Toni Morrison - Paradise

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Paradise: краткое содержание, описание и аннотация

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"They shoot the white girl first. With the rest they can take their time." So begins this visionary work from a storyteller. Toni Morrison's first novel since she was awarded the Nobel Prize for Literature, Paradise opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage.
In prose that soars with the rhythms, grandeur, and tragic arc of an epic poem, Toni Morrison challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation of race, religion, gender, and a far-off past that is ever present.

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"I always thought Coffee-Big Papa-was wrong," said Deacon Morgan. "Wrong in what he did to his brother. Tea was his twin, after all. Now I'm less sure. I'm thinking Coffee was right because he saw something in Tea that wasn't just going along with some drunken whiteboys. He saw something that shamed him. The way his brother thought about things; the choices he made when up against it. Coffee couldn't take it. Not because he was ashamed of his twin, but because the shame was in himself. It scared him. So he went off and never spoke to his brother again. Not one word. Know what I mean?"

"It must have been hard," said Richard.

"I'm saying he never said another word to him and wouldn't allow anybody else to call his name."

"Lack of words," Richard said. "Lack of forgiveness. Lack of love. To lose a brother is a hard thing. To choose to lose one, well, that's worse than the original shame, wouldn't you say?" Deacon looked down at his feet for a long time. Richard stayed quiet with him. Finally he raised his head and said: "I got a long way to go, Reverend."

"You'll make it," said Richard Misner. "No doubt about it. " Richard and Anna doubted the convenient mass disappearance of the victims and, as soon as they got back, went to look for themselves. Other than a sparkling white crib in a bedroom with the word divine taped to the door, and foodstuffs, there was nothing recently lived-in about the place. The chickens were wilding or half eaten by fourfooted prowlers. Pepper bushes were in full flower, but the rest of the garden was lost. Sargeant's cornfield the only human touch. Richard barely glanced at the cellar floor. Anna, however, examining it as closely as her lamp permitted, saw the terribleness K. D. reported, but it wasn't the pornography he had seen, nor was it Satan's scrawl. She saw instead the turbulence of females trying to bridle, without being trampled, the monsters that slavered them.

They left the house and stood in the yard.

"Listen," Anna told him. "One of them or maybe more wasn't dead. Nobody actually looked-they just assumed. Then, between the time folks left and Roger arrived, they got the hell out of there. Taking the killed ones with them. Simple, right?"

"Right," said Misner, but he didn't sound convinced.

"It's been weeks now, and nobody has come around asking questions.

They must not have reported it, so why should we?"

"Whose baby was in there? That crib is new."

"I don't know, but it sure wasn't Arnette's."

He said it again, "Right," with the same level of doubt. Then, "I don't like mysteries."

"You're a preacher. Your whole life's belief is a mystery."

"Belief is mysterious; faith is mysterious. But God is not a mystery.

We are."

"Oh, Richard," she said as though it was all too much.

He had asked her to marry him. "Will you marry me, Anna?"

"Oh, I don't know."

"Why not?"

"Your fire's too stingy."

"Not when it counts."

She had never expected to be that happy and coming back to Ruby, instead of making the great announcement, they were sorting out what looked like the total collapse of a town.

"Should we take those chickens? They'll all be eaten anyway."

"If you want to," he said.

"I don't. I'll just see if there're any eggs." Anna entered the henhouse wrinkling her nose and stepping through a half inch of chicken litter. She fought a couple of them to get the five eggs that she thought were probably fresh. When she came out, both hands full, she called, "Richard? Got something I can put these in?" At the edge of the garden a faded red chair lay on its side. Beyond was blossom and death.

Shriveled tomato plants alongside crops of leafy green reseeding themselves with golden flowers; pink hollyhocks so tall the heads leaned all the way over a trail of bright squash blossoms; lacy tops of carrots browned and lifeless next to straight green spikes of onion. Melons split their readiness showing gums of juicy red. Anna sighed at the mix of neglect and unconquerable growth. The five eggs warm umber in her hands.

Richard came toward her. "This big enough?" He flicked open his handkerchief.

"Maybe. Here, hold them while I see if the peppers are out."

"No," he said. "I'll go." He dropped the handkerchief over the eggs.

It was when he returned, as they stood near the chair, her hands balancing brown eggs and white cloth, his fingers looking doubled with long pepper pods-green, red and plum black-that they saw it. Or sensed it, rather, for there was nothing to see. A door, she said later.

"No, a window," he said, laughing. "That's the difference between us.

You see a door; I see a window."

Anna laughed too. They expanded on the subject: What did a door mean? what a window? focusing on the sign rather than the event; excited by the invitation rather than the party. They knew it was there. Knew it so well they were transfixed for a long moment before they backed away and ran to the car. The eggs and peppers lay in the rear seat; the air conditioner lifted her collar. And they laughed some more as they drove along, trading pleasant insults about who was a pessimist, who an optimist. Who saw a closed door; who saw a raised window. Anything to avoid reliving the shiver or saying out loud what they were wondering. Whether through a door needing to be opened or a beckoning window already raised, what would happen if you entered? What would be on the other side? What on earth would it be? What on earth?

Reverend Misner had everyone's attention and just a few words more to offer. His glance focused on the culpable men, seven of whom, with some primitive instinct for protection, clustered together, away, it seemed from the other mourners. Sargeant, Harper, Menus, Arnold, Jeff, K.D., Steward. Wisdom was closest to his own family; and Deacon was not there at all. Richard's thoughts about these men were not generous. Whether they be the first or the last, representing the oldest black families or the newest, the best of the tradition or the most pathetic, they had ended up betraying it all. They think they have outfoxed the whiteman when in fact they imitate him. They think they are protecting their wives and children, when in fact they are maiming them. And when the maimed children ask for help, they look elsewhere for the cause. Born out of an old hatred, one that began when one kind of black man scorned another kind and that kind took the hatred to another level, their selfishness had trashed two hundred years of suffering and triumph in a moment of such pomposity and error and callousness it froze the mind. Unbridled by Scripture, deafened by the roar of its own history, Ruby, it seemed to him, was an unnecessary failure. How exquisitely human was the wish for permanent happiness, and how thin human imagination became trying to achieve it. Soon Ruby will be like any other country town: the young thinking of elsewhere; the old full of regret. The sermons will be eloquent but fewer and fewer will pay attention or connect them to everyday life. How can they hold it together, he wondered, this hard-won heaven defined only by the absence of the unsaved, the unworthy and the strange? Who will protect them from their leaders? Suddenly Richard Misner knew he would stay. Not only because Anna wanted to, or because Deek Morgan had sought him out for a confession of sorts, but also because there was no better battle to fight, no better place to be than among these outrageously beautiful, flawed and proud people. Besides, mortality may be new to them but birth was not. The future panted at the gate. Roger Best will get his gas station and the connecting roads will be laid. Outsiders will come and go, come and go and some will want a sandwich and a can of 3.2 beer. So who knows, maybe there will be a diner too. K.D. and Steward will already be discussing TV. It was inappropriate to smile at a funeral, so Misner envisioned the little girl whose destroyed hands he had once been permitted to hold. It helped him recover his line of thought. The questions he had asked in the mourners' stead needed an answer.

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