Atticus Lish - Preparation for the Next Life

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Zou Lei, orphan of the desert, migrates to work in America and finds herself slaving in New York's kitchens. She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man's nightmares, which may be more prophecy than madness.
Praise for
So much of American fiction has become playful, cynical and evasive. "Preparation for the Next Life" is the strong antidote to such inconsequentialities. Powerfully realistic, with a solemn, muscular lyricism, this is a very, very good book. — Joy Williams
The “next life” of Atticus Lish’s novel is the one you have to die to know. It’s also the next civilian life of a soldier ravaged by three tours in Iraq, and the dodgy life of an immigrant in the city’s sleepless boroughs. The work is violent, swift, and gloriously descriptive. It is love story and lament, a haunting record of unraveling lives. Lish says starkly and with enormous power: the spirit prevails until it doesn’t. A stunning debut.
— Noy Holland, author of An illegal Chinese immigrant meets a broken American warrior, and the great love story of the 21st century begins. The intersection of their paths seems inevitable, irrevocable. Their story: tender, violent, terrible, and beautiful. Atticus Lish's prose, lyrical and taut, sentences as exact and indisputable as chemical formulas, is trance-like, evangelical in its ability to convert and convince its reader.
is that rare novel that grabs you by the shirt and slaps you hard in the face. Look, it says. It isn't pretty. Turn away at your own risk. In case you haven't noticed, the American Dream has become a nightmare. Atticus Lish has your wake up call. He has created a new prototype of the hero, and her journey provides us with a devastating perspective on the "promised land" of the post 9/11 U.S., where being detained is a rite of passage and the banality of violence is simply part of the pre-apocalyptic landscape.
— Christopher Kennedy, author of Atticus Lish has written the most relevant, and beautiful, novel of the year.
— Scott McClanahan, author of
and

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Good, she said. How much is the weight?

He’s got like 650 on the bar. See it bend. You don’t get like that on MREs.

How can he do it? He use drug?

He showed her the pages of supplements. Creatine, glucosamine, mass builder — that’s a protein bomb. When it goes off, you just get big.

She pretended to stick a needle in her vein and made a popping sound with her mouth.

This is the shit I’m talkin about. He tapped it with his cigarette. I gotta remember to get this.

You will look like him?

I probably won’t.

She took the magazine from Skinner and turned the pages until she came to Ms. Fitness Arizona, in turquoise spandex and white Reeboks, doing donkey calf-raises on a Cybex machine. There she was doing barbell squats, her dark eyes on the ceiling. She looked Mexican or Middle Eastern. And there she was on the beach in a bikini — hooking the spaghetti strap with her thumb — and just a touch of lip gloss, the waves around her thighs.

Zou Lei flexed her legs and looked at herself. Hey. They laughed. Not bad.

I like her.

You look like her.

She has very beautiful clothes.

картинка 7

One day when she wasn’t working, Zou Lei had Skinner meet her on Roosevelt Avenue. His grown-out hair rose up stiff and uncombed from his head, no longer military. It was a clear day after a rain and the trash was pulped on the street.

They hiked out of Chinatown until they were far enough away to see the red lacquered Chinese eaves and the fire escapes and then kept going. There was no plan, they just walked, walking down by the expressway and the autorepairs whose signs were in Chinese. The road took them by a cemetery, then a stretch of little houses with pitched roofs and falling-down siding.

The air was bright and cool and warm — a deceptive day, since they were still in winter. She thought she could smell the springtime in the street, in the air rising from the asphalt and from the soil in the broken bricks.

They fell into a rhythm, going for miles, and she lost herself, their hoofs beating the drum of the earth as they marched.

When they made it to the rise where Jewel Avenue crossed over the fields and they could see in all directions — the old condominium towers, the sheets of water, the rooftops and the distance — they stopped and looked at it all. They were at the center of a wheel. Skinner put his arms around her.

That’s a view, he said.

