Toni Morrison - Paradise

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Paradise: краткое содержание, описание и аннотация

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"They shoot the white girl first. With the rest they can take their time." So begins this visionary work from a storyteller. Toni Morrison's first novel since she was awarded the Nobel Prize for Literature, Paradise opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage.
In prose that soars with the rhythms, grandeur, and tragic arc of an epic poem, Toni Morrison challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation of race, religion, gender, and a far-off past that is ever present.

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One by one they would float down the stairs, carrying a kerosene lamp or a candle, like maidens entering a temple or a crypt, to sit on the floor and talk of love as if they knew anything at all about it. They spoke of men who came to caress them in their sleep; of men waiting for them in the desert or by cool water; of men who once had desperately loved them; or men who should have loved them, might have loved, would have.

On her worst days, when the maw of depression soiled the clean darkness, she wanted to kill them all. Maybe that was what her slug life was being prolonged for. That and the cold serenity of God's wrath. To die without His forgiveness condemned her soul. But to die without Mary Magna's fouled it per omnia saecula saeculorum. She might have given it freely if Consolata had told her in time, confessed before the old woman's mind faded to singsong. On that last day, Consolata had climbed into the bed behind her and, tossing the pillows on the floor, raised up the feathery body and held it in her arms and between her legs. The small white head nestled between Consolata's breasts, and so the lady had entered death like a birthing, rocked and prayed for by the woman she had kidnapped as a child. Kidnapped three children, actually; the easiest thing in the world in 1925. Mary Magna, a sister, not a mother, then, flatly refused to leave two children in the street garbage they sat in. She simply picked them up, took them to the hospital where she worked and cleaned them in a sequence of Ordorno's Baking Soda, Glover's Mange, soap, alcohol, Blue Ointment, soap, alcohol and then iodine carefully placed on their sores. She dressed them and, with the complicity of the other mission sisters, took them with her to the ship. They were six American nuns on their way back to the States after twelve years of being upstaged by older, sterner Portuguese Orders. Nobody questioned Sisters Devoted to Indian and Colored People paying cut-rate passage for three certainly not white urchins in their charge. For there were three now, Consolata being a last-minute decision because she was already nine years old. By anyone's standard the snatching was a rescue, because whatever life the exasperated, headstrong nun was dragging them to, it would be superior to what lay before them in the shit-strewn paths of that city. When they arrived in Puerto Lim=n, Sister Mary Magna placed two of them in an orphanage, for by then she had fallen in love with Consolata. The green eyes? the tea-colored hair? maybe her docility?

Perhaps her smoky, sundown skin? She took her along as a ward to the post to which the difficult nun was now assigned-an asylum/boarding school for Indian girls in some desolate part of the North American West.

In white letters on a field of blue, a sign near the access road read christ the king school for native girls. Maybe that was what everybody meant to call it, but in Consolata's living memory only the nuns used its proper name-mostly in prayer. Against all reason, the students, the state officials and those they encountered in town called it the Convent.

For thirty years Consolata worked hard to become and remain Mary Magna's pride, one of her singular accomplishments in a lifetime of teaching, nurturing and tending in places with names the nun's own parents had never heard of and could not repeat until their daughter pronounced them. Consolata worshipped her. When she was stolen and taken to the hospital, they stuck needles in her arms to protect her, they said, from diseases. The violent illness that followed she remembered as pleasant, because while she lay in the children's ward a beautiful framed face watched her. It had lake-blue eyes, steady, clear but with a hint of panic behind them, a worry that Consolata had never seen. It was worth getting sick, dying, even, to see that kind of concern in an adult's eyes. Every now and then the woman with the framed face would reach over and touch Consolata's forehead with the backs of her knuckles or smooth her wet, tangled hair. The glass beads hanging from her waist or from her fingers winked. Consolata loved those hands: the flat fingernails, the smooth tough skin of the palm. And she loved the unsmiling mouth, which never needed to show its teeth to radiate happiness or welcome. Consolata could see a cool blue light beaming softly under the habit. It came, she thought, from the heart of her.

Straight from the hospital, Consolata, in a clean brown dress that reached her ankles, accompanied the nuns to a ship called Atenas. After the Panama call they disembarked in New Orleans and from there traveled in an automobile, a train, a bus, another automobile.

And the magic that started with the hospital needles piled up and up: toilets that swirled water clear enough to drink; soft white bread already sliced in its wrapper; milk in glass bottles; and all through the day every day the gorgeous language made especially for talking to heaven. Ora pro nobis gratia plena sanctificetur nomen tuum fiat voluntas tua, sicut in caelo, et in terra sed libera nos a malo a malo a malo. Only when they arrived at the school did the magic slow. Although the land had nothing to recommend it, the house was like a castle, full of a beauty Mary Magna said had to be eliminated at once. Consolata's first tasks were to smash offending marble figures and tend bonfires of books, crossing herself when naked lovers blew out of the fire and had to be chased back to the flame. Consolata slept in the pantry, scrubbed tile, fed chickens, prayed, peeled, gardened, canned and laundered. It was she, not any of the others, who discovered the wild bush heavy with stinging-hot peppers and who cultivated them. She learned rudimentary cooking skills from Sister Roberta and got good enough to take over the kitchen as well as the garden. She attended classes with the Indian girls but formed no attachments to them.

For thirty years she offered her body and her soul to God's Son and His Mother as completely as if she had taken the veil herself. To her of the bleeding heart and bottomless love. To her quae sine tactu pudoris. To the beata viscera Mariae Virginis. To her whose way was narrow but scented with the sweetness of thyme. To Him whose love was so perfectly available it dumbfounded wise men and the damned. He who had become human so we could know Him touch Him see Him in the littlest ways. Become human so His suffering would mirror ours, that His death throes, His doubt, despair, His failure, would speak for and absorb throughout earthtime what we were vulnerable to. And those thirty years of surrender to the living God cracked like a pullet's egg when she met the living man.

It was 1954. People were building houses, fencing and plowing land, some seventeen miles south of Christ the King. They had begun to build a feed store, a grocery store and, to Mary Magna's delight, a pharmacy closer than ninety miles. There she could purchase the bolts of antiseptic cotton for the girls' menstrual periods, the fine needles, the sixty-weight thread that kept them busy mending, mending, the Lydia Pinkham, the StanBack powder, and the aluminum chloride with which she made deodorant.

On one of these trips, when Consolata accompanied Mary Magna in the school's Mercury station wagon, even before they reached the newly cut road it was clear something was happening. Something unbridled was going on under the scalding sun. They could hear loud cheering, and instead of thirty or so energetic people going quietly about the business of making a town, they saw horses galloping off into yards, down the road, and people screaming with laughter. Small girls with red and purple flowers in their hair were jumping up and down. A boy holding for dear life onto a horse's neck was lifted off and declared winner. Young men and boys swung their hats, chased horses and wiped their brimming eyes. As Consolata watched that reckless joy, she heard a faint but insistent Sha sha sha. Sha sha sha. Then a memory of just such skin and just such men, dancing with women in the streets to music beating like an infuriated heart, torsos still, hips making small circles above legs moving so rapidly it was fruitless to decipher how such ease was possible. These men here were not dancing, however; they were laughing, running, calling to each other and to women doubled over in glee. And although they were living here in a hamlet, not in a loud city full of glittering black people, Consolata knew she knew them.

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