Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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But all this happened much earlier, maybe two or three summers earlier than the afternoon I referred to before, at least that's how my memory has preserved it, and since a child's mind can't absorb all the cleverness and foolishness of adults, my imagination has had to fill in the white spots of this scene of long ago.

Much earlier, I've said, alluding hesitantly to some of the more distinctly remembered details: everyone knew that Fräulein Wohlgast had lost her sweetheart in '71, in the war against France; he was said to have been a dashing officer, and she, in patriotic zeal, had vowed to mourn him for as long as she lived, "until the grave and beyond," forever reminding the world of the "infamy perpetrated not only against me but against us!" — and she wore dark gray clothes, no longer black, though every year the gray got lighter, until on a certain afternoon when, thanks to Mother's venomous outpouring, we arrived at the station in quite a state, crossing the splendid glass-covered and at that hour pleasantly cool stationhouse just as the squat engine and its four red cars pulled in, and she appeared in a stunning, lace-trimmed, lily-white dress.

By this time Mother's unanswered, bristling sentences were sticking out of Father like the arrows out of St. Sebastian in some romantic illustration, penetrating deep under the skin, into the flesh, and still quivering in the air: the only sentence he managed to squeeze out was something about turning back, but Mother pretended not to have heard that, and of course everything played into her hands, because there was no time to catch their breath here, either; once again they had to greet acquaintances, had to keep smiling; there was quite a gathering on the open platform, people coming to meet the new arrivals (there weren't that many anyway) and to enjoy the lively spectacle offered by this little marvel of modern science; they acted as if their brief afternoon stroll could be properly terminated only here. I cannot imagine what the spa's guests did for entertainment before this railroad line was built (it connected the charming old town of Bad Doberan, also the Prince's summer residence, with the lovely-sounding Kühlungsborn); anyway, the buzz of conversation died down and, as if sitting in theater boxes, everyone watched in fascination as nimble conductors threw open the doors, lowered the steps — ah, the moment of arrival! — watched the porters, too, as they vanished and reappeared in the clouds of steam emitted by the puffing, screeching engine, hurriedly unloading the heavy pieces of luggage; soon, though, after a few minutes of idle waiting, while words of greeting and farewell intermingled on the platform, at a signal from the stationmaster the steps would be pulled up, the doors slammed shut, and leaving behind the pleasant fatigue of arrival among those who had disembarked and the sad silence of distant longing among those who welcomed them, and with some more whistling and clanging, the engine's puffing gradually accelerating to a steady clatter, the whole brief show, like a momentary vision, would disappear around the nearest bend, and once more we would be left as we were, this time unmistakably by ourselves.

Peter van Frick was standing in the open door of one of the red railroad cars, the first to appear, and surveying the crowd on the platform, he noticed us right off — I felt and also saw that he did this, picking us out of the throng of friends and acquaintances who had come to welcome him — but then he immediately turned away, his face more serious and sullen than usual, his dark complexion more pallid; he was wearing a well-tailored traveling suit that made him look even taller and more slender; as he stepped gracefully off the train, one hand casually holding his hat and valise, with the other he quickly reached back to help somebody else down; who that was we couldn't yet tell, but a moment later there she was, none other than Fräulein Nora Wohlgast, yes, no doubt of it, dressed in white, like a bride; it must have been the first time I saw her in white (and, it must be said, as a result of the rapid and drastic turn of events, also the last): if Frick's arrival was considered an extraordinary event because of the delicate role he had played in exposing the recent double assassination attempt against the Kaiser, about which the vacationers at Heiligendamm had learned only in newspapers and whose precise details and wider ramifications they were now hoping to ascertain firsthand, well then, this dual appearance was an out-and-out sensation, bordering on scandal, though in light of his very special position and his momentary popularity people were willing enough to close their eyes and pretend either not to see what in fact they could not avoid seeing or to make believe it was mere coincidence, and in any event, the reputation of society's darlings is always enhanced, their superiority confirmed, by a little scandalous behavior; they rise above and rule us precisely because they cross boundaries we dare not, but the Fräulein! how could she have wound up on that train, when this very morning she had breakfasted with us at our regular table? and why in white all of a sudden? and so conspicuously white, to boot, which on account of her age she had no business wearing, for she was closer to thirty than to twenty! why this sartorial provocation which seemed so unlike her, why? could it be that she and that inveterate bachelor, the councillor, were secretly engaged, or might he have already married her? prompted by this flood of questions, I looked first at Mother, then at Father, hoping to read the answers on their faces, but Mother's face was unresponsive and Father's showed such shock and agitation that, without realizing why, I automatically grabbed his hand, as if to hold him back from doing something dreadful, and he let me, yielding helplessly, turning pale, ashen, though his eyes, bulging out as if mesmerized, kept staring at the couple who were unmistakably together; his mouth dropped open and stayed open, and all the while we were getting closer, for they were heading our way and we were moving toward them, and a moment later, as if pushed along by the rather exaggerated and overly enthusiastic shouts and exclamations, we found ourselves part of the colorful human ring surrounding Frick, as scores of unfinished, interrupted sentences clashed and tangled above our heads, as they all besieged him, of course, asking about his trip and expressing delight at seeing him, alluding to his "extremely exhausting work" that must have accounted for his "wan" complexion; in this platitudinous atmosphere, overheated by noise and mawkishness, no one could be expected to look at that other face, Father's foreboding countenance, not even Frick himself, but they all had to see and hear Father, who, having snatched his hand from my terrified grip, leaned very close to Fräulein Wohlgast's face and, though he might have liked to whisper, shouted, "What are you doing here?"

As if no emotion were powerful enough to penetrate the armor of appearances, there was no outburst and no scandal, nobody screamed and no one became violent, even if the propensity for sudden hysteria lying dormant in human nature may have warranted it, rather, it was as if Father's question had never been asked, or that it was the most natural question in the world put in the most natural way possible, although they knew only too well that Father wasn't, couldn't be, on intimate enough terms with Fräulein Wohlgast to permit himself such a question, and in public, too, using the familiar form of address! or could he be? was something dark and confusing being exposed here? for all I knew, it wasn't just the two of them but perhaps a curious threesome or, counting Mother, a foursome; yet no, it wasn't so, for no one seemed to notice anything, everyone finished their sentences and launched animatedly into new ones, assuring the purity of the proper social overtones produced by the music of their chatter; what is more, I could detect the effect of propriety even on myself, for I suddenly felt so faint I had the distinct impression that the scandal had already erupted, the abyss had opened up, and there was no escape; not only did I feel that we would be falling — that ominous feeling experienced so many times before — but that this was the fall itself, we were in the midst of it! I wanted so much to close my eyes and stop up my ears, but I could do nothing, the sense of propriety being stronger than I, and my having to remain in control, while as for Mother, her performance was simply brilliant: as Frick bowed slightly to kiss her hand, she could even bring herself to laugh heartily, gaily: "Oh, Peter, we are so delighted that you can be here at last! If not for those important affairs of state, we'd probably never forgive you for depriving us of your company for so long"; and in fact there was no stopping now, the situation rolled on: stepping before Father, smiling a self-satisfied smile over the answer he'd just given Mother—"And I shall do my best to make up for lost time" — Frick offered to shake Father's hand, no hugs on this occasion, of course, while Father, speaking even louder than his friend, said, "Affairs of state? Nonsense!" and rather than letting go of the privy councillor's hand grasped it even harder, staring into his eyes with an impenetrable look, and then lowering his voice to a whisper: "You mean a criminal affair, Herr Frick, don't you? which is not so hard to uncover, provided the assassination was well organized."

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