Philippe Claudel - The Investigation

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The Investigation: краткое содержание, описание и аннотация

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A wild, Kafka-esque romp through a dystopian landscape, probing thedarkly comic nature of the human condition. The Investigator is a man quite like any other. He is balding, of medium build, dresses conservatively — in short, he is unremarkable in every way. He has been assigned to conduct an Investigation of a series of suicides (twenty-two in the past eighteen months) that have taken place at the Enterprise, a huge, sprawling complex located in an unnamed Town. The Investigator's train is delayed, and when he finally arrives, there's no one to pick him up at the station. It is alternating rain and snow, it's getting late, and there are no taxis to be seen. Off sets the Investigator, alone, into the night, unsure quite how to proceed.
So begins the Investigator's series of increasingly frustrating attempts to fulfill his task. In the course of hours of wandering looking for the entrance to The Enterprise, he bumps into a stranger hurrying past and spills open his luggage, soaking his clothes. When he finally reaches the Enterprise, he is told he does not posses the proper authorization documents to enter after regular hours. Asking for directions to a hotel, he is informed "We're not the Tourist Office," and must set off to find one himself. Time and time again, regulations hamstring him, street layouts befuddle him, and all the while he senses someone watching him, recording his every movement.
In a highly original work that is both absorbing and fascinating, Claudel undertakes a sweeping critique of the contemporary world through a variety of modes. Like Kafka, Beckett, and Huxley, he has crafted a dark fable that evokes the absurdity and alienation of existence with piercing intelligence and considerable humor.

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The Shadow was waiting, but the Investigator turned away from him, for he saw ghostly figures coming to greet him as in a ceremony of condolence: silhouettes, ideas, recollections, holograms, fictional characters, among whom he clearly recognized the Policeman, the Giantess, who smiled at him, the Guide, the Manager, the Server, the Security Officer and the Guard, the Child with the burning eyes, the Psychologist, who hung back a little, the Tourists, the Displacees, the Crowd. They all seemed somewhat ill at ease as they spent a few moments in silence before the body of a man of average size, with a round face and a balding pate, a man who resembled them like a brother, who was the victim of a farce in which they’d played their roles without trying very hard to step out of them, because it’s more comfortable that way. They had always been well ahead of the Investigator, and so they remained, even if that didn’t help them in any way and wouldn’t save them.

There were still some letters, drawn by a hand writing on a blackboard. A needle piercing a vein to draw out blood or inject some liquid. A very clear image of slow dripping and the soothing music it produced, soon covered by the sound of sheets of paper being torn up and then burned, and the faint whisper of ink poured out onto the pages of a book.

“So what have I founded!!!???” the Shadow shouted for the last time.

In the Investigator’s weak, doomed heart, there still trembled one or two mute words, barely formed, before what remained of his consciousness was carried off into the void, like the last puff of a cigarette in the wind. Then everything in him died, the answer to the question, the signs, the traces of light, his memory, his doubts. He thought he heard a slight noise, like the sound made by the lid of a laptop computer when the screen is closed on keys still warm from the fingertips that have caressed them so long.

“Click.”

And then — nothing more.

Nothing more.

A NOTE ABOUT THE AUTHOR

Philippe Claudel is the author of many novels, among them Brodeck , which won the Prix Goncourt des Lycéens in 2007 and the Independent Foreign Fiction Prize in 2010. His novel By a Slow River has been translated into thirty languages and was awarded the Prix Renaudot in 2003 and the Elle Readers’ Literary Prize in 2004. Claudel also wrote and directed the 2008 film I’ve Loved You So Long , starring Kristin Scott Thomas, which won a BAFTA Award for Best Film Not in the English Language.

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