H. Adler - The Journey

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The Journey: краткое содержание, описание и аннотация

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A major literary event: the first-ever English translation of a lost masterpiece of Holocaust literature by acclaimed author and survivor H. G. Adler.
The story behind the story of
is remarkable in itself: Award-winning translator Peter Filkins discovered an obscure German novel in a Harvard Square bookstore and, reading it, realized that it was a treasure unavailable to English speakers. It was the most powerful book by the late H. G. Adler, a survivor of Theresienstadt and Auschwitz, a writer whose work had been praised by authors from Elias Canetti to Heinrich Böll and yet remained unknown to international audiences.
Written in 1950 after Adler’s emigration to England,
was not released in Germany until 1962. After the war, larger publishing houses stayed away from novels about the Holocaust, feeling that the tragedy could not be fictionalized and that any metaphorical interpretation was obscene. Only a small publisher was in those days willing to take on
.
Yet Filkins found that Adler had depicted the event in a unique, truly modern, and deeply moving way. Avoiding specific mention of country or camps — even of Nazis and Jews—
is a lyrical nightmare of a family’s ordeal and one member’s survival. Led by the doctor patriarch Leopold, the Lustig family finds itself “forbidden” to live, uprooted into a surreal and incomprehensible circumstance of deprivation and death. This cataclysm destroys father, daughter, sister, and wife and leaves only Paul, the son, to live again among those who saved or sacrificed him.
reveals a world beset by an “epidemic of mental illness. . As a result of the epidemic, everyone was crazy, and once they finally recognized what was happening it was too late.”
Linked by its innovative style to the work of James Joyce and Virginia Woolf,
is as much a revelation as other recent discoveries on the subject as the works of W. G. Sebald and Irène Némirovsky’s
. It is a book proving that art can portray the unimaginable and expand people’s perceptions of it, a work anyone interested in recent history and modern literature must read.

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“Herr Captain, are you not done yet? Or do you finally have some time for me?”

“Sure, just a minute. As you can see, I’m busy. It’s important.”

“What? Busy with your medals?”

“So you also have some medals? Great.”

“No medals! I need to talk to you!”

“Can’t you wait a bit? You can see that I’m busy. I can’t take on every single case.”

“You’re not taking on any case while playing with medals! I see what you’re up to!”

“What’s it to you?”

“Nothing. It’s about many others, me even, and perhaps even you.”

“Okay, if it’s that important to you, talk!”

“I won’t say anything in front of this man.”

“Who? Who are you talking about?”

“This one here! You know who I mean! The one with the medals!”

Captain Dudley grows angry and jumps up. The cigarette falls out of the corner of his mouth. He is at least ten years younger than Paul, whose look he doesn’t like. He’s cold to him. The captain waves at the hunchback, who gathers up his little box and offers a submissive good-bye. At last he is gone.

“What do you want? Make it quick!”

“I wanted to see the commandant, yet someone steered me toward you. I’ve come from the forest camp, which needs help.”

“Where is this forest camp?”

“It’s hidden. Eight kilometers away on the main road and then twenty minutes through the valley, then a path leads through the woods.”

“That’s too far. We’re only responsible for Unkenburg. Who sent you here?”

“I came on my own. But they really need help. There are more than a thousand sick people. Something has to be done!”

“We already know about the camp. You don’t have to worry. I’ll make a note of it. Everything will be taken care of. They’ll pick up the sick.”

“Herr Captain …”

“Yes, what now?”

“What is going to happen? I’m standing before you …”

“Go to the Office for Former Prisoners! Take your problems there! Not everyone can come to me. I have much too much to do. Did you hear me? Get out!”

“Can you verify the present? Can you verify that I exist?”

“What? Say it again, but in English!”

“Excuse me, I made a mistake! I was looking for a human being. I knocked on the wrong door.”

Both Americans smile and say something to each other in English, but Paul closes the door and listens no longer. He’s ashamed of having complained about something that he should have taken care of himself. What was he asking for there? Why didn’t he get out of there ages ago? Captain Dudley is not the kind of man that you go to and simply talk to, especially when you have no orders to do so. Paul has not found the right means and has only managed to arrange a visit that is senseless and pointless. It’s not that easy to go back to how things were. One must begin more slowly, from the bottom up. One shouldn’t go to important men first. Paul should have known better. Aren’t there unfamiliar faces pressing against the door of the Office for Former Prisoners? Have they not already said what is necessary to do themselves? Everyone needs something, yet nobody exists for real. Paul has no duty here, he can and should think of himself. He is liberated, things will go on as they will.

