Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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When I turned off Istenhegyi Road and started up the gently rising slope of Adonisz Road, it didn't matter if I crossed over to the other side and never took my eyes off the silent bushes behind the fence, I could never be alert enough to see them appear; they materialized out of nowhere, silently and unnoticed, one at a time; I knew they rotated the dogs on and off duty as they did the unseen guards, powerfully built, well-fed German shepherds with darkly spotted, sand-colored, sometimes grayish fur, and tapered shaggy tails, the eyes in their projecting muzzles appearing benign and wise, pointed, acutely sensitive ears registering the slightest vibrations of hostility, mouths nearly always open, with fleshy glistening red tongues sliding up and down to the rhythm of their constant panting, revealing the white cusps of fang-like back teeth; and all they did was follow me, faster when I quickened my steps, slower when I slowed down, of course making not the slightest noise, their huge pads sinking silently into the sand; and I had long ceased to experiment with stopping, because if I did they'd stop, too, turn their snouts toward me and just watch; their look, their eyes, were the most terrifying things about them — excited, keyed-up, yet completely impassive, eyes like two pretty balls, and at the same time you could see that under their thick fur the muscles were wound up like coils, ready to spring; and not only did they not emit a sound — no yelp or growl — they didn't even pant harder; Kálmán learned from Pista, because Pista was a guard on the far side of the restricted area, at the Lóránt Street gate, and he not only talked to Kálmán sometimes but also let him have some of his hollow-filtered Russian cigarettes, which they ended up smoking in the school bathroom during the long morning recess; anyway, it was Pista who said that this was when the dogs were most dangerous, and one should never take one's eyes off them; it didn't matter that they had been trained for any eventuality, in fact, the more rigorous their training, so the trainers had said, the more unpredictable their nervous system would become; they knew and understood everything, Kálmán reported, but were nervous wrecks, the trainers themselves feared them; they had muscles of steel, that's the phrase he used, muscles of steel, and they could hurdle a not-too-high fence like that from a standing position, which was the reason there was no barbed wire on top; supposedly the trainers asked that the barbed wire be removed because the dogs' tails might get caught; their commander refused at first, it seems, claiming that without the barbed wire the fence would not conform to regulations, and finally Comrade Rákosi had to intervene personally, because the dogs were extremely valuable; even within the compound they were led about on leashes, and it was impossible to befriend them; they would not accept food or candy from anyone, wouldn't even sniff at it, it was as though you weren't there, they looked right through you; and if anyone tried to provoke them by kicking the fence, something that would make any other dog go crazy, they would simply bare their teeth as a warning; they were trained not to get riled up needlessly; when they made a mistake, however, they were beaten mercilessly with sticks and leather straps; if you did nothing but look into their eyes, without moving, they wouldn't know what was happening or how to react, and that's when you could see they were nervous wrecks; they might be beaten for jumping unnecessarily, but they couldn't always control themselves and they'd jump, catch their victim from behind, go straight for the nape of the neck; so they kept following me — to be more precise, after a few steps abreast of one another, it seemed I was following them; they were trotting on their sandy strip one step ahead of me; at the top of the incline we came to a sudden turn, the fence also followed the curve of the road, and there began a long, straight stretch; with their tails up, the dogs led the way, and if I behaved, that is to say if I didn't hurry or fall behind, if fear did not make me break into a run — that wouldn't have been a good solution, since on that straight stretch past the turn I would have had to race for about three hundred meters accompanied by the dogs' frightful barking — if in spite of all my shame and humiliation, hatred and urge to rebel, I complied with their demands, if I did not stop, run, slow down, or speed up, and was even careful not to breathe too loudly, and if I managed to suppress any gestures and emotions they might construe as obtrusive, just as they tried to curb their nervousness and, as a result, the tension of our mutual suspicion became stabilized, then, after a while, our relationship became more refined, not so threatening: I did what I was expected to do, and the dog, becoming almost indifferent to me, did what it was supposed to-do; but if coming from Maja's place I wasn't in the mood, or wasn't mentally prepared, to play this game — for it was a game after all, a kind of experiment, a not altogether harmless balancing act at the edge of self-control and dependence, self-discipline and independence, a sort of political gymnastics — then I chose the shorter and in many ways more pleasant route, right near the three tall pines, the very landmark Szidónia had mentioned to the streetcar conductor, I would take the forest trail and would peer back at the canine guard on duty from behind the safety of the dense shrubbery, noting with considerable satisfaction the perplexed and disappointed look on its face as it stared after me; I was quickly concealed by the woods, though I knew the guards' binoculars could follow me even here; the trail rose sharply as I moved farther in; at times I chose this path even after dusk, knowing well that there might be darker, not to say more ominous dangers lurking in wait for me there, yet I felt I could cope with these dangers more easily and confidently than I could with those rotten dogs.

At that time this was still a real forest, perhaps the last large, continuous spot of green on the map of hills and mountains ringing the city, the last reminder of the original natural harmony of soil and flora which the expanding city slowly encroached upon, altered, and devoured; today, this area, too, is full of high-rises; of the forest only a few clumps of trees have remained — hardly more than nondescript garden ornaments.

I do not regret the loss; there's nothing in the world with which I have a more intimate relationship than ruination; I am the chronicler of my own ruination; even now, when making public the destruction of the forest, I'm recounting the history of my own destruction, looking back once more, for the last time, and I confess not without emotion, on the seemingly endless yet so very finite time of childhood, a time when nothing appears more unalterable than the richly grooved bark of a luxuriant old tree, the peculiar twists of its roots, the communicated strength with which the tree accommodates and also clings to the soil; in a way, childhood perceptions have no firmer assurance and support than nature itself, in which everything militates against destruction and destruction itself speaks of permanence, impersonality, continuity.

But I don't wish to weary anyone with too finely drawn reflections on the relationship between a child's arbitrary perceptions and the spontaneous life of nature; I believe it is true that nature is our greatest teacher, but it teaches only the wise among us, never the dullards! so let us continue on that lonely forest trail leading to the clearing, and let us also take a closer look at how the child is walking, relying on the profound knowledge in his feet, familiar with every dip and bump of the ground, even with the stone that in the next second might knock against the tip of his shoe, prompting him to stretch out his next step; familiar with the dense air, and the direction of wayward breezes against his face, his sensitive nose telling him if anyone has passed by recently and whether it was a man or woman; only his ears deceive him once in a while: he hears a muffled sound, a crack, a thud, a cry, something resembling a cough, and he stops; to be able to go on, his eyes must skip over his fears, over frightening presentiments, and, at times, over shadows that seem to be moving; yes, he must step over dire warnings and horrific imaginings.

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