” I told him. “I was talking to someone else.”

“Are you feeling all right, Mr. Ellison?”

“Yes, just fine. Here I brought some of the music my mother loves.” I put the bag on his desk and stood to leave. “Do you think familiar things like the music will help?”

“I doubt it. It’s possible.”

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Bill was not at the house when I returned. On the dining room table I found a note, which read:

Upstairs in the study you will find a note which explains everything.

I went up to the study and found an envelope on the desk. Inside was a note, which read: FUCK YOU! Bill

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