Charles D'Ambrosio - The Dead Fish Museum

“You need to wear a fluorescent hat out there,” Sandy said, “so you don’t get shot trying to relieve yourself.”

The cabin was open and cozy, a single large room with a high ceiling, and although I’d never been there before, it struck me as familiar. It was rustic and unpretentious, with that haphazardly curatorial décor that accumulates in old family haunts. At one end was a large fireplace constructed of smooth stones hauled up from the lakeshore, and at the other end were the log bunks where we’d all sleep. Everything that had ever happened here was, in a way, still happening: the smell of wet woollens steaming by the stove, of dry leather gathering dust, of iodine and burned logs and Coppertone — all of it lingered in the air. Two persistent grayling, long extinct in Michigan, surfaced in the wash of light above the back windows, and even the mounted deer and elk heads flanking the fireplace suggested souvenirs from some gone, legendary time. It was exactly the kind of abiding paradise people create for their kids just so that, long after the last summer, the past will live on.

“Caroline, you’re quiet,” Lucy said to her daughter, my wife, who sat with her legs crossed at the head of the table. The minute we arrived, Caroline had gone directly to an old gouged dresser and, from the bottom drawer, pulled out a man’s bulky sweater, which she wore now — it was green and moth-eaten and voluminous, belonging to her father, whose girth was still a ghostly, orotund presence in the stiff wool. As soon as she sank into the sweater, it was as if she were officially home, and no longer had to explain herself. She took a bite of her sandwich, and her silver earrings shivered against her neck, catching the light. They were a gift, I imagined, from SJ, the man whose initials now coded her journal and date book. She bunched a sleeve of the sweater above her elbow and said, “Tell me the news.”

“You know Lindstrom’s wife passed away?” Lucy said.

Caroline said, “Poor Lindy.”

“He’s very depressed, especially coming up here,” Sandy said. “This is the first Thanksgiving without her.”

I’d met Lindy and his wife, Beth Ann, on several occasions when the whole group had come to New York for a weekend of theater. They, like Sandy and Steve Rababy, were lifelong friends of the Jansens. They’d all met in college, when the men were brothers at the Phi Delt fraternity in Ann Arbor, and now, years later, the group remained intact and inseparable except for this death.

“Hey, Daly, what about these lips?” Sandy said, sliding the torn page of a magazine toward me. She’d had cheek implants and was currently in the market for new lips. I was meant to offer a proxy opinion for all men. The woman in the magazine was pouting sadly or seductively, it was hard to tell, and she was looking confused or far off into the distance, also hard to tell.

“Those are Caroline’s lips,” I said. Sandy held the page to her nose, and then looked at Caroline, who modeled a little moue.

“You’re right, they are,” Sandy said. “I want your lips.”

“They’re spoken for,” my wife said, touching my knee under the table, quaintly.

Caroline heard the men come up the tote road around nine o’clock. I went outside and watched as her father horsed the truck over a hillock of snow, rocking it back and forth and stubbornly and finally into the yard.

“Where’s my little girl?” Robert Jansen said as soon as he saw me. His voice boomed, a deep bass that echoed away, bounding into the woods. He looked past me toward the lighted door of the cabin, where Caroline stood, her long blue shadow thrown on the snow.

“Hi, Daddy,” she said.

“How’d it go?” Sandy shouted from the kitchen.

It was obvious as the men stood warming their hands at the fire that part of what had been top secret about their day involved a bar. Their cheeks flushed red and their eyes sparked wetly and none of them was able to stand perfectly still — they looked like a trio of overweight crooners, swaying boozily in the soft light for a last song.

Lucy rattled a plastic jar of aspirin and set it out on the table with a pitcher of ice water.

“So?” she said.

Lindy lifted a log into the fire, raking the bed of coals with an iron, and wiped his hands.

“No luck,” Steve said.

“But you found the bar all right,” Lucy said.

“Huh — yeah,” Sandy said. “The bar wasn’t running through the woods.”

“Tomorrow,” Mr. Jansen offered. He was a large man, so large he always struck me as unfinished, the rough framing of a man who would never fully occupy the space he’d annexed. He had a flat owlish face and arched gray eyebrows and a pounding, theatrical voice. It was he, more than anyone else, who had encouraged my wife in her acting career. “And Daly’ll come along.”

I knew better than to object, although I’d fired a gun only twice in my life, and both times I’d missed the can. There was no romance for me in weapons, and I found it effortful to be around men who liked to shoot. I always had, beginning with my father, who was an avid gun collector and fancied himself a marksman. In an act of adolescent defiance, I’d become an equally avid birder, a member of the local Audubon, and a preachy vegetarian, turning the table into a pulpit while my father, ignoring me, packed it away, head bent over his plate. Now I stared at the men, looking them in the eye, one by one — I had rehearsed this moment for weeks — but learned nothing when, to my surprise, each of them averted his eyes.

“How about fixing the damn toilet instead?” Sandy said.

“What’s wrong with the outhouse?” her husband countered.

“The forest is full of drunks with guns,” Sandy said. “Girls don’t like that.”

When I thought I was the only one awake, I reached for Caroline’s thigh, sliding my hand inside her nightgown. In the cold cabin, she was like the discovery of buried warmth, of hibernating life. I heard the fire pop and hiss, the crumbling sound as the pile of logs collapsed and settled. Stirred by the noise, Lindy rose and stoked the fire, adding a few logs and some split-cedar shakes. Steve snored loudly, and Sandy whispered something to him, and I heard them both grunt and turn over in bed. With the fire rekindled, a cobweb fluttered in the waves of rising heat, and the thin gray filament threw a shadow that wound and unwound, snaking along the far wall. I moved my hand up Caroline’s thigh until I felt the rough edge of pubic hair curling out from beneath the elastic band of her G-string. I slipped a finger under the band, and then I reached for myself. Caroline rose up, startled, and said, “What, what,” but I don’t think she ever fully woke. She stared around herself, still safely in her dream, and then she lay back down, balling up beneath the comforter with her back to me.

My wife was raped the summer she turned eighteen. She told me this after we’d been together for a year, on a night when I’d once again caught her crying for no apparent reason. I felt instantly that I’d known all along. An entire history and sensibility suddenly pulled into focus, and there was Caroline, my wife, the blur of herself resolved into something sharp and clear. Our whole time together, I sensed that I had been tracing the contours of that moment, describing and defining its shape. This was, I thought, the elusive thing I’d been trying to put my hands on.

For months afterward, I found myself drifting away from conversations as I rehearsed the scenario in my mind. What I imagined was horrible for me — the rain and the bushes, a black man, a knife. I saw things. I saw the underpants she’d have to pull on again when he was done, I saw her walk home in a world suddenly gone strange, I saw the mud she’d have to wash off the backs of her thighs and the way the stream of gray would circle the drain, I saw pebbles embedded in her knees, I saw her days later, alone and crying, dropping the knife the first time she cut into a tomato, I saw the halved red fruit on the white cutting board the next morning, the spilled seeds now dried to the plastic. I saw these things, I imagined them. Our life together took on a second intention, and a sock on the floor would stop me cold. My eyes would lose focus and I’d daydream, trying to capture the moment and make it less strange, trying to inhabit the past, intervening. I wanted to be there, and, failing, I developed instead a tendency to ascribe every dip and depression to the rape, organizing our shared life around it, carrying it forward into our future like a germ.