Charles D'Ambrosio - The Dead Fish Museum

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The Dead Fish Museum: краткое содержание, описание и аннотация

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“In the fall, I went for walks and brought home bones. The best bones weren’t on trails — deer and moose don’t die conveniently — and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories. .” So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in
. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.
A must read for everyone who cares about literary writing,
belongs on the same shelf with the best American short fiction.

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“Meagan always hides the booze under the sink,” he said. “She must have seen it in a movie.”

“She was only trying to do right by you,” I said.

“It’s Jimmy she’s worried about,” he corrected me. “Apparently I’m a little harsh on the boy after I’ve tipped a few.”

He shrugged and took a drink and licked his lips. The rain-beaded window cast shadowy streaks on his sober gray face.

“Join me?” he said.

I questioned whether or not I should be party to this, and then I said yes, not all that sure what string I was yanking, and what would unravel, if I accepted a nightcap. It struck me that it was my house, my kitchen, and I could drink Drano in it if I so chose. We sat across from each other at the kitchen table.

“You like it here,” he said.

“Love it.”

“Driving up from the airport this afternoon, I was surprised how far it is from everything. Meagan led me to believe it was closer to Seattle. You’re pretty isolated.”

Often when I talk to Meagan I have the feeling I’m answering to Mr. Boyd, and then, as I spoke to her father, I felt that I was responding to my wife. This elusive layering made me tongue-tied.

“It’s only two and a half hours to Seattle,” I said.

“And two and a half hours back,” Mr. Boyd said. “So five hours, in good weather, with no traffic. Have you made the trip since you moved here?”

“We’ve been busy.”

“Who goes to the theater around here?” Mr. Boyd said. “Farmers? Lumberjacks?”

“There’s the school.”

“Don’t kid me,” he said. “That school is nothing, and you know it.”

I said, “This is a bit of a compromise, I guess.”

“Ambition that’s compromised,” he said, “isn’t ambition.”

I knew that Joe Boyd had played two seasons of minor league ball, and that on a road trip to Appleton, Wisconsin, he’d met Meagan’s mom, but I suspected that the sense of sacrifice and halfness came later, only after his marriage began to deteriorate. One of the bigger gyps in Joe Boyd’s life was that the lovely farmgirl he’d married turned out to be a manic-depressive.

Mr. Boyd wet the tip of his finger and ran it slowly around the rim of his glass until he coaxed a high, clear note out of it. The sound was like the song of a whale, and with the water washing against the windows it was easy to imagine the beseeching cry of the leviathan, mysteriously astray in the fields.

“We had to get out of New York,” I said. “New York was depressing.”

Toward the end of our time in New York, Meagan would come home from a round of auditions and collapse in a fit of crying. After a while she’d just stop herself. She’d wipe her eyes and say, “Everything’s always going to be like this.” And I’d tell her no, things were going to change, although, honestly, I never understood these attacks of despair — I never really got their profundity — and felt nothing but a rising panic whenever they came up. Myself, I drifted widely and affably from job to job until insurance took me in; it was Meagan who had the passion and depth of a single ambition. My ideal life is a quiet one. I like to read, to sit still in the same chair, with the lampshade at a certain angle, alone, or with Meagan nearby, and now and then, if I’m lucky, I’ll come across a lovely phrase or fine sentiment, look up from my book, and feel the harmony of some notion, the justice of it, and know that everything is there. That’s life to me, those privately discovered moments. I wouldn’t settle for less, yet I don’t expect a whole lot more, either.

But Meagan does, and because of that, those moments of harmony are elusive, if they come at all. She’s always nervous, a little frantic, looking back at what she’s done, wondering what lies ahead, what comes next. That night, after I shared a drink with Mr. Boyd and returned to bed, she said what she had always said when New York was coming to an end for us.

“I love you,” she said. “At least there’s that.”

The floorboards above us sagged as someone — Jimmy or Naga — paced the room, trying to put the baby down. Meagan turned, staring at the ceiling.

“I don’t know how people do it,” she said.

I ran my finger back and forth behind Meagan’s ear. The vein in her neck throbbed.

“You get used to it after a while,” I said. “You don’t hear.”

“Jimmy’s never going to get what he wants.”

“What does he want?”

“I guess that’s the problem,” Meagan said. “What does that boy want? He told me he has a new great idea for a business. He says it’s all lined up.” Meagan was quiet, and then she laughed. “Every loser in the world at some point decides the future is in janitorial services. Have you ever noticed that?”

I told her that I hadn’t, but that it made sense to me.

“You know why it makes sense?” Meagan said. “It makes sense because all you need to get started is a sponge. His idea is he’ll keep his job at the convenience store but then clean shitters all the way home. That’ll be his route.” Meagan looked at me. “Dad’s in top form. Why couldn’t he say he liked the house?”

“It was a little awkward,” I said. “It’s been awhile. As soon as he relaxes he’ll feel more at home and everything will be fine.”

“Boy, you’re naive.”

Once I overheard Meagan tell a girlfriend that the reason she loves me is because I’m simple. I think she meant it in a good way — I’m solid and reliable, I can be predicted — but it was wounding nonetheless. I spent several days weighing the comment, and in the end I didn’t say anything to her.

“Dad kept asking if ‘Naga’ was short for ‘Nagasaki.’ ”

“So?”

“Something’s not right with that baby.”

Upstairs I could hear Mr. Boyd coughing, the baby crying. Something about all these people in our house excited me, and I wanted to make love, perhaps to regain possession of my wife, but Meagan said, “Will you pet me?”

I petted her forehead, soothing her toward sleep, while she talked in a dreamy, disjointed way.

“The last time we saw Mom, all of us together, was just before Jimmy went into the Marines. He was seventeen — Dad signed him in, gladly. She was back in the hospital; she couldn’t manage the group home we had her in. We sat in the game room. People were playing Ping-Pong — I remember one guy had a rubber paddle, the other guy had a hard sandpaper paddle. Mom was shaking in her chair, staring away. She didn’t, or wouldn’t, recognize us — I don’t know if she was pretending or what. There was always that blurry line with her. Finally she stood up and said, ‘You’re not mine, and neither is that dirty little boy!’ She blew us kisses as we left, like some movie star.”

I’ve never known what to say to Meagan about her mother. My own father passed away before I was two, and I have no evocative memory of the man, so that my sense of him has always been a little like that of a child who believes that a brightly colored ball, when hidden from sight, never existed. I’ve never longed for him in the abstract or made a crazed, mistaken search after his substitutes. In an old Te-Amo cigar box tucked in the bottom drawer of my dresser I keep some pictures and other mementos — his Phi Beta Kappa key, a pocket watch, a few random mateless cuff links — that aren’t significantly more curious to me than the stuff that haunts the thrift stores in town.

In my business, I deal in collisions, mostly, and people make claims, redressing the world’s suddenly revealed bias — for the scene of an accident is always a cruel, unusual, lonely, but somehow plotted injustice. I suppose that’s what insurance is all about, hedging bets. You expect a normal life, but wager against it. When some guy’s just been T-boned at an intersection, he thinks his whole life’s been one long, inexorable drive toward that terrible moment. But it’s hard for me to find the workings of fate in most auto accidents. They happen, stupidly. Not to be overly philosophical about a job that is, after all, notoriously dull, even to those of us who work in the field every day, but history doesn’t offer the average person the consolation of being interesting.

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