Toni Morrison - Paradise

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Paradise: краткое содержание, описание и аннотация

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"They shoot the white girl first. With the rest they can take their time." So begins this visionary work from a storyteller. Toni Morrison's first novel since she was awarded the Nobel Prize for Literature, Paradise opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage.
In prose that soars with the rhythms, grandeur, and tragic arc of an epic poem, Toni Morrison challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation of race, religion, gender, and a far-off past that is ever present.

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The dope was heavy, the men always ready, but ten days later she woke up crying. She called Alcorn, Mississippi, collect. "Bring your butt home, girl. World change enough to suit you? Everybody dead anyway. King, another one of them Kennedys, Medgar Evers, a nigger name of X, Lord I can't think who all since you left not to speak of right here remember L. J. used to work down at the route two mall somebody walked in there broad daylight with a pistol shaped like nothing nobody ever seen before…" Gigi let her head fall back on the plaster wall near the telephone.

Outside the bodega a clerk swung a broom at some children. Girls.

Without underwear.

"I'm coming, Granddaddy. I'm heading home right now."

Most of the time she had both seats to herself. Space to spread out. Sleep. Read back issues of Ramparts rolled in her knapsack. When she boarded the Santa Fe, the train pulled out crowded with air force men in blue. Soon 4-H'ers crowded the cars. But when she transferred to the MKT, the cars were never full again.

The man with the earring didn't come looking for her. She sought him out. Just to talk to somebody who wasn't encased in polyester and who looked like he might smoke something other than Chesterfields. He was short, almost a dwarf, but his clothes were East Coast hip. His Afro was neat, not ragged, and he wore seeds of gold around his neck, one matching stud in his ear.

They stood next to each other at the snack bar, which the attendant insisted on calling the dining car. She ordered a Coke without ice and a brownie. He was paying for a large cup of ice only. "That ought to be free," Gigi said to the man behind the counter.

"He shouldn't have to pay for the cup."

"Excuse me, m'am. I just follow rules."

"I ordered no ice. Did you deduct anything?"

"Course not."

"Don't trouble yourself," the short man said.

"I ain't troubled," Gigi told him, and then, to the counterman: "Listen, you. Give him the ice you weren't going to charge me for, okay?"

"Miss, do I have to call the conductor?"

"If you don't, I will. This is train robbery, all right-trains robbing people."

"It's all right," said the man. "Just a nickel."

"It's the principle," said Gigi.

"A five-cent principle ain't no principle at all. The man needs a nickel. Needs it real bad." The short man smiled. "I don't need nothing," said the attendant. "It's the rules."

"Have two," said the man, and flicked a second nickel into the saucer.

Gigi glaring, the earring man smiling, they left the snack bar together. She sat down across the aisle from him to expand on the incident, while the man crunched ice.

"Gigi." She held out her hand. "You?"

"Dice," he said.

"Like chopping small?"

"Like pair of."

He touched her with a cool, cool hand and they made up stories for each other for miles. Gigi even got comfortable enough to ask him had he ever seen or heard tell of a rock formation that looked like a man and a woman making out. He laughed and said no, but that he once heard about a place where there was a lake in the middle of a wheat field. And that near this lake two trees grew in each other's arms. And if you squeezed in between them in just the right way, well, you would feel an ecstasy no human could invent or duplicate. "They say after that can't nobody turn you down."

"Nobody turns me down now."

"Nobody? I mean no-o-body!"

"Where is this place?"

"Ruby. Ruby, Oklahoma. Way out in the middle of nowhere."

"You been there?"

"Not yet. But I plan to check it out. Say they got the best rhubarb pie in the nation."

"I hate rhubarb."

"Hate it? Girl, you ain't lived. You ain't lived at all."

"I'm going home. See my folks."

"Where's home for you?"

"Frisco. All my folks live in Frisco. I just talked to my grandfather.

They're waiting on me."

Dice nodded but said nothing.

Gigi stuffed the brownie wrapper in her empty paper cup. I am not lost, she thought. Not lost at all. I can go see Granddaddy or go back to the Bay or…

The train slowed. Dice rose to collect his luggage from the overhead rack. He was so short he had to stand on tiptoe. Gigi helped him and he didn't seem to mind.

"Well, I get off here. Nice talking with you."

"You too."

"Good luck. Watch out, now. Don't get wet."

If the boys standing in front of a kind of barbecue grill had said, No, this is Alcorn, Mississippi, she probably would have believed them. Same haircuts, same stares, same loose hick smiles. What her granddaddy called "country's country." Some girls were there too, arguing, it seemed, with one of them. In any case, they weren't much help, but she enjoyed the waves of raw horniness slapping her back as she walked off down the street.

First dust, fine as flour, sifted into her eyes, her mouth. Then the wind wrecked her hair. Suddenly she was out of town. What the locals called Central Avenue just stopped, and Gigi was at Ruby's edge at the same time she had reached its center. The wind, soundless, came from the ground rather than the sky. One minute her heels clicked, the next they were mute in swirling dirt. On either side of her, tall grass rolled like water.

She had stopped five minutes ago in a so-called drugstore, bought cigarettes and learned that the boys at the barbecue grill were telling the truth: there was no motel. And if there was any pie it wasn't served at a restaurant because there wasn't one of those either. Other than the picnic benches at the barbecue thing, there was no public place to sit down. All around her were closed doors and shut windows where parted curtains were swiftly replaced.

So much for Ruby, she thought. Mikey must have sent her that lying freak on the train. She just wanted to see. Not just the thing in the wheat field, but whether there was anything at all the world had to say for itself (in rock, tree or water) that wasn't body bags or little boys spitting blood into their hands so as not to ruin their shoes. So. Alcorn. She might as well start over in Alcorn, Mississippi. Sooner or later one of those trucks parked by the Seed and Feed store would have to start up and she would hitch the hell out of there.

Holding on to her hair and squinting against the wind, Gigi considered walking back toward the feed store. Her backpack felt heavy in high heels and if she didn't move, the wind might topple her. As suddenly as it had begun the wind quit; in its absence she heard an engine coming toward her.

"You headed out to the Convent?" A man in a wide-brimmed hat opened the door of his van.

Gigi tossed her backpack on the seat and climbed in. "Convent? You kidding? Anything but. Can you put me near a real bus stop or train station or something?"

"You in luck. Take you right to the track."

"Great!" Gigi dug around in the pack between her knees. "Smells new."

"Brand-new. You all my first trip."

"You all?"

"Have to make a stop. Another passenger going to take a train ride too." He smiled. "My name's Roger. Roger Best."

"Gigi."

"But you free. The other one I charge," he said, cutting his eyes away from the road. Pretending to examine the scenery through the passenger window, he looked at her navel first, then further down, then up.

Gigi pulled out a mirror and, as best she could, repaired the wind damage to her hair, thinking, Yeah. I'm free, all right. And she was. Just as Roger Best said, there was no charge to the living, but the dead cost twenty-five dollars.

Every now and then the woman sitting on the porch steps lifted her aviator's glasses to wipe her eyes. One braid from under her straw hat fell down her back. Roger leaned on his knee and spoke to her for what seemed to Gigi a long time, then they both went inside. When Roger came out, he was closing his wallet and frowning. "Ain't no help out here. You may's well wait inside. Going to take me a while to get the body down."

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