Percival Everett - Erasure

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Erasure: краткое содержание, описание и аннотация

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Percival Everett’s blistering satire about race and writing, available again in paperback.
Thelonious "Monk" Ellison’s writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of
, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies — his aged mother is fast succumbing to Alzheimer’s, and he still grapples with the reverberations of his father’s suicide seven years before.
In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins’s bestseller. He doesn’t intend for
to be published, let alone taken seriously, but it is — under the pseudonym Stagg R. Leigh — and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

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Of course, all four of them did.

“I believe we have a winner.”

“That’s democracy,” I said and offered what might have been construed as a smile.

They smiled back, then ordered dessert.

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In my room, I stretched out on the bed and contemplated my course of action. Stagg Leigh would in fact be awarded the Book Award. I considered my motivation in creating Stagg in the first place, felt again my anger and dissatisfaction with my world and my course of action became clear to me. I dressed and as I did I hummed. I had not hummed in a very long time; music had left me. I felt the spirit of Mother in my humming. I felt the spirit of my sister in my pithiness and that of my father in my playful arrogance. I even felt something of my brother and I knew that tonight I would be exposed.

картинка 214 Tarski: Don’t I know you?Carnap: You might.

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The Ceremony

We judges, not only of fiction but of poetry, nonfiction and children’s literature, were all seated at tables with important guests. It was a good thing, because I could no longer stand the sight of my colleagues. I was seated with the Director of the Board of Boston General Hospital, the CEO of General Mills, a vice president from General Motors and head of marketing from General Electric, all with their spouses.

After introductions, I said, “I feel generally out of place.”

This made them laugh.

I was sitting between the wife of General Motors and the husband of General Electric and to my dismay, they wanted to talk to me. Finally, General Mills looked across the table and in a stage whisper said, “So, are you going to tell us who wins the big prize?”

“I do,” I said.

They laughed again.

“The process wasn’t all that grueling, was it?”

“Nearly four hundred books to read,” I said.

“Whew. I don’t think I’ve read half that many in my life.”

“Sure you have, dear.”

“I don’t know.”

“Was it a tough decision?”

“It was quite easy actually,” I said. “I’d say it was decided over a month ago.”

“I know which one it is.”

I look at the wife of Boston General.

“Will you tell me if I’m right?”

“No, I won’t,” I said. “This has to be done correctly.”

“Oh, you artists and your integrity.”

That made me burst out with a short laugh which caused them to look at me.

“It’s the word integrity,” I said. “It always tickles me.”

They all nodded, as if to say, “A writer.” Then they shared glances and seemed more soothed as they perhaps shared the thought, “A black writer.” But that observation was no doubt my anxiety getting the better of me.

The awards were given for the other categories and people applauded, but as always they waited for the fiction. Wilson Harnet stepped from his table to the front of the room and smiled. He said, “I know something you don’t know.”

The audience roared.

I looked across the room and saw my agent, Yul. He spotted me and with his eyes asked me what was up. With mine, I told him to stick around.

“It was an onerous task,” Harnet said. “I’m told that we received more submissions this year than ever before. I can believe it. We read over five hundred novels and collections of short stories.”

The audience let go a gasp, tutti.

“But it was a labor of love. Our decision was a difficult one, but one I believe will meet with much approval. The finalists of course are the cream of the crop in our eyes. Each of these books is remarkable in its own way. Sadly, however, four of them came up against a monster of a work, a real beauty, we writers like to say.”

“Do you say that?” Mrs. General Mills asked.

“All the time.”

Harnet laughed for no apparent reason. “I’m sure I could bore you by going on, but I will simply tell you the name of the winner. This year’s committee for the Book Award in fiction has chosen Fuck by Stagg R. Leigh.”

Whistling, cheering, applauding. “Here, here!”

“I hope Mr. Leigh was able to make it,” Harnet said.

I stood and began to approach the front of the room.

But somehow the floor had now turned to sand …

My steps were difficult and my head was spinning as if I had been drugged. Cameras flashed and people murmured and I couldn’t believe that I was walking through sand, through dream sand. Off to the right were members of the Noveau Roman Society along with Linda Mallory and perhaps my high school librarian. To my left were my father, my mother and the woman I knew to be Fiona on either side of him and behind them my brother, sister and half-sister. There were others I knew but failed to recognize and they all pressed around me, urging me forward and the camera flashes blinded me and made the room black during their moments of absence.

“Ah, here comes one of my fellow judges,” Harnet said. “Perhaps Mr. Ellison has heard something about the whereabouts of our winner.”

I was halfway there.

“It’s a black thang maybe,” Harnet said.

Laughter.

The faces of my life, of my past, of my world became as real as the unreal Harnet and the corporations and their wives and they were all talking to me, saying lines from novels that I loved, but when I tried to repeat them to myself, I faltered, unable to recall them. Then there was a small boy, perhaps me as boy, and he held up a mirror so that I could see my face and it was the face of Stagg Leigh.

“Now you’re free of illusion,” Stagg said. “How does it feel to be free of one’s illusions?”

“I know those lines,” I said aloud, knowing I was saying them to no one.

Harnet covered the microphone when I was next to him and asked me what I thought I was doing.

“The answer is Painful and empty,” I said.

“This man needs help,” Harnet said.

I looked at the faces, all of them, from time and out of time, but it was my mother to whom I spoke most directly. “The roses will forever smell beautiful,” I said. Then the lights were brighter than ever, not flashes but constant, flooding light. I looked at the television cameras looking at me.

I looked at the mirror, still held by the boy. He held it by his thigh and I could only imagine the image the glass held.

I chose one of the TVcameras and stared into it. I said, “Egads, I’m on television.”

картинка 216 hypotheses non fingo

About the Author

Percival Everettis Distinguished Professor of English at the University of Southern California and the author of eighteen novels, including Assumption, I Am Not Sidney Poitier, and The Water Cure.

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