Charles D'Ambrosio - The Dead Fish Museum

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The Dead Fish Museum: краткое содержание, описание и аннотация

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“In the fall, I went for walks and brought home bones. The best bones weren’t on trails — deer and moose don’t die conveniently — and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories. .” So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in
. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.
A must read for everyone who cares about literary writing,
belongs on the same shelf with the best American short fiction.

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“Ben Franklin wanted the turkey for the national symbol,” Lindy said.

“Smart birds, no doubt about that,” Steve said. “Wily.”

Mr. Jansen brought out the thermos of coffee.

“How about a toast?” he said.

My own silence was making me increasingly self-conscious, and I felt an old inadequacy, not joining in on the banter.

“Whose property is this?” I asked.

“Some union big shot in Detroit,” Mr. Jansen said. “Tennessee’s the caretaker.”

“You wouldn’t think a couple of Democrats would go in for poaching,” Steve said. “But I guess turkey hunts make for strange bedfellows. Like politics.”

I couldn’t follow the drift of his political beliefs, the precise arrangement of bigotries that he used to sort the world, but I raised my cup with everyone else.

Lindy said, “To a big fat tom.”

The coffee and the Scotch parted ways immediately, one warming my stomach, the other rising in a vapor to my head.

“Daly,” Mr. Jansen said, “why don’t you set the decoy?”

“Sure,” I said, glad for something to do, a small role.

Outside the blind, the snow spun like shifting sand. I planted the decoy off to the left of the corn, driving the steel legs into the frozen ground. I squinted across the white moving expanse, and my eyes ached. Everything was either black or white, flat or upright, reduced to the stark lines of winter. I couldn’t believe this plastic turkey had a prayer, it looked so obviously counterfeit. I looked back to the blind, wondering if my snowsuit disguised me at this distance. Steve Rababy’s head was squarely framed in the window. His face was round and ruddy, blown up in some beefy sated English way. In the asperity of early winter, he seemed grossly overfed.

“Who wants to call?” Lindy asked as I was crawling back in.

“More important,” Steve said, “who gets first crack at him?”

“I thought we’d let Daly have the honor,” Mr. Jansen said.

“I think we should draw lots,” Steve said. “That’s tradition.”

Before I could say “Leave me out of it,” Mr. Jansen said, “Okay, choose a number between one and ten.”

“Five,” Lindy said.

“Three,” Steve said.

I chose nine, and Mr. Jansen said, “Nine it is.”

“Fuck you it’s nine,” Steve said.

Mr. Jansen laughed heartily while Steve removed his mittens and worked the call, rubbing the wooden slat over the box. A dry squawking was carried downwind from the blind. He waited a short while and then, leaning one ear to the instrument, like a violinist, gave the call another grating, followed by a couple of percussive clucks. The call was faint, unequal to the wind, the gusting snow. It sounded lost and weak, too plaintive, and it was hard to imagine the sort of hunger that would mishear these false notes.

“With steel shot,” Lindy said, “you’ve really got to call them in. Killing range isn’t the same as lead.”

“Use my gun,” Steve said. He blew on his freckled red hands. “I’ve got some old lead shot in there. I packed a couple of those babies last night.”

“I don’t know about a ten-gauge,” Lindy said. “You get some extra distance, but you pay for it in recoil.”

“I don’t like to be undergunned,” Steve said.

Lindy said, “Choke matters more.”

“That’s full,” Steve said. “Pretty tight. The pattern density’s fine at forty yards. I just tested it.”

“What Steve’s doing,” Mr. Jansen explained, “he’s trying to imitate a hen and draw a gobbler out of the trees. He’ll keep calling until he gets an answer.”

Steve said, “Right now I’m telling him there’s a chance for poon out here, so he’d better get his ass out of the woods while the gettin’s good.” He looked away from his post to see if I was listening. “After we spot him — way out there on the edge of the field — I’ll space out the calls. That’s my style. I like to let the silence draw the bird in. Turkeys are skittish — they’ve got amazing hearing and eyesight — but they’re curious, too, and that’s their doom.”

“Killing range is anywhere inside forty yards,” Mr. Jansen continued, “but let’s try to hold off until Steve gets him to more like twenty.”

“You’ll probably feel a little hot,” Steve explained, “and your face’ll flush. That’s turkey fever. But just recognize it and relax and breathe deep and blow out and squeeze. You don’t want to do what most guys do, you don’t want to flock shoot. Aim — aim for the neck and head, not the turkey.”

Mr. Jansen lit a cigarette. He said, “You want to kill it without pumping the meat full of lead.”

Steve coaxed a steady confab of calls out of the box, playing the wooden tongue back and forth. To my ears, the sound remained ugly and discordant, certainly not musical and harmonious in the way of the passerine birds, like finches or warblers, with their contralto trilling in spring. Mr. Jansen seemed content to be out early, away from the women, with a drink in his hand and plenty more in the flask. Lindy was crouched in the corner, sunk into himself. He’d shown no real animation since we’d arrived.

“It wouldn’t do to eat the national symbol,” I said, trying to pick up the conversation where Lindy had left off. I felt instantly that I’d made an awkward, pointless comment. “Taboo,” I added, trying to cover myself.

“Daly here is an RC,” Mr. Jansen said.

“You eat your Saviour every Sunday,” Steve said. “Isn’t that what those crackers are?”

“Beth Ann was Catholic,” Lindy said. He ran his finger in the dirt floor, drawing a cross. He pinched some of the dirt and threw it at the walls of the blind. “She wanted a Catholic funeral, and that’s what she got.”

Steve Rababy and Mr. Jansen averted their eyes, staring vacantly at different walls, as if trying to keep the separate lines of vision from tangling. Lindy looked at each of us, a soft well of tears pooling in his eyes. He rubbed a thick mitten across his face.

“I never converted,” he said, in a very small voice. “At the funeral, it was like a foreign language. They were saying goodbye to my wife, using words I didn’t understand.”

“Get over it,” Steve said. He had stopped working the call, but now he leaned out the window, scraping the wooden tongue over the box.

“That’s a little cold,” I said.

“Well,” Steve said, “we’ve heard all this. We heard it yesterday and the day before and the day before that. We drove up goddam I-75 singing this song.” He aimed a hard stare at Lindy. “It was almost a year ago. It’s just sentimental bullshit at this point. It’s fucking weak.”

“Take it easy, Steve,” Mr. Jansen said. He helped himself to another cup of hot coffee, cooling it with a measure of Scotch. “Everybody has their own time, Lindy most of all.”

“She knew everything about me,” Lindy continued, as if he hadn’t heard Steve. “Everything.” Tears streaked shamelessly down a face that crying contorted and turned ugly, a squalling baby’s face that was not sympathetic in a grown man. “Now no one does.”

“No one ever does,” Steve said. “You know, here’s your goddam marriage. All right? Okay? Let me recap. For thirty-five fucking years I listened to you bitch and moan about Beth Ann. All right? Every afternoon at the bar, starting the day after you came back from your honeymoon. Five o’clock and I could fucking count on it. How she didn’t give it up enough, how she wouldn’t swallow, how she didn’t look young anymore, blah blah blah”—with each “blah,” he swiped a strident cluck from the call—“on and on and on. And now she’s dead and it’s like, mamma mia, she’s some kind of fucking saint.”

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