John Barth - Lost in the Funhouse

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Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

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Magda’s teeth. She was left-handed. Perspiration. They’ve gone all the way, through, Magda and Peter, they’ve been waiting for hours with Mother and Uncle Karl while Father searches for his lost son; they draw french-fried potatoes from a paper cup and shake their heads. They’ve named the children they’ll one day have and bring to Ocean City on holidays. Can spermatozoa properly be thought of as male animalcules when there are no female spermatozoa? They grope through hot, dark windings, past Love’s Tunnel’s fearsome obstacles. Some perhaps lose their way.

Peter suggested then and there that they do the funhouse; he had been through it before, so had Magda, Ambrose hadn’t and suggested, his voice cracking on account of Fat May’s laughter, that they swim first. All were chuckling, couldn’t help it; Ambrose’s father, Ambrose’s and Peter’s father came up grinning like a lunatic with two boxes of syrup-coated popcorn, one for Mother, one for Magda; the men were to help themselves. Ambrose walked on Magda’s right; being by nature left-handed, she carried the box in her left hand. Up front the situation was reversed.

“What are you limping for?” Magda inquired of Ambrose. He supposed in a husky tone that his foot had gone to sleep in the car. Her teeth flashed. “Pins and needles?” It was the honeysuckle on the lattice of the former privy that drew the bees. Imagine being stung there. How long is this going to take?

The adults decided to forgo the pool; but Uncle Karl insisted they change into swimsuits and do the beach. “He wants to watch the pretty girls,” Peter teased, and ducked behind Magda from Uncle Karl’s pretended wrath. “You’ve got all the pretty girls you need right here,” Magda declared, and Mother said: “Now that’s the gospel truth.” Magda scolded Peter, who reached over her shoulder to sneak some popcorn. “Your brother and father aren’t getting any.” Uncle Karl wondered if they were going to have fireworks that night, what with the shortages. It wasn’t the shortages, Mr. M_____ replied; Ocean City had fireworks from pre-war. But it was too risky on account of the enemy submarines, some people thought.

“Don’t seem like Fourth of July without fireworks,” said Uncle Karl. The inverted tag in dialogue writing is still considered permissible with proper names or epithets, but sounds old-fashioned with personal pronouns. “We’ll have ‘em again soon enough,” predicted the boys’ father. Their mother declared she could do without fireworks: they reminded her too much of the real thing. Their father said all the more reason to shoot off a few now and again. Uncle Karl asked rhetorically who needed reminding, just look at people’s hair and skin.

“The oil, yes,” said Mrs. M_____.

Ambrose had a pain in his stomach and so didn’t swim but enjoyed watching the others. He and his father burned red easily. Magda’s figure was exceedingly well developed for her age. She too declined to swim, and got mad, and became angry when Peter attempted to drag her into the pool. She always swam, he insisted; what did she mean not swim? Why did a person come to Ocean City?

“Maybe I want to lay here with Ambrose,” Magda teased.

Nobody likes a pedant.

“Aha,” said Mother. Peter grabbed Magda by one ankle and ordered Ambrose to grab the other. She squealed and rolled over on the beach blanket. Ambrose pretended to help hold her back. Her tan was darker than even Mother’s and Peter’s. “Help out, Uncle Karl!” Peter cried. Uncle Karl went to seize the other ankle. Inside the top of her swimsuit, however, you could see the line where the sunburn ended and, when she hunched her shoulders and squealed again, one nipple’s auburn edge. Mother made them behave themselves. “ You should certainly know,” she said to Uncle Karl. Archly. “That when a lady says she doesn’t feel like swimming, a gentleman doesn’t ask questions.” Uncle Karl said excuse him; Mother winked at Magda; Ambrose blushed; stupid Peter kept saying “Phooey on feel like! ” and tugging at Magda’s ankle; then even he got the point, and cannonballed with a holler into the pool.

“I swear,” Magda said, in mock in feigned exasperation.

The diving would make a suitable literary symbol. To go off the high board you had to wait in a line along the poolside and up the ladder. Fellows tickled girls and goosed one another and shouted to the ones at the top to hurry up, or razzed them for bellyfloppers. Once on the springboard some took a great while posing or clowning or deciding on a dive or getting up their nerve; others ran right off. Especially among the younger fellows the idea was to strike the funniest pose or do the craziest stunt as you fell, a thing that got harder to do as you kept on and kept on. But whether you hollered Geronimo! or Sieg heil! , held your nose or “rode a bicycle,” pretended to be shot or did a perfect jacknife or changed your mind halfway down and ended up with nothing, it was over in two seconds, after all that wait. Spring, pose, splash. Spring, neat-o, splash. Spring, aw fooey, splash.

The grown-ups had gone on; Ambrose wanted to converse with Magda; she was remarkably well developed for her age; it was said that that came from rubbing with a turkish towel, and there were other theories. Ambrose could think of nothing to say except how good a diver Peter was, who was showing off for her benefit. You could pretty well tell by looking at their bathing suits and arm muscles how far along the different fellows were. Ambrose was glad he hadn’t gone in swimming, the cold water shrank you up so. Magda pretended to be uninterested in the diving; she probably weighed as much as he did. If you knew your way around in the funhouse like your own bedroom, you could wait until a girl came along and then slip away without ever getting caught, even if her boyfriend was right with her. She’d think he did it! It would be better to be the boyfriend, and act outraged, and tear the funhouse apart.

Not act; be.

“He’s a master diver,” Ambrose said. In feigned admiration. “You really have to slave away at it to get that good.” What would it matter anyhow if he asked her right out whether she remembered, even teased her with it as Peter would have?

There’s no point in going farther; this isn’t getting anybody anywhere; they haven’t even come to the funhouse yet. Ambrose is off the track, in some new or old part of the place that’s not supposed to be used; he strayed into it by some one-in-a-million chance, like the time the roller-coaster car left the tracks in the nineteen-teens against all the laws of physics and sailed over the boardwalk in the dark. And they can’t locate him because they don’t know where to look. Even the designer and operator have forgotten this other part, that winds around on itself like a whelk shell. That winds around the right part like the snakes on Mercury’s caduceus. Some people, perhaps, don’t “hit their stride” until their twenties, when the growing-up business is over and women appreciate other things besides wisecracks and teasing and strutting. Peter didn’t have one-tenth the imagination he had, not one-tenth. Peter did this naming-their-children thing as a joke, making up names like Aloysius and Murgatroyd, but Ambrose knew exactly how it would feel to be married and have children of your own, and be a loving husband and father, and go comfortably to work in the mornings and to bed with your wife at night, and wake up with her there. With a breeze coming through the sash and birds and mockingbirds singing in the Chinese-cigar trees. His eyes watered, there aren’t enough ways to say that. He would be quite famous in his line of work. Whether Magda was his wife or not, one evening when he was wise-lined and gray at the temples he’d smile gravely, at a fashionable dinner party, and remind her of his youthful passion. The time they went with his family to Ocean City; the erotic fantasies he used to have about her. How long ago it seemed, and childish! Yet tender, too, n’est-ce pas? Would she have imagined that the world-famous whatever remembered how many strings were on the lyre on the bench beside the girl on the label of the cigar box he’d stared at in the toolshed at age ten while she, age eleven. Even then he had felt wise beyond his years; he’d stroked her hair and said in his deepest voice and correctest English, as to a dear child: “I shall never forget this moment.”

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