Paul sits down on a bench in the hall and looks at the many people passing by him. They are all strangers: people from Unkenburg, people from this country, people from far-off countries; nothing but strangers caught up in incomprehensible affairs. No matter how much Paul tries to find an entry into this world, nothing works. Is he too wounded? Have the others not lost as much, such that they know right off what they need to do? Even if they have their own worries, they appear to be satisfied; they indeed have their worries and can think about them, namely what to do and what to leave for later. Everything to them is self-evident. Certainly none of them goes to the commandant without a clear reason. Silly matters or ancient history are not what they’d present, when instead there are more important concerns. Is it so difficult to find the right approach? For Paul it’s difficult. Maybe it was good that he stopped off at that strange apartment earlier, but even there he should have recognized that each is caught within his own circle and that you can’t expect secrets to be easily shared with the secrets of others, or even demand that they be. Whoever follows only his own inner needs is selfish, but he at least won’t be easily derailed. Paul has been derailed and can’t find a track, be it good or bad. Any road that he chooses today leads into emptiness. He suffers states of awareness without any ties to reality. Is there any way to begin anew? Right now all he wants to do is wait. He had rushed himself and yet had only ended up chasing something mad, his steps unconscious, weak and powerless, heading in an unknown direction. Others hitch a ride with the victors on their vehicles and travel along without worry. They were simply asked where they wanted to go; then many simply expressed their wishes as if they were orders. Such travelers could get an appointment with the commandant, but not Paul.

Paul doesn’t know what he should do. He can’t stay at police headquarters. He doesn’t want any help from the Office for Former Prisoners. After four years of not living in an apartment, he doesn’t want to be crammed into crowded group quarters, not even for one night, no not at all. Should he impose upon Frau Wildenschwert or knock on the door of a different building and ask to be taken in where no doubt refugees will already be sweating and freezing in each of the rooms? Walk on ahead for so many streets, then left, then again right, then around one corner more and down into a cellar where the bombed-out names squat? Paul has had enough and wants just to be on his own.

For a while Paul doesn’t perceive that a stranger is standing before him. It’s a man from Unkenburg. Only someone who is from this city can give such a look. Half asleep, Paul takes his advice. On top of Kanonenberg on the other side of the city there’s an empty barracks. Paul listens in amazement, could it be the Scharnhorst barracks? They have hardly been damaged, despite the destruction of Unkenburg. If Paul would like to go there the stranger is willing to take him. Paul accepts his offer and thanks him, the man from Unkenburg helps him up. Paul walks on almost blind, without thinking, shutting down his overexcited gaze and half closing his eyes. He hardly listens to what the other man says to him, and walks and walks, the stage swimming before him, then the cathedral, the general in the park, as once more they pass through the burned-out center of the city and its rubble. Paul doesn’t pay attention to anything and doesn’t know where he is, though he feels that he must be getting close to the place where he first entered the city that morning. The stranger leads him to the open gates of the barracks. It consists of many individual buildings with little lawns in front of them and bordering on a large courtyard on whose edges stand freshly blooming linden trees. The stranger tells him that the barracks are now empty, any of the doors can be opened. The man from Unkenburg says something else, but Paul just nods his head and understands none of it, he is too tired, he says a sleepy thank-you, the stranger is gone already.

Paul hesitates for a while. He has no pass, he shouldn’t be here. The guards might suddenly show up. What is he doing here? It’s so quiet, the late afternoon is clear and silent. Paul could be arrested for making himself comfortable in a strange building where he has no right to stay. Yet the weariness that sets in with twilight dampens such anxious thoughts. The gate has already been snuck through silently and surreptitiously; soldiers don’t bother the intruder who walks across the smooth, spread-out sand. The yard is wide and yet unviolated by a single step, a gathering field of undisturbed peace. Only one building has been hit and its roof collapsed, the others have survived all the horror. Now Paul hesitates no longer as he moves unconsciously; a door stands open, Paul doesn’t take long to decide. Already he has stepped inside, trusting his feet more than his eyes as he clomps heavily up the steps and enters a long hallway. All the rooms are open. It looks quite welcoming. The soldiers have left behind what there is. Beds, tables, stools, cupboards, stoves stand there quietly. Paul selects what for him is a dream of a room, one that must have belonged to an officer. A bed lies here with clean sheets. Paul needs nothing more, and so he turns the key from the inside, takes off his shoes, the dark green coat, the pants, everything, as he tries to find a window, hears something fall, then it’s dark. Paul shuffles back, bumps into something, keels over, and is already lying in the commandant’s bed fast asleep.

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