In it, she beheld what was possible. The city was uncontained. It covered a massive area and graded out into the world. There was no definite end at the horizon. There were more buildings, miles of them covering the earth on into the distance. She saw the areas of trees, the shade of wood, the intricate fuzziness of the branches from this distance in among the houses. The highways — massive, industrial, and lonely — were to her left. To her right, there seemed to be still another city and then, past it, the skyline of Manhattan, which she identified by the Empire State Building, which she could cover with the tip of her finger. And she had a view between tenement rooftops of one of the suspension bridges that connected Manhattan to the other boroughs. It was ten cities all together. She saw things from this elevation that were normally hidden from her. In the direction of the water to the north, she saw a green dome, which had to be a mosque. She saw the spire next to it among the confused rooftops, fire escapes, and water towers. It was blocked and revealed again by the centipede of a subway pulling by. There were splinters of metal embedded in the blue stratosphere to the south: planes coming head on. Passing over her and Skinner, they elongated and became commercial jets, tracking towards the airport on the water. She saw the complicated shape of the shoreline, the lack of contrast between the brown city and the water, as if it were all part of one thing, which it was, the geography of the earth, which you could move across as you lived.

She asked him where he had been on this disk of territory that they were overlooking. You go there? It’s a Bronx.

I came in there. I went like this, he said, pointing out the trajectory he had walked across the brown horizon. Down to right around there where all them buildings are at.

I goes like this: down, down, down to Chinatown. You cannot see. I start up there — she turned thirty degrees to the east — where is Connecticut, all the way. I been out, out, out to there, to Long Island, Riverhead…

She squinted in the sun. Look! She patted his arm and got him to look where she was pointing to the west. I work there, where it’s Nanuet.

What’d you do out there?

Restaurant. She held his camouflage. If you keep going to that way, west, west, west, you will be the ocean, then China. No one will understand you. Everyone will be confusing. Maybe it’s different for you. In the morning, get up early to get the water. Burn the fire. The people is a billion. It is more big than here. Ride the bus. The train. Truck. Camel. Sleep the ground. See the mountain.

12

SHE LOOKED AT HIM in his roughed-up boots and the American flag on his sleeve — and began looking for another job to increase her productivity on days when she wasn’t working at the noodle stand. This demanded that she ride the subway with the cops, but she felt that she could risk it.

Among the jobs she tried, she collected bottles and cans and redeemed them at the Beer Center, a recycler on Parsons Boulevard across from a factory that made fan belts and timing belts.

On two occasions, she distributed coupons for the Western Beef grocery store, tossing the rolled-up booklets onto porches of row houses above the Grand Central Parkway. The rolled-up booklets were fitted into plastic sleeves. She pulled armloads of them out of the back of a van and heaped them in a shopping cart and rattled up and down the block, the only one who ran.

The other guys were homeless drug addicts in True Religion jeans. The man who operated the crew wore a gold chain and had no voice. He was completely and permanently hoarse. She outworked the others, but he didn’t pay her any more than them. He talked on the same level with the other guys. On the way back in the van, they would talk about buying a bottle.

Pointing out the window at the liquor store, they’d tell him, Lemme out here! and he’d pull over.

She got out too and didn’t go back. She got a number out of the Chinese paper and shortly started selling DVDs.

The man who gave her the DVDs took care to avoid arrest. He would not give her his name, so she couldn’t rat him out if she got caught. All she knew about him was that he was from Wenzhou in Zhejiang Province and people from Wenzhou knew how to survive. On the phone, he would say to meet him in the doorway and she would go to the place he meant. He would drive up in an Expedition, his ball cap on sideways, and give her the goods. He looked like a manager from a Chinese factory in wintertime — all dark clothes, down vest, fingerless gloves, smoking Mild Seven cigarettes. His face was lopsided, the result of ingesting pesticide as a child, which gave him the knowing look of someone who wasn’t going to be fooled again.

When she went out selling, she rode the train in her navy tracksuit, the satchel over her shoulder, holding the bootleg movies fanned out like playing cards in their clear plastic envelopes, murmuring:

Deeweedee, deeweedee. Hello, deeweedee.

What you got? the truants asked.

Nah, they said and gave her her movies back. A working man in corrective glasses shook his head, uninterested in kung fu comedies like Dream Return to Tang Dynasty.

Having made one sale, she got off at Tremont Avenue in the Bronx, turned her back to the platform, counted the cash, and hid it. The graffiti on the station tiles said Ca$h $mells. Beast. LLL. Byron. Ruthless AKA Jie Burn.

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