Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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"What a disgusting piddling around all this is," she said softly, without batting her eyelids; she was perfectly aware that her little performance, for all its hamming, was impressive enough to hold us captive; after all, a truly great actress was doing the hamming, by way of relaxing, and it seemed to betray real emotion. Frau Kühnert did not respond, let her go on, and I didn't start for the window, as was my custom, to disappear behind the black curtains, I was curious; she paused effectively, making us wait, then let out a small sigh, giving us time to watch her shoulders gently rise and fall; with her eyes still closed, she lowered her voice even more, making herself barely audible and, as someone yielding to exhaustion but unable to stop the flow of thoughts, continued, savoring her words: "He'll ruin me, he has ruined me, with this disgusting fussing and piddling."

By now the silence in the rehearsal hall was so deep you could hear not only the rain pattering on the roof and the radiators humming but Frau Kühnert closing her prompt book with a real thump; but she must have meant this rather abrupt gesture as only a prelude to another, more sensible move, because it made as little sense to close the prompt book as it did to leave it open: Frau Kühnert came to the first rehearsal with the full play already memorized, as the actors did, and from then on her only job was to enter the various changes in the text, erase them if necessary, re-enter the final version in ink, and make sure the changes were clearly marked in all copies of the script, and to be on the safe side, she had to sit there with the thick master copy, saving her attention and voice for the moments when someone unexpectedly got stuck, when she would feed them their cues with the eagerness of a good student; this happened very seldom, of course, so now, like one who has finally found real work for which she feels inner motivation, she rested her veiny, masculine hand on the closed book a second, and then gently yet eagerly slid the hand onto Thea's head.

"Come, darling, sit down here, rest a little," she whispered, and though her words were loud enough to be heard, people were too tired to turn around and give her a dirty look.

"He wore me out completely."

"Come, our young friend here will give you his seat."

They had their game down pat; Thea still didn't budge; her face, like an open landscape anyone could freely admire, was relaxed, absorbed in itself.

"You ought to give that boy a ring, Sieglinde; why don't you call him for me?" she continued in the same, softer than whispering voice: "Please. The way I feel, I don't think I have the strength to go home. The thought that my old man's been piddling around all day, just the thought of that makes me sick. How I'd like to enjoy myself for a change! Maybe we could go someplace together, I've no idea where. Someplace. And you could call the boy for me, right? Will you call him?"

She seemed to be playing at someone talking in her sleep, maybe overdoing her part a bit in the game; because she had to get Frau Kühnert to carry out a most unpleasant task, she almost went too far.

"I don't dare call him, because the other day he told me not to. He told me please to stop calling him. Not very polite, is he? But if you call him it's different, you might be able to soften him a little. Would you do that for me? It wouldn't take much, just a little buttering up," she said, and fell silent as though expecting a reply; but before Frau Kühnert had a chance to answer, Thea's unpainted lips began moving again: "I'd love to buy my old man a great big garden, and I shall, too, once I have lots of money, because it must be awful for him to sit in that horrible flat all day, just awful — for me it's all right, except right now I don't feel like going home — but for him it must be depressing as hell, he ends up smelling bad after piddling about all day; I mean, imagine, that's all he does all day, sits down, gets up, lies down, sits down again, and that's how he spends his whole life; if he had a garden, he could at least move around while doing nothing; shouldn't I buy him a garden? will you call that boy?"

Our Afternoon Walk Continued

But after so many digressions, let's return to that afternoon walk — we'll have enough time to deal with what is yet to happen, for it's the past we so often forget, and so quickly, too; let's go back to where we left off, to the moment when, having concluded the fresh-air cure in rather dramatic circumstances, we started on the straight road leading to the station, walking under the giant plane trees.

Here we immediately reached the peak of sensory delights, the gayest hour of the promenade; the trees' long shadows fluttered in the gentle sea breeze, which also carried the soft music of the dance band set up in the open lobby, now bringing the strains closer in unpredictable waves, now turning them into garbled snatches and scattering them into the distance; carriages were rolling toward the railroad station to pick up new arrivals and one could already hear the puffing, whistling locomotive; riders were trotting, alone and in groups, down the bridle path, switching to brisker gallops as they rounded the tidy stationhouse, only to be swallowed up by the dark and dense beech forest whose very name, the Great Wilderness, had a quaint archaic flavor; and the strollers! at this hour everyone whose cure did not call for bed rest was on his feet and out here, was expected to be here and to cover this short distance on foot, to and fro, stopping along the way for a brief chat or an exchange of pleasantries; if one walked with someone more serious or with a more interesting topic of conversation, the distance could be covered more than once and away from the general traffic, but one didn't tarry too long with any one partner, for that might he taken for unseemly eagerness, and here everyone was watching everyone else; one had to be careful that the casual informality — the robust bursts of laughter, the abrupt darkening of brows, the waving of hats, kissing of hands, the knowing chuckles, trembling nods, and raised eyebrows — an informality full of resentments and petty jealousies, naturally, should not violate the familiar conventions and should seem spontaneous, for all its glib artificiality; young boys and girls, more or less my age, trundled colored hoops along the road's smooth marble slab, and thought they were especially adroit if the hoops did not get caught in the folds of ladies' dresses or roll under gentlemen's legs; on occasion, even Heinrich, Prince Mecklenburg, would appear, in the company of his much younger and somewhat taller Princess and surrounded by attendants, and each time he did, the promenade's unwritten rules were altered; outwardly nothing seemed to change except that the apparent naturalness appeared a shade less natural, but the experienced stroller, as soon as he reached the decorative marble urns on their slender white pedestals, could sense that the Prince would be there; the two marble urns with their velvet-smooth cascading purple petunias formed a kind of gateway to the tree-lined esplanade; yes, the Prince would definitely be present today, because backs were a bit straighter, smiles a shade friendlier, laughter and conversation so much softer; soon, though not yet, he would be seen on the arm of the Princess, in the wide semicircle of his attendants, listening attentively to someone, registering every word with grave nods of his gray head; it was improper to seek him out even with a curious glance; he had to be noticed accidentally, as it were, and with the same casual ease we also had to adjust our pace to the rhythm of his steps and seize that fraction of a second during which, without interrupting his conversation, he might honor us with his attention, so that our respectful greeting would not dissolve in the air but might be returned; we had to be alert to avoid any potentially embarrassing thing and to pay attention to proper decorum; and the strollers thronging the promenade were indeed alert, each and every one well prepared: what if the Prince should wish to exchange a few politely pleasant words with me! with my humble person, of all people! and they would watch and listen with mixed curiosity and envy, determined to learn the identity of the lucky person the Prince talked to, and later to find out what had been said.

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